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{"event":"custom_event","event_name":"view_search_result","event_category":"browse_catalog","keyword":"mostra biblioteca britannica","search_type":"standard","search_bridgeman_artists":"false","search_mode":"automatic","search_zero_result":"false","search_results":1055,"search_results_page_number":1}

'Mostra Biblioteca Britannica' Bilder und Clips Suchergebnisse page 1 of 12

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Portrait of Colonel James Skinner (1778-1841) in uniform, seated on a chair
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Werewolf
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Messrs. Harding, Howell & Co. A store selling material and fabric
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'Part of a park exhibiting their manner of planting after a more grand manner than has been done before per B. Langley'
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A plan of a garden
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Darvishes' dancing watched over by angels.
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Benefit ticket for Drury lane box. Grimaldi's benefit, 8 June 1803: Dibdin's benefit 22 September 1817.
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Letter of Sir Edward Dering sending Magna Carta to Sir Robert Cotton (Dover Castle, 10 May 1630.)
Very few people can claim to have been sent a copy of Magna Carta, but that is exactly what happened to Sir Robert Cotton on 10 May 1630, when he received this note from his 'affectionate freind and servant' Sir Edward Dering (d. 1644), the lieutenant of Dover Castle. He wrote: 
I have sent up two of your books, which have
much pleasured me: I have here the charter
of K. John dated att Running Meade: by the
first safe and sure messenger it is your's. So
are the Saxon charters, as fast as I can coppy
them: but in the meane time I will close
K. John in a boxe and send him.
Dering shared Sir Robert Cotton's antiquarian interests, and clearly regarded the Cotton library as a suitable home for Magna Carta. Edward Dering's copy can be identified as the nowdamaged Cotton Charter XIII 31A, part of the British Library's collections.
Slaves Fell the Ripe Sugar, Antigua, 1823 (print)
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In 1617, the alchemist Robert Fludd depicted 'the great chain of being', with concentric circles: From Sophia, the goddess of Wisdom, the chain extends downwards to animals, plants and minerals.
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A pink rose, a blue iris, a pimpernel and other flowering plants; gold clouds at top
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Front cover of 'New Principles of Gardening, or the laying out and planting Parterres'
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Mister Punch
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George Branwell was an unfortunate apprentice who failed to follow the advised moral code of behaviour. His subsequent downfall was popularised throughout the eighteenth century to warn other young people against the evil effects of bad company and the temptations they might encounter an leaving home to set out in business.
Elephant and Castle Theatre, Southwark. "Manhood", c. 1890. A night-time scene with a young couple and two men in a derelict church with full moon and bats.
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'The compleat Figure of the Minuet'. The movements of a dance
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Durbar at Delhi of Akbar II (1759-1837, ruled 1806-1837). The Emperor is shown seated on his throne in the Diwan-i Khas of the Palace at Delhi. Near him stand the Princes of the Blood Royal; on his left Mirza Jahangir Bahadur, Mirza Babar Sahib, Mirza Hussain Bahadur and Mirza KaiQubad, on his right Mirza Salim Bahadur and Mirza Abu Zafar. Nearby is the British Resident at Delhi, Sir David Ochterlony ('Kharnal Akhtarluni Sahib') and the nobles of the court stand around on both sides of the throne
A cross section of the Royal Pavilion at Brighton
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The regular Order of the Minuet continued: A music score; a man and a woman dancing
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Add.Or.483 A pool of water near a shrine to Shiva that has a red banner on the roof pinnacle. Pilgrims arrive, mostly on foot, others on animals
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Vampire and woman
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Title page.
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Title page to a music composition by an African, possibly being, Ignatus Sancho.
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Universal Declaration of Human Rights.
Born out of World War II, the Universal Declaration of Human Rights represents the first global codification of rights to which all human
beings are inherently entitled. The framers of the Declaration drew on previous models of rights and a few of its articles look back as far
as Magna Carta; for example, Article 9 of the Declaration, relating to freedom from arbitrary arrest, detention and exile, echoes the essence
of clause 39 in the 1215 Magna Carta. Following the adoption of the Declaration by the United Nations General Assembly on 10 December 1948,
the influence of Magna Carta was acknowledged by Eleanor Roosevelt, Chairman of the United Nations Committee on Human Rights.
She declared in a speech to the Assembly that, 'this Universal Declaration of Human Rights may well become the international Magna Carta
of all men everywhere'.
Colored front and side elevations and plans of the King's Floating Baths at Weymouth; drawn by John William Hiort, on a scale of 2 feet 9 inches to an inch.
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Coloured front and side elevations and plans of the King's Floating Baths at Weymouth; drawn by John William Hiort, on a scale of 2 feet 9 inches to an inch.
