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Portrait of Colonel James Skinner (1778-1841) in uniform, seated on a chair
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Werewolf
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Messrs. Harding, Howell & Co. A store selling material and fabric
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Letter of Sir Edward Dering sending Magna Carta to Sir Robert Cotton (Dover Castle, 10 May 1630.)
Very few people can claim to have been sent a copy of Magna Carta, but that is exactly what happened to Sir Robert Cotton on 10 May 1630, when he received this note from his 'affectionate freind and servant' Sir Edward Dering (d. 1644), the lieutenant of Dover Castle. He wrote: 
I have sent up two of your books, which have
much pleasured me: I have here the charter
of K. John dated att Running Meade: by the
first safe and sure messenger it is your's. So
are the Saxon charters, as fast as I can coppy
them: but in the meane time I will close
K. John in a boxe and send him.
Dering shared Sir Robert Cotton's antiquarian interests, and clearly regarded the Cotton library as a suitable home for Magna Carta. Edward Dering's copy can be identified as the nowdamaged Cotton Charter XIII 31A, part of the British Library's collections.
Slaves Fell the Ripe Sugar, Antigua, 1823 (print)
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Benefit ticket for Drury lane box. Grimaldi's benefit, 8 June 1803: Dibdin's benefit 22 September 1817.
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In 1617, the alchemist Robert Fludd depicted 'the great chain of being', with concentric circles: From Sophia, the goddess of Wisdom, the chain extends downwards to animals, plants and minerals.
A pink rose, a blue iris, a pimpernel and other flowering plants; gold clouds at top
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'Part of a park exhibiting their manner of planting after a more grand manner than has been done before per B. Langley'
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Darvishes' dancing watched over by angels.
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Durbar at Delhi of Akbar II (1759-1837, ruled 1806-1837). The Emperor is shown seated on his throne in the Diwan-i Khas of the Palace at Delhi. Near him stand the Princes of the Blood Royal; on his left Mirza Jahangir Bahadur, Mirza Babar Sahib, Mirza Hussain Bahadur and Mirza KaiQubad, on his right Mirza Salim Bahadur and Mirza Abu Zafar. Nearby is the British Resident at Delhi, Sir David Ochterlony ('Kharnal Akhtarluni Sahib') and the nobles of the court stand around on both sides of the throne
Add.Or.483 A pool of water near a shrine to Shiva that has a red banner on the roof pinnacle. Pilgrims arrive, mostly on foot, others on animals
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Mister Punch
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A plan of a garden
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Front cover of 'New Principles of Gardening, or the laying out and planting Parterres'
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Title page to a music composition by an African, possibly being, Ignatus Sancho.
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'The compleat Figure of the Minuet'. The movements of a dance
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A cross section of the Royal Pavilion at Brighton
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The regular Order of the Minuet continued: A music score; a man and a woman dancing
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George Branwell was an unfortunate apprentice who failed to follow the advised moral code of behaviour. His subsequent downfall was popularised throughout the eighteenth century to warn other young people against the evil effects of bad company and the temptations they might encounter an leaving home to set out in business.
Aurangzeb (1658-1707) in his old age, head and shoulder portrait at a window reading a book
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Elephant and Castle Theatre, Southwark. "Manhood", c. 1890. A night-time scene with a young couple and two men in a derelict church with full moon and bats.
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Title page.
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Helen charms Dr.Faustus'. Illustration and music score.
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Architectural designs
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Coughs and sneezes spread diseases'. 'He's a public enemy, trap your germs in a handerchief'. A ministry of health poster for a campaign to convince people that unprotected sneezing and coughing without covering one's mouth was inherently anti-social.
Colored front and side elevations and plans of the King's Floating Baths at Weymouth; drawn by John William Hiort, on a scale of 2 feet 9 inches to an inch.
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Party of yogis.
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Portrait of a lady holding a rose
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Shah Jahan in durbar, holding a ruby in his right hand; 'chauri'-bearers stand on either side of him and an attendant before him holds a tray of jewels. On the left is Prince Alamgir (Aurangzeb) who salutes his father. The location is the Diwan-i-Am at Delhi
Universal Declaration of Human Rights.
Born out of World War II, the Universal Declaration of Human Rights represents the first global codification of rights to which all human
beings are inherently entitled. The framers of the Declaration drew on previous models of rights and a few of its articles look back as far
as Magna Carta; for example, Article 9 of the Declaration, relating to freedom from arbitrary arrest, detention and exile, echoes the essence
of clause 39 in the 1215 Magna Carta. Following the adoption of the Declaration by the United Nations General Assembly on 10 December 1948,
the influence of Magna Carta was acknowledged by Eleanor Roosevelt, Chairman of the United Nations Committee on Human Rights.
