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| 领域 | 搜索词 | 示例 |
| 资产标题 | 标题： | 标题：小马 |
| 资产标题与关键词 | ~ | ~小马 |
| 资产描述文本 | 描述： | 描述：伦敦 |
| 机构前缀 | 前缀：或 $ | 前缀:LAL 或 $LAL |
| 资产ID | imageid: 或 # | imageid:250297 或 imageid:[2500 至 4000] 或 #1551 |
| 机构名称 | coll: | coll:历史 |
| 中型 | 媒介： | 媒介：油 |
| 世纪 | 世纪： | 世纪：20世纪 |
| 关键词 | 千瓦： | kw:狗 |
| 艺术家名称 | 艺术家：还是？ | 艺术家：莫奈或莫奈？ |
| 艺术家国籍 | 夜： | nat:法语 |
| 创作者ID | creatorid： | creatorid:37 |
| 位置 | 地点：or @ | 地点：埃克塞特或@埃克塞特 |
| 分类 | 类： | 类别：57 或 #57。未分类资产请使用 # 标记 |
| 年 | 年： | 年份：1850 或 年份：[1700 至 1800] |
-I grew up in Gloucestershire and moved to Paris in my early twenties to learn to paint. I learnt by absorbing myself into a world of galleries, museums and life-drawing classes, going everywhere with a camera and sketchbook. Paris filled my head with ideas but I was overwhelmed. A trip to Italy brought some clarity: In the Cathedral of Borgo San Sepolcro I saw the 'Resurrection' by Piero della Francesca and I then knew I would always want to paint people and to capture life in a still, distilled moment. From the Italian Early Renaissance artists I learnt that it is possible to show a depth -I grew up in Gloucestershire and moved to Paris in my early twenties to learn to paint. I learnt by absorbing myself into a world of galleries, museums and life-drawing classes, going everywhere with a camera and sketchbook. Paris filled my head with ideas but I was overwhelmed. A trip to Italy brought some clarity: In the Cathedral of Borgo San Sepolcro I saw the 'Resurrection' by Piero della Francesca and I then knew I would always want to paint people and to capture life in a still, distilled moment. From the Italian Early Renaissance artists I learnt that it is possible to show a depth of feeling without words or drama. I had found a footing and a language I could bring to the present day.
-Top artists: Piero della Francesca, Georges de la Tour, van Gogh, Frances Bacon, Chagall, Bridget Riley.
-After living for 15 years in London I moved to Dorset where I live with my family and other animals. That landscape, my family and friends, everyday life and the imposing speed of change in the world around me, which I feel bound to treat optimistically, are what and why I paint. ...
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