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Five rissaldar and jemadrs of Skinner's Horse seated on the ground. Names inscribed on painting below in Persian characters and in English
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Humayun at the celebrations held at the time of Akbar's circumcision (1545).
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Shah Alam II seated on a throne overlooking a river
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A dance taking place in an ornate room
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A couple performing a waltz
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Aurangzeb (1658-1707) in his old age, head and shoulder portrait at a window reading a book
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Helen charms Dr.Faustus'. Illustration and music score.
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Architectural designs
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Title page of a book on the subject of slavery.
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Add MS 53630 f.9 Prologue, Manuscript of the play, 'Dracula - the undead', by Bram Stoker, 1897 (ink on paper)
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Sulaiman with his attendant jinns and angels, surrounded by birds and animals.
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Exotic flowers growing beneath gold clouds
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Engraved view of the House of Commons in session, 12th February 1623
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Although Magna Carta was often invoked in an unsophisticated and anachronistic manner, it became a prominent symbol of liberty for early
nineteenth-century radicals. They saw Magna Carta as the basis of an ancient constitution that was under threat from an increasingly powerful and unaccountable executive. That position was demonstrated clearly in this book, published in support of Queen Caroline (d. 1821), which suggested that to defend the Queen was to defend the ancient
rights established by Magna Carta. The book went through at least five editions in 1820, and was 'Dedicated to the Ladies of Great Britain'.
In this illustration, 'Magna Charta' is depicted alongside the 'Laws of England' as part of a banner of 'Freedom': as the accompanying poem states, 'Destroy Magna Charta, and then in its place / Allow us like slaves, To exist in disgrace'.
Party of yogis.
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A carriage.
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A Chinese sofa
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People playing a game.
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Coughs and sneezes spread diseases'. 'He's a public enemy, trap your germs in a handerchief'. A ministry of health poster for a campaign to convince people that unprotected sneezing and coughing without covering one's mouth was inherently anti-social.
Shah Jahan in durbar, holding a ruby in his right hand; 'chauri'-bearers stand on either side of him and an attendant before him holds a tray of jewels. On the left is Prince Alamgir (Aurangzeb) who salutes his father. The location is the Diwan-i-Am at Delhi
A leaf of a native book written in the Vai character.
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'On sale'. A list of books etc produced by the women's social and political union.
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Portrait of a lady holding a rose
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Although Magna Carta was often invoked in an unsophisticated and anachronistic manner, it became a prominent symbol of liberty for early
nineteenth-century radicals. They saw Magna Carta as the basis of an ancient constitution that was under threat from an increasingly powerful and unaccountable executive. That position was demonstrated clearly in this book, published in support of Queen Caroline (d. 1821), which suggested that to defend the Queen was to defend the ancient
rights established by Magna Carta. The book went through at least five editions in 1820, and was 'Dedicated to the Ladies of Great Britain'.
In this illustration, 'Magna Charta' is depicted alongside the 'Laws of England' as part of a banner of 'Freedom': as the accompanying poem states, 'Destroy Magna Charta, and then in its place / Allow us like slaves, To exist in disgrace'.
Ritratti di criminali tedeschi Italaini. Portraits of German and Italian criminals. A death mask in the centre.
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Great bill for performance at Covent Garden theatre, 20 January 1776. Duenna or, the double elopement.
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Silhouette portrait of Philip Astley. Philip Astley (8 January 1742 - 27 January 1814) was an English equestrian, circus owner, and inventor, regarded as being the "father of the modern circus".
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An architectural plan
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"L'Allegro"- Mrs. Jordan as a country girl
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Nawab Muhammad 'Abd al-Rahman Khan of Jhajjar (born 1827, ruled 1845-57) in his court in hot weather with various musicians and courtiers
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Contrasted royal chapels': Chapel Royal Brighton. St.George's chapel, Windsor.
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First page of 'The cabinet-makers London book of prices'
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This plate shows several kinds of mouldings for picture frames or panels
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Portrait of Bahadur Shah, the last Mughal Emperor of India
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The sale of tea, coffee and chocolate
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Tottenham, 1815'. Luke Howard's daily barometric pressure readings are amongst the earliest consistent scientific observations recorded.
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Since 1893, Indian settlers in South Africa had pursued a programme of civil disobedience, or 'passive resistance', in opposition to the racist
measures imposed by the governments of South Africa. Led by the practising lawyer, Mohandas Gandhi (d. 1948), the protesters secured the Indian Relief Act in 1914, which Gandhi hailed in this 'farewell letter' as 'the Magna Charta of our liberty in this land'. Written just before his departure for India, the letter was published in the South African newspaper, Indian Opinion,
founded by Gandhi in 1903. For Gandhi, the settlement was 'our Magna Charta because it marks a change in the policy of the Government
towards us "¦ it moreover confirms the theory of the British Constitution that there should be no legal racial inequality between different subjects of the Crown "¦ it has vindicated Passive Resistance as a lawful clean weapon'.