She declared in a speech to the Assembly that, 'this Universal Declaration of Human Rights may well become the international Magna Carta
of all men everywhere'.
Although Magna Carta was often invoked in an unsophisticated and anachronistic manner, it became a prominent symbol of liberty for early
nineteenth-century radicals. They saw Magna Carta as the basis of an ancient constitution that was under threat from an increasingly powerful and unaccountable executive. That position was demonstrated clearly in this book, published in support of Queen Caroline (d. 1821), which suggested that to defend the Queen was to defend the ancient
rights established by Magna Carta. The book went through at least five editions in 1820, and was 'Dedicated to the Ladies of Great Britain'.
In this illustration, 'Magna Charta' is depicted alongside the 'Laws of England' as part of a banner of 'Freedom': as the accompanying poem states, 'Destroy Magna Charta, and then in its place / Allow us like slaves, To exist in disgrace'.
Five rissaldar and jemadrs of Skinner's Horse seated on the ground. Names inscribed on painting below in Persian characters and in English
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A Chinese sofa
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People playing a game.
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A leaf of a native book written in the Vai character.
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Vampire and woman
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Nawab Muhammad 'Abd al-Rahman Khan of Jhajjar (born 1827, ruled 1845-57) in his court in hot weather with various musicians and courtiers
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A dance taking place in an ornate room
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'On sale'. A list of books etc produced by the women's social and political union.
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First page of 'The cabinet-makers London book of prices'
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Portrait of Bahadur Shah, the last Mughal Emperor of India
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The sale of tea, coffee and chocolate
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This plate shows several kinds of mouldings for picture frames or panels
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Tottenham, 1815'. Luke Howard's daily barometric pressure readings are amongst the earliest consistent scientific observations recorded.
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A couple performing a waltz
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"L'Allegro"- Mrs. Jordan as a country girl
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Coloured front and side elevations and plans of the King's Floating Baths at Weymouth; drawn by John William Hiort, on a scale of 2 feet 9 inches to an inch.
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Sulaiman with his attendant jinns and angels, surrounded by birds and animals.
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Watercolour of a landscape.
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Five columns of varying heights
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Humayun at the celebrations held at the time of Akbar's circumcision (1545).
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A carriage.
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Engraved view of the House of Commons in session, 12th February 1623
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Title page of a book on the subject of slavery.
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The transformation
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This plate shows how to make arches upon arches
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Shah Alam II seated on a throne overlooking a river
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Proclamation by the Queen to the People of India.
In the aftermath of the Indian Rebellion (1857-58), the British Parliament passed the Government of India Act, transferring the rights and administrative authority of the East India Company to the British Crown. These governmental changes were announced to the 'Princes, Chiefs and People of India' in the form of this proclamation issued by Queen Victoria
(r. 1837-1901). Seeking to maintain peace after the Rebellion, the whole tenor of the Proclamation was one of generosity and benevolence. It
granted 'the Natives of Our Indian Territories' the same rights as 'all Our other Subjects' and, among other things, promised to support
religious toleration, to recognise the 'Customs of India', to end racial discrimination and to ensure that 'all shall alike enjoy the equal impartial
protection of the Law'. By recognising Indians as British subjects, and extending to them rights consistent with that status, the Proclamation
was widely heralded by Indian subjects, including Mohandas Gandhi (d. 1948), as their Magna Carta.
An illustration for the novel, 'War of the Worlds'.
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Great bill for performance at Covent Garden theatre, 20 January 1776. Duenna or, the double elopement.
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Ritratti di criminali tedeschi Italaini. Portraits of German and Italian criminals. A death mask in the centre.
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A landscape sketch showing cattle
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Exotic flowers growing beneath gold clouds
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A man with a lamp approaching a harlequin. A ballet.
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The Frame of the Government of Pennsylvania. Having received a substantial grant of lands in 1681 in what would become known as Pennsylvania, William Penn set about devising a constitution for his new colony, which became The Frame of the Government of Pennsylvania. That document, and its accompanying 'Laws agreed upon in England', contained many provisions
based on Magna Carta, including that 'all fines shall be moderate' (Law XVIII). Law XVIII in turn reflected clause 20, stating that fines should be proportionate to the offence committed. This was the first time that an American colony had
expressly adopted elements of Magna Carta as part of the initial act of colonisation
Add MS 53630 f.9 Prologue, Manuscript of the play, 'Dracula - the undead', by Bram Stoker, 1897 (ink on paper)
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Orange coloured front cover. Russian title in cyrillic.
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A plan of Miss Gregory's shop
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'Gurney's new steam carriage'.
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A watercolour of a landscape.
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A watercolour of a landscape.
