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Thomas Nast
THOMAS NAST
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Minnie Nast as Margarethe (photo)
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Minnie Nast - portrait (photo)
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Santa has Visited - Nast
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Thomas Nast illustrator and cartoonist. photo of Frazier in 1896.
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Thomas Nast, 1912 (b/w photo)
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Thomas Nast's celebration of the emancipation of Southern slaves with the end of the Civil War
Minnie Nast, as Marguerite in Faust 1906 (photo)
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Thomas Nast: Thomas Nast political cartoon depicting President Ulysses S. Grant dispensing civil service reform to reluctant political leaders, from Harper's Weekly, 1872
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Emancipation of Southern slaves at the end of the Civil War, 19th century (engraving)
Plate and cup, Nast manufacture, Paris, France, 19th century
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Tammany Police Child Stealer
Slave auction
Pair of vases, gilded porcelain, Nast manufacture, Paris, France, 19th century
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Conde Montrose Nast, launched his magazine empire in 1909, with the purchase of VOGUE. When he incorporated Conde Nast in in 1923, he had added HOUSE & GARDEN, VANITY FAIR, GLAMOUR, and AMERICAN GOLFER. 1924 photo
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Minnie Nast as Eva in Die Meistersinger von Nürnburg - opera by Richard Wagner.
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Statue of Uranus, 1790, bisque porcelain, Nast manufacture, Paris, France, 18th century
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'The Third-term Panic', First illustration of the Republican Party Elephant by Thomas Nast. Engraving, 1874
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Statue of Mars, 1790, bisque porcelain, Nast manufacture, Paris, France, 18th century
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Giacomo Puccini 's opera 'Madama Butterfly' with Minnie Nast in title role with child
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Statue of Venus, 1790, bisque porcelain, Nast manufacture, Paris, France, 18th century
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Minnie Nast - portrait, c. 1908. German soprano, 10 October 1874 - 20 June 1956.
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Commemoration of the emancipation of Southern slaves and the end of the Civil War, showing contrast between slavery and the life of freedmen. Print by Thomas Nast. 1865
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Vase with handles in shape of winged female bust, gilded porcelain, Nast manufacture, Detail, France, 19th century
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Mark Twain and the Clocks
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Confederate guerrilla raid in a western town during the US Civil War, by Thomas Nast, Sept 1862. This newspaper illustration shows Confederate guerrillas abusing citizens, destroying, and stealing property. The talented Nast often created such imaginative scenes from reported events (wood engraving)
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Minnie Nast, German soprano as Mimi in Giacomo Puccini 'sLa Boheme, 1906. 10 October 1874 - 20 June 1956.
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In 1874, Thomas Nast created this racist caricature of African American politicians emotionally debating in a southern legislature during the Reconstruction Era
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The Kansas Row. Sen. Stephen Douglas prepares to fight with pro-slavery forces who are kicking free African Americans from Kansas back into Missouri. Thomas Nast, 1867
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The massacre at New Orleans', 1867 (detail)
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The massacre at New Orleans', 1867
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Thomas F. Bayard holding on to tail of Democratic donkey and the Republican elephant; the White House in background, with flag "1880". Engraving by Thomas Nast, 1879
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Colored rule in a reconstructed state. Cartoon showing members of the South Caroline Legislature in argument in the House, with Columbia rebuking them. Thomas Nast, artist. Woodcut, 1874
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This is a white man's government. An Irish immigrant, a Confederate veteran, and a New York banker unite with their feet holding an African American man to the ground. Thomas Nast, artist. Woodcut, 1868
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Political cartoon, entitled, CHURCH AND STATE-NO UNION UPON ANY TERMS, by Thomas Nast, shows a symbolic women rejecting, and soldiers blocking, multiple religions to the door of building 'State.'
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New York City's Wall Street in ruins with dead bulls piled behind a sign reading, 'This street is closed for repairs.' 1869 (engraving)
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Thomas Nast (1840-1902), created cartoons for HARPER'S WEEKLY from 1858-1886, about Civil War and Reconstruction politics, and the corruption of the Tweed Ring in New York. 1868 Brady Studio photo
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Death at the polls, and free from 'federal interference'. Skeleton 'solid Southern shot gun' holding shotgun at polls, to prevent African Americans from voting. Thomas Nast, artist. Woodcut, 1868
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Thomas Nast with several of his caricatures, including two of himself (center top and bottom), 1888. Nast's work appeared in the 'Harper' Weekly', an illustrated newspaper. At upper left, is a caricature of Civil War general and politician, Benjamin Butler
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African American soldiers in a Civil War battle against their former masters, as imagined by artist Thomas Nast in March 1863. As Black units entered battle in 1863, they proved their and effectiveness and were sometimes assigned to the most forward ranks
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Thomas Nast reprised his favorite subject, Boss Tweed, eight years after his death in prison. As a diamond studded convict, Tweed's spirit of corruption still dominated New York City politics. 1886 cartoon
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Thomas Nast with caricatures of Union and Confederate soldiers in 1888. The smiling artist, tweaks the chin of the almost life size Confederate soldier. Nast's work appeared in the 'Harper' Weekly', a Northern newspaper that supported the reforms of post-Civil War Reconstruction and the Republican Party
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Thomas Nast illustration from 'Harper's Weekly', Aug. 1865. Columbia ponders why she should pardon Confederate troops who are begging for forgiveness when an African American Union soldier with an amputated leg does not have the right to vote (wood engraving)
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'Slavery is Dead?', illustration from 'Harper's Weekly', 12th January, 1866 (engraving)
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Oscar Wilde as Narcissus (with an inscription) (engraving)
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The Lost Cause, Lee waiting for Grant (oil on canvas)
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