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Maren Strack is a Berlin-based performance artist and sculptor whose work merges physical endurance, material experimentation, and feminist critique. With a background in sculpture, she creates performative installations that push the limits of the human body and the materials she engages with—latex, steel, Ytong, and even her own hair. Her striking performances often blur the line between dance and mechanical installation, combining custom-built instruments, unconventional costumes, and kinetic objects to explore tension, sound, and the mechanics of movement.
Strack’s practice investigates Maren Strack is a Berlin-based performance artist and sculptor whose work merges physical endurance, material experimentation, and feminist critique. With a background in sculpture, she creates performative installations that push the limits of the human body and the materials she engages with—latex, steel, Ytong, and even her own hair. Her striking performances often blur the line between dance and mechanical installation, combining custom-built instruments, unconventional costumes, and kinetic objects to explore tension, sound, and the mechanics of movement.
Strack’s practice investigates the image of modern femininity through physical action and technical experimentation. Whether suspended by her own hair in muddclubsolo or performing rhythmically in steel-clad boots on metal planks in ICE Lise Meitner, she explores the boundaries of control, vulnerability, and force. Her work has been exhibited internationally, including at the Fondation Cartier, the Akademie der Künste, the Deutsches Museum, and the Pina Bausch Festival.
She has received numerous awards and residencies, including the German Dance Solo Prize and fellowships at Akademie Schloss Solitude and Künstlerhaus Lukas. From 2008 to 2013, she was guest professor and head of the Spatial Strategies program at the Weißensee Academy of Art, Berlin, and has taught performance at the Berlin University of the Arts since 2009. ...
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