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| 领域 | 搜索词 | 示例 |
| 资产标题 | 标题: | 标题:小马 |
| 资产标题与关键词 | ~ | ~小马 |
| 资产描述文本 | 描述: | 描述:伦敦 |
| 机构前缀 | 前缀:或 $ | 前缀:LAL 或 $LAL |
| 资产ID | imageid: 或 # | imageid:250297 或 imageid:[2500 至 4000] 或 #1551 |
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| 中型 | 媒介: | 媒介:油 |
| 世纪 | 世纪: | 世纪:20世纪 |
| 关键词 | 千瓦: | kw:狗 |
| 艺术家名称 | 艺术家:还是? | 艺术家:莫奈或莫奈? |
| 艺术家国籍 | 夜: | nat:法语 |
| 创作者ID | creatorid: | creatorid:37 |
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| 分类 | 类: | 类别:57 或 #57。未分类资产请使用 # 标记 |
| 年 | 年: | 年份:1850 或 年份:[1700 至 1800] |
(1922-2002)<br> Lawrence Toynbee was an artist with a marked gift for conveying movement, which he used to especially good effect in his pictures of games and sports. <br> <br> In youth he had been a considerable games player himself, so from the beginning of his career it was natural for him to work on such subjects as Chelsea versus Spurs at Stamford Bridge (1953) or Boxing in Senior School (late 1950s). Increasingly, though, as he absorbed the influence of Anthony Fry’s paintings of dancing figures in the mid 1950s, he aimed to capture not the image of static and frozen mini-seconds – tha (1922-2002)<br> Lawrence Toynbee was an artist with a marked gift for conveying movement, which he used to especially good effect in his pictures of games and sports. <br> <br> In youth he had been a considerable games player himself, so from the beginning of his career it was natural for him to work on such subjects as Chelsea versus Spurs at Stamford Bridge (1953) or Boxing in Senior School (late 1950s). Increasingly, though, as he absorbed the influence of Anthony Fry’s paintings of dancing figures in the mid 1950s, he aimed to capture not the image of static and frozen mini-seconds – that was the province of photography – but rather the rhythm and the spirit which the action of games evoked. Cricket, football, rugger, boxing, rowing, tennis and later golf all afforded grist to his mill.<br> ...
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