A watercolour of a landscape.
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A watercolour of a landscape.
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'Gurney's new steam carriage'.
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Proclamation by the Queen to the People of India.
In the aftermath of the Indian Rebellion (1857-58), the British Parliament passed the Government of India Act, transferring the rights and administrative authority of the East India Company to the British Crown. These governmental changes were announced to the 'Princes, Chiefs and People of India' in the form of this proclamation issued by Queen Victoria
(r. 1837-1901). Seeking to maintain peace after the Rebellion, the whole tenor of the Proclamation was one of generosity and benevolence. It
granted 'the Natives of Our Indian Territories' the same rights as 'all Our other Subjects' and, among other things, promised to support
religious toleration, to recognise the 'Customs of India', to end racial discrimination and to ensure that 'all shall alike enjoy the equal impartial
protection of the Law'. By recognising Indians as British subjects, and extending to them rights consistent with that status, the Proclamation
was widely heralded by Indian subjects, including Mohandas Gandhi (d. 1948), as their Magna Carta.
This plate shows how to make arches upon arches
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Watercolour of a landscape.
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Five columns of varying heights
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Tattersall's auction broadside for Monday 19th November 1810
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A landscape sketch
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A desk and bookcase
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The transformation
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Translation of the Magna Carta into Anglo-Norman French
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Proclamation by the Queen to the People of India.
In the aftermath of the Indian Rebellion (1857-58), the British Parliament passed the Government of India Act, transferring the rights and administrative authority of the East India Company to the British Crown. These governmental changes were announced to the 'Princes, Chiefs and People of India' in the form of this proclamation issued by Queen Victoria
(r. 1837-1901). Seeking to maintain peace after the Rebellion, the whole tenor of the Proclamation was one of generosity and benevolence. It
granted 'the Natives of Our Indian Territories' the same rights as 'all Our other Subjects' and, among other things, promised to support
religious toleration, to recognise the 'Customs of India', to end racial discrimination and to ensure that 'all shall alike enjoy the equal impartial
protection of the Law'. By recognising Indians as British subjects, and extending to them rights consistent with that status, the Proclamation
was widely heralded by Indian subjects, including Mohandas Gandhi (d. 1948), as their Magna Carta.
The Great Charter of 1832.
After decades of popular agitation for reform, Parliament finally bowed to pressure in 1832 and passed the Representation of the People Act,
commonly known as the Great Reform Act. The Act granted a limited extension of the franchise, based largely on a broadening of the property
qualification in the counties and the creation of a uniform franchise in the boroughs. It also redistributed electoral constituencies, increasing
representation for the rapidly growing industrial towns, to begin to reflect the major population changes of the period. The Great Reform Act was presented as a new Magna Carta in popular prints and in other mass-produced items, including cordial bottles and figurines. Published soon after the Act was passed, this book, entitled The Great Charter of 1832, presents it as another Magna Carta. In the introduction, the anonymous author traces the history of constitutional reform, claiming that Magna Carta was a milestone in the advance towards fairer parliamentary representation.
A portrait of the Mughal emperor Muhammad Shah with his 'vazir' Itimad ud-Daula Qamaruddin Khan (d.1748)
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A man with a lamp approaching a harlequin. A ballet.
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An illustration for the novel, 'War of the Worlds'.
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Orange coloured front cover. Russian title in cyrillic.
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The Frame of the Government of Pennsylvania. Having received a substantial grant of lands in 1681 in what would become known as Pennsylvania, William Penn set about devising a constitution for his new colony, which became The Frame of the Government of Pennsylvania. That document, and its accompanying 'Laws agreed upon in England', contained many provisions
based on Magna Carta, including that 'all fines shall be moderate' (Law XVIII). Law XVIII in turn reflected clause 20, stating that fines should be proportionate to the offence committed. This was the first time that an American colony had
expressly adopted elements of Magna Carta as part of the initial act of colonisation
The battle of Panipat, 13th January 1761. Inscribed with names of the principal combatants in Persian characters. Drawing with some colour; on paper backed with cloth, through which can be seen a drawing of a horseman and attendant
Indian female of the Arrowauka nation.
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North and South West Africa shewing the course of the Niger, and principal rivers, from the latest authorities, By W. Hutton.
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"Il Pensero"- Mrs. Siddons as Isabella
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Dictyota dichotoma, in the young state and in the fruit, 1843-53.
Cyanotype photogram, 25.8 x 20.5 cm.
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'The tea-table'
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A small statue of Aesculapius, the Roman god of medicine; text
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A landscape sketch showing cattle
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