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'Slawisch' Bilder und Clips Suchergebnisse page 1 of 3

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The Apotheosis of the Slavs, from the 'Slav Epic', 1926 (oil and tempera on canvas)
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History. Czech Republic. The tribe of Czech arrives in Bohemia. Postcard, Czechoslovakia, c.1920.
Study for 'The Slav Epic cycle' No.19: The Abolition of Serfdom in Russia, 1913-14 (w/c & gouache on paper)
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The Leshy (colour litho)
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Montenegrin of the 'Old Guard'
The Slavs in their Original Homeland, from the 'Slav Epic' 1912 (oil and tempera on canvas)
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Hussar from Brentano's Slavonic-Croatian border volunteer corps (photo)
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Study for 'The Slav Epic' cycle No.9: Master Jan Hus Preaching at the Bethlehem Chapel. The Magic of the Word: Truth Prevails (1412), c.1915-16 (oil on canvas)
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Study for 'The Slav Epic' cycle No.7: Milíč of Kroměříž, c.1915-16 (oil on canvas)
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Emigrants from Eastern Europe, 1905 (b/w photo)
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A young Polish spinner in the Quidwick Co. Mill. Anthony, R. I 1909 (photo)
View of the interior, 1910 (photo)
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Serge Aksakov (1791-1859), Russian novelist, most admired for, "The Family Chronicle," 1856, a novelized memoir based on his own family
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Czech advertisement for Sokol Slet, 1907
Study for 'The Slav Epic' cycle No.2: The Celebration of Svantovít, c.1910-12 (oil on canvas)
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A young Polish spinner in the Quidwick Co. Mill. Anthony, R. I 1909 (photo)
Gregory of Nin, Bishop of Nin, Medieval Croatian bishop, Slavic religious leader. Huge statue by Ivan Mestrovic, Split, Croatia
SLAVIC SORB DRESSED WOMAN PAINTS EASTER EGG IN BAUTZEN, 2002-02-24 (photo)
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Study for 'The Slav Epic' cycle No.1: The Slavs in Their Original Homeland (1912), c.1910-12 (oil on canvas)
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The Coronation of Tsar Stepan Dusan (1308-55) from the 'Slav Epic', 1926 (oil and tempera on canvas) (see 122583)
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The Meeting at Krizky, from the 'Slav Epic', 1916 (oil and tempera on canvas)
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Polevik (gouache on paper)
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Study for 'The Slav Epic' cycle No.17: The Holy Mount Athos (1926), c.1925-26 (charcoal heightened with white on cardboard)
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Poster for the exhibition of the Slav Epic, 1928 (colour litho)
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View of the interior, 1910 (photo)
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The Introduction of the Slavonic Liturgy, from the 'Slav Epic', 1912 (oil and tempera on canvas)
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Peasants dancing, Bosnia, Austro-Hungary, c. 1895
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Adam Bernard Mickiewicz, 1851
Woman's costume from the area of Pec, Yugoslavia, embroidery worked in gobelins stitch, late 19th century
The Domovoi (colour litho)
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TRADITIONALLY SLAVIC SORB DRESSED WOMAN PAINTS EASTER EGGS IN BAUTZEN, 2002-02-24 (photo)
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Aleksander Borejko Chod?ko, 1885
Fanny Elssler (1810-1884). Austrian ballerina, dancing as the character of La Cracovienne from Mazilier's ballet La Gipsy. Elssler performed the traditional Polish dance in a Polish costume. c. 1840
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Svetovid, Slavic deity of war and sun, depicted as a four-faced god with a horn of abundance and bow in a temple. A priest predicts the future by observing the behavior of a white horse. Handcoloured copperplate engraving by Scrantoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Slav Bazar', Nicolsky, Moscow
House of the Tragic Poet, Pompeii VI.8.5. Slave boy filling an amphora at the well near the impluvium pool in the tablinum. In the background, the peristyle garden courtyard and aedicula lararium shrine. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Study for 'The Slav Epic' cycle No.18: The Oath of Omladina under the Slavic Linden Tree, c.1925-26 (pencil & watercolour on paper)
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Czech in Sokol uniform, 1929
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View of the Forum, Pompeii. A nobleman is carried in a sedan chair to the steps of the Forum. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Bust of Iolo-ki, a native of Western Africa. Negro Race. Enslaved man brought from Elmina, Ghana, to Rio de Janeiro. Handcoloured steel engraving after an illustration by Alfred Agate from Charles Pickering's The Races of Man, London, 1850.
Adam Bernard Micki (1798-1855). Polish writer and political activist. Monument. Warsaw. Poland.
Study for 'The Coronation of Tsar Stepan Dusan', 1926 (pencil and watercolour on paper) (see 178434)
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Fireworks, 1988 (colour etching)
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