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Italo Svevo with proofs
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Print Processes (copper plate)
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Piero Chiara reading proofs
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CAXTON READS 1ST PROOFS
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Early printing press
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In the Hills o'Brown: Miniature Proofs, 1910 (woodblock print on paper)
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Examining printer's proofs at Star Paper, Blackburn, 1960
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Tomas, one of 3 colour proofs, 1978 (intaglio)
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Wore Khakis, 1999 (bound proofs from unpublished book)
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Proofs (p.174) of 'Modeste Mignon' corrected by the author, 1844 (pen & ink on paper)
In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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Proofs (p.264) of 'Modeste Mignon' corrected by the author, 1844 (pen & ink on paper)
Proofs (p.127) of 'Modeste Mignon' corrected by the author, 1844 (pen & ink on paper)
In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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Guido Gerosa working with Joe Wurzel, London, Great Britain
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Some proofreaders, Italy
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The Last Boat, for the Belgian Red Cross, 1914-18
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Statue of Bernardo Cennini, Loggia del Mercato Nuovo, Florence, Italy (photo)
The Box of 1932, 1932 (mixed media) (see also 450978)
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Statue of Bernardo Cennini, Loggia del Mercato Nuovo, Florence, Italy (photo)
Statue of Bernardo Cennini, Loggia del Mercato Nuovo, Florence, Italy (photo)
Proofing 'After Constable's elm', 2003 (photo)
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London Print Studios, Harrow Road, 2006 (photo)
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Two sentries guard the 'bomb proofs' of Battery Rogers, south west of Washington, DC, during the US Civil War. The shelters provided protection from hostile bombardment. They were sunken into earth, with dirt covered arched roofs, c. 1861-65
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Printing the Sunday Times, 1956 (linocut)
Zebra, c.1938 (hand woven tapestry)
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News room of the New York Times, Sept. 3, 1942. In the foreground is the City Desk which handles local news. The City copy desk is in middle ground, with foreign desk to right. Desks in center back lead to a spiral staircase to composing room. Copy readers go up there to check proofs.
Balkan Baroque I, 1997 (c-print)
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US Civil War. Fort fisher Expedition, Dec. 8, 1864 - Jan. 15, 1865. The map shows the Confederate artillery positions protected behind earthen mounds. The internal fort provided the garrison with 'bomb proofs', represented on the pink area. Below the fort is a line of ships labeled, 'US Fleet.' The map was created by Robert Knox Sneden, a Union soldier, after the attack (facsimile of watercolor)
Moonwalk, 1987 (screenprint)
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Moonwalk, 1987 (screenprint)
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Yorkshire Landscape (Sheep), 1956 (drypoint)
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The Sleeper, 1947 (litho)
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Eau-forte XXX, 1974 (etching on paper)
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United States, 1950s: man sprays liquid on to lithographic plates
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Diabolo, 1950 (bronze)
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Lifesavers, 1958 (colour screenprint)
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Untitled (Pele) - Coffee Beans, 2003 (c-print)
Le Griffu, 1952 (bronze)
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Agatha Christie, English crime writer, 9 March 1946 (b/w photo)
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Queen Elizabeth II, from Reigning Queens (Royal Edition), 1985 (screenprint with diamond dust)
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