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Italo Svevo with proofs
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Piero Chiara reading proofs
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Early printing press
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Print Processes (copper plate)
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CAXTON READS 1ST PROOFS
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In the Hills o'Brown: Miniature Proofs, 1910 (woodblock print on paper)
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[Corrected Proofs] Manifesto of Surrealism. Soluble Fish. [Lorient], July 1924 (collage)
Examining printer's proofs at Star Paper, Blackburn, 1960
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Tomas, one of 3 colour proofs, 1978 (intaglio)
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Wore Khakis, 1999 (bound proofs from unpublished book)
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Proofs (p.174) of 'Modeste Mignon' corrected by the author, 1844 (pen & ink on paper)
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Architectural Cadences (one of 44 printer's proofs) 1954 (screenprint)
In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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In The Hills O’ Brown: Miniature Proofs (woodblock prints (9) on cream laid paper)
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Proofs (p.127) of 'Modeste Mignon' corrected by the author, 1844 (pen & ink on paper)
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Proofs (p.264) of 'Modeste Mignon' corrected by the author, 1844 (pen & ink on paper)
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Guido Gerosa working with Joe Wurzel, London, Great Britain
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Some proofreaders, Italy
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The Last Boat, for the Belgian Red Cross, 1914-18
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Exile Notes IV (proof), 2004 (etching & mixed media on hahnemuhle)
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Statue of Bernardo Cennini, Loggia del Mercato Nuovo, Florence, Italy (photo)
Statue of Bernardo Cennini, Loggia del Mercato Nuovo, Florence, Italy (photo)
Statue of Bernardo Cennini, Loggia del Mercato Nuovo, Florence, Italy (photo)
The Box of 1932, 1932 (mixed media) (see also 450978)
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Proofing 'After Constable's elm', 2003 (photo)
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London Print Studios, Harrow Road, 2006 (photo)
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Two sentries guard the 'bomb proofs' of Battery Rogers, south west of Washington, DC, during the US Civil War. The shelters provided protection from hostile bombardment. They were sunken into earth, with dirt covered arched roofs, c. 1861-65
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Printing the Sunday Times, 1956 (linocut)
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Zebra, c.1938 (hand woven tapestry)
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News room of the New York Times, Sept. 3, 1942. In the foreground is the City Desk which handles local news. The City copy desk is in middle ground, with foreign desk to right. Desks in center back lead to a spiral staircase to composing room. Copy readers go up there to check proofs.
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Balkan Baroque I, 1997 (c-print)
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US Civil War. Fort fisher Expedition, Dec. 8, 1864 - Jan. 15, 1865. The map shows the Confederate artillery positions protected behind earthen mounds. The internal fort provided the garrison with 'bomb proofs', represented on the pink area. Below the fort is a line of ships labeled, 'US Fleet.' The map was created by Robert Knox Sneden, a Union soldier, after the attack (facsimile of watercolor)
Moonwalk, 1987 (screenprint)
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Moonwalk, 1987 (screenprint)
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Walking Woman, 1932-36 (patinated bronze)
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Juin, 1940 (bronze with dark patina)
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Plus Fours, 1974 (offset litho & screenprint transfers on silk chiffon & silk satin)
Plus Fours, 1974 (offset litho & screenprint transfers on silk chiffon & silk satin)
Ahab, from The Waves, 1985-88 (screenprint, colour litho & linocut with hand colouring & collage)
Walking Woman, 1932-36 (patinated bronze)
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Le crapaud, 1940 (bronze with brown patina)
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Le crapaud, 1940 (bronze with brown patina)
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0 Through 9 (Universal Limited Art Editions 3), 1960 (litho)
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Yorkshire Landscape (Sheep), 1956 (drypoint)
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Gaby Chaise Longue, or Le Transatlatique (drypoint)
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Le crapaud, 1940 (bronze with brown patina)
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Seated woman and sleeper, 1947 (litho)
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Walking Woman, 1932-36 (patinated bronze)
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Walking Woman, 1932-36 (patinated bronze)
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Walking Woman, 1932-36 (patinated bronze)
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The Sleeper, 1947 (litho)
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Lifesavers, 1958 (colour screenprint)
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La sauterelle, moyenne, 1945 (bronze with brown patina)
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Eau-forte XXX, 1974 (etching on paper)
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Untitled (Pele) - Coffee Beans, 2003 (c-print)
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Lulu, from Metropolitan Fine Art, 1982 (colour litho)
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Agatha Christie, English crime writer, 9 March 1946 (b/w photo)
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Le Griffu, 1952 (bronze)
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Queen Elizabeth II, from Reigning Queens (Royal Edition), 1985 (screenprint with diamond dust)
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Portrait d'Olga Picasso, 1920 (etching, on laid paper)
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Diabolo, 1950 (bronze with brown patina)
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The King at the front (litho)
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United States, 1950s: man sprays liquid on to lithographic plates
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