商品已加入购物车
寻找您的完美匹配顶部结果为精确匹配，其余则为从我们的图库中精选的视觉相似图片。
将文件拖拽至此处
上传
处理搜索结果
等待更新中..
错误:
搜索特定字段
| 领域 | 搜索词 | 示例 |
| 资产标题 | 标题： | 标题：小马 |
| 资产标题与关键词 | ~ | ~小马 |
| 资产描述文本 | 描述： | 描述：伦敦 |
| 机构前缀 | 前缀：或 $ | 前缀:LAL 或 $LAL |
| 资产ID | imageid: 或 # | imageid:250297 或 imageid:[2500 至 4000] 或 #1551 |
| 机构名称 | coll: | coll:历史 |
| 中型 | 媒介： | 媒介：油 |
| 世纪 | 世纪： | 世纪：20世纪 |
| 关键词 | 千瓦： | kw:狗 |
| 艺术家名称 | 艺术家：还是？ | 艺术家：莫奈或莫奈？ |
| 艺术家国籍 | 夜： | nat:法语 |
| 创作者ID | creatorid： | creatorid:37 |
| 位置 | 地点：or @ | 地点：埃克塞特或@埃克塞特 |
| 分类 | 类： | 类别：57 或 #57。未分类资产请使用 # 标记 |
| 年 | 年： | 年份：1850 或 年份：[1700 至 1800] |
Caio Locke’s background in aquatint and dry-point etching has been formative in the development of his painting style. Art has always been central to his life, but it was only later, when Locke embarked on a legal career, that he knew for certain that painting was his calling. Since 2007, painting and design has been Locke’s full-time occupation and childhood memories between London and Rio provided much of his early inspiration. Locke paints parallel or ‘parareal’ realities, that weave between reality and dreaming perception. Cities provide an endless resource for playing with imagination, s Caio Locke’s background in aquatint and dry-point etching has been formative in the development of his painting style. Art has always been central to his life, but it was only later, when Locke embarked on a legal career, that he knew for certain that painting was his calling. Since 2007, painting and design has been Locke’s full-time occupation and childhood memories between London and Rio provided much of his early inspiration. Locke paints parallel or ‘parareal’ realities, that weave between reality and dreaming perception. Cities provide an endless resource for playing with imagination, space, ideas, time and depth. He moves through familiar architectural form, place and symbols towards abstracted shapes, as a means to find a deeper symbolism and a meeting point between the manmade and natural. L ...
© 版权所有 2026 布里奇曼艺术图书馆有限公司。在英格兰和威尔士注册，公司编号：01056394。
