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Comparison between head of boy and head of boar, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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Comparison between head of man and head of ox, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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Comparison between head of man and head of crow, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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Comparison between head of man and head of ram, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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Comparison between head of dog and head of Plato, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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Comparison between head of eagle and head of Servius Sulpicius Galba, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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AYLI : TOUCHSTONE,AUDREY
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Touchstone and Audrey (colour litho)
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The Paragon, Clifton, Bristol, from Royal York Cresent, UK (photo)
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Rosalind, disguised as Ganymede
The Touchstone by Robert Louis Stevenson
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The 1848 Revolution, Aux Ouvriers Travailleurs, la Patrie Reconnaissante, song dedicated to the workers. France, 19th century.
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Touchstone, 1993 (oil on canvas)
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Comedy of Errors by William Shakespeare act V,  scene 1
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