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The Apotheosis of the Slavs, from the 'Slav Epic', 1926 (oil and tempera on canvas)
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History. Czech Republic. The tribe of Czech arrives in Bohemia. Postcard, Czechoslovakia, c.1920.
The Leshy (colour litho)
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Study for 'The Slav Epic cycle' No.19: The Abolition of Serfdom in Russia, 1913-14 (w/c & gouache on paper)
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The Slavs in their Original Homeland, from the 'Slav Epic' 1912 (oil and tempera on canvas)
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Hussar from Brentano's Slavonic-Croatian border volunteer corps (photo)
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Montenegrin of the 'Old Guard'
Study for 'The Slav Epic' cycle No.9: Master Jan Hus Preaching at the Bethlehem Chapel. The Magic of the Word: Truth Prevails (1412), c.1915-16 (oil on canvas)
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Emigrants from Eastern Europe, 1905 (b/w photo)
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View of the interior, 1910 (photo)
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A young Polish spinner in the Quidwick Co. Mill. Anthony, R. I 1909 (photo)
Study for 'The Slav Epic' cycle No.7: Milíč of Kroměříž, c.1915-16 (oil on canvas)
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Czech advertisement for Sokol Slet, 1907
Study for 'The Slav Epic' cycle No.2: The Celebration of Svantovít, c.1910-12 (oil on canvas)
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The Coronation of Tsar Stepan Dusan (1308-55) from the 'Slav Epic', 1926 (oil and tempera on canvas) (see 122583)
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Gregory of Nin, Bishop of Nin, Medieval Croatian bishop, Slavic religious leader. Huge statue by Ivan Mestrovic, Split, Croatia
A young Polish spinner in the Quidwick Co. Mill. Anthony, R. I 1909 (photo)
SLAVIC SORB DRESSED WOMAN PAINTS EASTER EGG IN BAUTZEN, 2002-02-24 (photo)
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Serge Aksakov (1791-1859), Russian novelist, most admired for, "The Family Chronicle," 1856, a novelized memoir based on his own family
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Study for 'The Slav Epic' cycle No.17: The Holy Mount Athos (1926), c.1925-26 (charcoal heightened with white on cardboard)
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Study for 'The Slav Epic' cycle No.1: The Slavs in Their Original Homeland (1912), c.1910-12 (oil on canvas)
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Polevik (gouache on paper)
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The Introduction of the Slavonic Liturgy, from the 'Slav Epic', 1912 (oil and tempera on canvas)
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The Meeting at Krizky, from the 'Slav Epic', 1916 (oil and tempera on canvas)
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View of the interior, 1910 (photo)
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Poster for the exhibition of the Slav Epic, 1928 (colour litho)
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Peasants dancing, Bosnia, Austro-Hungary, c. 1895
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TRADITIONALLY SLAVIC SORB DRESSED WOMAN PAINTS EASTER EGGS IN BAUTZEN, 2002-02-24 (photo)
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Adam Bernard Mickiewicz, 1851
The Domovoi (colour litho)
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Fanny Elssler (1810-1884). Austrian ballerina, dancing as the character of La Cracovienne from Mazilier's ballet La Gipsy. Elssler performed the traditional Polish dance in a Polish costume. c. 1840
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Aleksander Borejko Chod?ko, 1885
Slav Bazar', Nicolsky, Moscow
House of the Tragic Poet, Pompeii VI.8.5. Slave boy filling an amphora at the well near the impluvium pool in the tablinum. In the background, the peristyle garden courtyard and aedicula lararium shrine. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Bust of Iolo-ki, a native of Western Africa. Negro Race. Enslaved man brought from Elmina, Ghana, to Rio de Janeiro. Handcoloured steel engraving after an illustration by Alfred Agate from Charles Pickering's The Races of Man, London, 1850.
Adam Bernard Micki (1798-1855). Polish writer and political activist. Monument. Warsaw. Poland.
Study for 'The Slav Epic' cycle No.18: The Oath of Omladina under the Slavic Linden Tree, c.1925-26 (pencil & watercolour on paper)
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Children posing as the Czech youths vowing Slavic ideals for 'The Oath of Omladina under the Slavic Linden Tree' (The Slav Epic cycle No.18, 1926), 1925-26 (b/w photo)
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Study for 'The Coronation of Tsar Stepan Dusan', 1926 (pencil and watercolour on paper) (see 178434)
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