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Car converted to locomotive, 1928
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A woman has processed ivory to paper knives, Germany 1954
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The brewing process, which turns barley and hops into the alcoholic beverage of beer.
Museum Ziegelei near Mildenberg, decommissioned and converted into a museum ..., 1999 (photo)
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Sheep are being loaded onto a converted oil tanker, the Danny F., 1988 (photo)
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Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Engineer with large wind tunnel, TI Technology Centre, Walsall, 1958 Photograph by Walter Nurnberg (1907-1991) who transformed industrial photography after WWII using film studio lighting techniques
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Chemist in labs works on pilot scheme, CIBA pharmaceuticals, Duxford, 1960 Photograph by Walter Nurnberg (1907-1991) who transformed industrial photography after WWII using film studio lighting techniques
Man at controls in control room inside steel blast furnace, Workington, 1948 Photograph by Walter Nurnberg (1907-1991) who transformed industrial photography after WWII using film studio lighting techniques
The Barclays London Clearing House: female operators with sorting machine 1977Photograph by Walter Nurnberg (1907-1991) who transformed industrial photography after WWII using film studio lighting techniques
Switzerland World War II Ammunition Plant Tuna, 1941 (b/w photo)
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Switzerland Economy Bank Holder, 1945 (b/w photo)
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This Interior view of cabin quarters shows a reclining seat which transforms into a bed in a mock ve.., 2000-12-19 (photo)
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Switzerland Economy Bank Holder, 1945 (b/w photo)
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View of the Avenue of Industry, Milan Trade Fair, Italy, 1930 (photo)
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A female mill worker tends spinning mill Bolton, 1956
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A potter's hands shaping a ceramic core used in electrical power distribution
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A female worker checks nylon threads, 1952
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A middle aged female worker braiding reels of cables, Johnson and Phillips
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A female mill worker winds glass based fabrics onto bobbins in twisting room
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An elderly woman inspects wool before packing at Paton and Baldwins, 1952
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Man and woman inspect coat on dummy at clothes factory, Crewe, 1948
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A female worker twists raw material on to cores and bobbins for chord making
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Blacksmiths and forge hammer, Whessoe Ltd, 1951
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Building Pharaoh's cities; the bondage of the Israelites; the plague of blood; Aaron's snake swallowing two others
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Technicians discuss a studio arc spotlight, Ship Carbon Company, 1962
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Two glassworkers put blown glass bulb onto platform, Lemington , 1960
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A female tailor fits a finished women's two piece suit over manequin, 1966
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Adapting industry to the war effort: Men and women manufacturing aircraft wings in Liverpool, December 1918 (b/w photo)
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Oswego starch factory, Oswego, N.Y. ca.1850s. The large factory was likely producing for the export market. Midwest and New York State Farm products arrived at the port. Establishing a factory to convert a commodity, such as corn, into a processed product, added value, resulting in more profit (lithograph)
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Female operator at computer tape console, Barclaycard, Northampton
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A young woman in iron foundry, Lloyds, Burton, 1953
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Adapting industry to the war effort: Female workers covering biplane wings in Liverpool, December 1918 (b/w photo)
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An engineer assembles IBM box computer at English Electric, 1958
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Adapting industry to the war effort: Delivering biplane wings by horse and cart in Liverpool, December 1918 (b/w photo)
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A worker examines finished rolls of aluminium sheets on production line
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Adapting industry to the war effort: A group portrait of staff and workers with biplane wings in Liverpool, December 1918 (b/w photo)
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Group of middle aged tailors at work on benches, Montague Burton, Leeds
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A distillery worker checks the temperature at Saladin Maltings, 1964 The Distillers Company
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A maltman shovels in loft as fresh barley pours from a hopper above, 1964
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Female worker with headscarf at factory drill, 1950
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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Two chemists with electron microscope, British Titan , Billingham, 1962
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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THE STRIDE OF A CENTURY, a cartoon celebrates the centennial of the United States, in 1876. The figure of Brother Jonathan, a precursor of Uncle Sam, straddles the towers of the main building at the Philadelphia World's Fair of 1876. Between his feet the North American continent, appears on a half globe, is crossed by a railroad. Brother Jonathan was originally the personification of New England, but after the Civil War, he morphed into Uncle Same. Uncle Sam adopted his costume to personify the entire country
DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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Making Of Rusco Brake Linings 7, 1930s
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Factory floor with workers assembling Hoovermatic washing machines, 1961
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Man watches girder being hoisted from acid pickling bath, 1959
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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A line of female workers pipe fondant mixture onto trays at Mackintosh, Caley, Norwich, 1950 (b/w photo)
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Unknown 1953 Lloyds Burton
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Engineers with the early DEUCE computer at English Electric, 1958
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Mechanical cotton picker developed in 1936. Machine harvesters transformed cotton agriculture after introduction the 1930s. The old sharecropping and hand labor system was replaced by highly capitalized intensive agriculture. Before these machines, the need for low cost harvesting labor, caused landowners to coerce poor blacks and whites to remain indebted and trapped in sharecropping poverty
A cooper at Cannon Brewery cooperage planing a section for a barrel, 1948
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A distillery worker inspects an infermentation vat for malt whiskey 1964
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A young woman on line packing boxes of Fortune chocolates, 1961 (b/w photo)
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Barclays Hofex dealers on telephones, 1977
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Barclays Hofex dealers at work , 1977
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A fitter on top of a large cast item uses vertical boring machine
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Figure study of man with machine drilling tubes of steel, Talbot Stead
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A portrait of Maltster with spade, Linkwood distillery, Elgin, 1964
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A machine bends a large steel plate at the works of Davy United, Derby, 1960
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Study of stack of glass tubes at the Chance Glass works Smethwick, 1964
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