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The House of Commons. This is the earliest representation of the House of Commons sitting in the former St. Stephen's Chapel in the Palace of Westminster. Originally published as a print in 1624, it is unlikely to be accurate in all its details, but it gives a reasonable impression of the tall, narrow and cramped chamber in which the House met, and in which the debates leading to the Petition of Right took place. It seems to show an offender kneeling at the bar to receive the censure of the House from the Speaker, who presides in his chair. The clerks write in their draft journals at a table in front of the Speaker. However, the print in question probably does not refer to any specific incident. This copy was kept by Sir Simonds d'Ewes (d. 1650), an antiquary and Member of Parliament during the English Civil Wars
The Lawes of Virginia. Virginia was the first permanent English colony in North America, established by the London Company in 1607. The foundation charter of that new colony, drafted by Sir Edward Coke (d. 1634), stated that English law should be applied to the settlers. However, by the time that The Lawes of Virginia was published in 1662, it had become evident that certain principles of English law, which took their inspiration from Magna Carta, were no longer recognised in Virginia. This was especially the case regarding 'Tryals by Juryes', which were limited by the legal procedures instituted in that colony. The Lawes of Virginia therefore directed that, as this 'restriction is quite contrary to the Law of England "¦ by which we are to be governed', trial by jury was to be reinstated, and a jury empanelled to attend court on a daily basis
Mysteries of Udolpho'. Illustration showing the discovery of a dead body, in bed.
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A view of the Royal Pavilion at Brighton
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Although Magna Carta was often invoked in an unsophisticated and anachronistic manner, it became a prominent symbol of liberty for early
nineteenth-century radicals. They saw Magna Carta as the basis of an ancient constitution that was under threat from an increasingly powerful and unaccountable executive. That position was demonstrated clearly in this book, published in support of Queen Caroline (d. 1821), which suggested that to defend the Queen was to defend the ancient
rights established by Magna Carta. The book went through at least five editions in 1820, and was 'Dedicated to the Ladies of Great Britain'.
In this illustration, 'Magna Charta' is depicted alongside the 'Laws of England' as part of a banner of 'Freedom': as the accompanying poem states, 'Destroy Magna Charta, and then in its place / Allow us like slaves, To exist in disgrace'.
Humble Petition of the British Subjects.
In 1773 the British government established the Supreme Court of Judicature for Bengal. Controversially, the court limited the use of juries to criminal cases, while at the same time it effectively extended English law to Indians
in the region by admitting their lawsuits. As this petition shows, the Supreme Court was resented by many British expatriates, who felt that it weakened their authority and undermined 'the Great Charter of British Liberties'. Ill-feeling reached its peak in the 1779 civil trial of James Creassy, Superintendent of Public Works in Calcutta, who was denied the right to trial by jury for the assault, battery and false imprisonment of two Hindu carpenters. Creassy's case was the catalyst for this petition, bearing 647 signatures, to the House of Commons in London. It called for the restriction of legal actions by Indians and the re-establishment of the 'inherent, unalienable and indefeasible' rights granted to Englishmen in Magna Carta.
William Blackstone's The Great Charter and Charter of the Forest contains the texts of fourteen medieval documents, tracing the history of Magna Carta from the Articles of the Barons in 1215 to the confirmation of the charter by King Edward I (r. 1272-1307) in 1300. The Great Charter was a pioneering piece of historical scholarship, based on examination of the original documents. Most importantly, Blackstone was the first to publish an accurate
version of the text of Magna Carta as issued by King John in 1215. In so doing, he was able to establish that the 1215 Magna Carta was significantly different from the version entered on the Statute Roll in 1297 (itself derived from
the 1225 Magna Carta)
An architectural plan
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Silhouette portrait of Philip Astley. Philip Astley (8 January 1742 - 27 January 1814) was an English equestrian, circus owner, and inventor, regarded as being the "father of the modern circus".
The quadrille & cotillion panorama- the movements for a dance
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Frontispiece of 'The Life and Character of Moll King'
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Tattersall's auction broadside for Monday 19th November 1810
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March through a swamp
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Various photographic images relating to the International Press exhibition, Cologne, 1928.
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'The Lottery'. A music score; the movements for a dance
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A Declaration of the General Court holden at Boston 4 (9) 1646, concerning a Remonstrance and Petition exhibited at last Session of this Court by Doctor Child, Thomas Fowle, Samuel Maverick, Thomas Burton, John Smith, David Yale, and John Dand'
The Declaration of Rights made by the Representatives of the good people of Virginia, assembled in full and free Convention; which rights do pertain to them, and their posterity as the basis and foundation of Government'
Title page of 'The cabinet-makers London book of prices'
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