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Car converted to locomotive, 1928
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A woman has processed ivory to paper knives, Germany 1954
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The brewing process, which turns barley and hops into the alcoholic beverage of beer.
Museum Ziegelei near Mildenberg, decommissioned and converted into a museum ..., 1999 (photo)
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Grenade production, c.1940 (b/w photo)
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A papermaker converts denim waste into paper the color of faded jeans., 1991 (photo)
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Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Engineer with large wind tunnel, TI Technology Centre, Walsall, 1958 Photograph by Walter Nurnberg (1907-1991) who transformed industrial photography after WWII using film studio lighting techniques
Chemist in labs works on pilot scheme, CIBA pharmaceuticals, Duxford, 1960 Photograph by Walter Nurnberg (1907-1991) who transformed industrial photography after WWII using film studio lighting techniques
The Barclays London Clearing House: female operators with sorting machine 1977Photograph by Walter Nurnberg (1907-1991) who transformed industrial photography after WWII using film studio lighting techniques
Man at controls in control room inside steel blast furnace, Workington, 1948 Photograph by Walter Nurnberg (1907-1991) who transformed industrial photography after WWII using film studio lighting techniques
Switzerland World War II Ammunition Plant Tuna, 1941 (b/w photo)
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This Interior view of cabin quarters shows a reclining seat which transforms into a bed in a mock ve.., 2000-12-19 (photo)
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Switzerland Economy Bank Holder, 1945 (b/w photo)
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Switzerland Economy Bank Holder, 1945 (b/w photo)
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View of the Avenue of Industry, Milan Trade Fair, Italy, 1930 (photo)
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A potter's hands shaping a ceramic core used in electrical power distribution
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A female mill worker tends spinning mill Bolton, 1956
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A female mill worker winds glass based fabrics onto bobbins in twisting room
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An elderly woman inspects wool before packing at Paton and Baldwins, 1952
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A female worker checks nylon threads, 1952
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A middle aged female worker braiding reels of cables, Johnson and Phillips
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A female worker twists raw material on to cores and bobbins for chord making
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Building Pharaoh's cities; the bondage of the Israelites; the plague of blood; Aaron's snake swallowing two others
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Man and woman inspect coat on dummy at clothes factory, Crewe, 1948
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Oswego starch factory, Oswego, N.Y. ca.1850s. The large factory was likely producing for the export market. Midwest and New York State Farm products arrived at the port. Establishing a factory to convert a commodity, such as corn, into a processed product, added value, resulting in more profit (lithograph)
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A female tailor fits a finished women's two piece suit over manequin, 1966
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Female operator at computer tape console, Barclaycard, Northampton
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Blacksmiths and forge hammer, Whessoe Ltd, 1951
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Adapting industry to the war effort: Men and women manufacturing aircraft wings in Liverpool, December 1918 (b/w photo)
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Technicians discuss a studio arc spotlight, Ship Carbon Company, 1962
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Two glassworkers put blown glass bulb onto platform, Lemington , 1960
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Adapting industry to the war effort: Female workers covering biplane wings in Liverpool, December 1918 (b/w photo)
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An engineer assembles IBM box computer at English Electric, 1958
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A young woman in iron foundry, Lloyds, Burton, 1953
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Adapting industry to the war effort: A group portrait of staff and workers with biplane wings in Liverpool, December 1918 (b/w photo)
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Group of middle aged tailors at work on benches, Montague Burton, Leeds
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Adapting industry to the war effort: Delivering biplane wings by horse and cart in Liverpool, December 1918 (b/w photo)
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A distillery worker checks the temperature at Saladin Maltings, 1964 The Distillers Company
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A worker examines finished rolls of aluminium sheets on production line
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A maltman shovels in loft as fresh barley pours from a hopper above, 1964
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Female worker with headscarf at factory drill, 1950
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Two chemists with electron microscope, British Titan , Billingham, 1962
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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THE STRIDE OF A CENTURY, a cartoon celebrates the centennial of the United States, in 1876. The figure of Brother Jonathan, a precursor of Uncle Sam, straddles the towers of the main building at the Philadelphia World's Fair of 1876. Between his feet the North American continent, appears on a half globe, is crossed by a railroad. Brother Jonathan was originally the personification of New England, but after the Civil War, he morphed into Uncle Same. Uncle Sam adopted his costume to personify the entire country
A line of female workers pipe fondant mixture onto trays at Mackintosh, Caley, Norwich, 1950 (b/w photo)
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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Making Of Rusco Brake Linings 7, 1930s
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Mechanical cotton picker developed in 1936. Machine harvesters transformed cotton agriculture after introduction the 1930s. The old sharecropping and hand labor system was replaced by highly capitalized intensive agriculture. Before these machines, the need for low cost harvesting labor, caused landowners to coerce poor blacks and whites to remain indebted and trapped in sharecropping poverty
DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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DEU, Germany, Duesseldorf:: The relocation of a Rhine bridge became a …, 1976 (photo)
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Factory floor with workers assembling Hoovermatic washing machines, 1961
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Engineers with the early DEUCE computer at English Electric, 1958
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Man watches girder being hoisted from acid pickling bath, 1959
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A distillery worker inspects an infermentation vat for malt whiskey 1964
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Figure study of man with machine drilling tubes of steel, Talbot Stead
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A portrait of Maltster with spade, Linkwood distillery, Elgin, 1964
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A fitter on top of a large cast item uses vertical boring machine
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Unknown 1953 Lloyds Burton
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A young woman on line packing boxes of Fortune chocolates, 1961 (b/w photo)
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A worker inspects embossed aluminium sheets at press, Alcan, 1961
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Young worker winding tape on to sections of electric cable, 1948
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A signwriter works on an Ilford films Austin van, Smith Motors, Goodmayes
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Portrait of a distillery worker at the mash tun, Balmeanach, 1964
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Two men dismantle the rotors of a large turbine, Sheffield, 1961
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