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Caravan of slaves. 19th century lithography.
Race equality card.
The Black Trade. 19th century engraving.
Roman Art: “” Sleeping Slave”” Sculpture. 1st century BC. Rome, Museo Nazionale Romano - Roman Art. Young sleeping slave. Marble, 1st century BC. Museo Nazionale Romano, Rome, Italy
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Leak of Spartacus. 19th century engraving.
Catching turtle eggs. 19th century engraving.
Maroons or rebel African slaves in Suriname, armed with muskets and axes. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
A slave in a sugar cane plantation in Haiti. 19th century engraving
Convoy of African Slaves. Engraving 1885
Captive, says the dying slave (detail), 1513-1514. Sculpture of the Renaissance by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564). Musee du Louvre, Paris.
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Prigioni: bearded slave (made for the tomb of Pope Julius II (Giuliano della Rovere or Julien della Rovere, 1443-1513)) Marble sculpture made by Michelangelo Buonarroti dit Michelangelo (Michelangelo or Michelangelo, 1475 - 1564), approximately 1530. Accademia, Florence
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A caravan of slaves crossing desertes.
Roman art: slaves - detail of the fresco of the frieze of room C, Villa Farnesina (Roman art: slaves, from the frieze of room C, Villa farnesina) Rome museo nazionale romano
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The Abduction of a Herzegovenian Woman, 1861 (oil on canvas)
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African slaves on a Suriname plantation, branded man with basket of fish, woman with fruit basket, pipe and yarn. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Cup of a slave trader showing the arrangement of slaves for transport.
The slave march in Zanzibar, Africa in 1871.
Captive, says the dying slave (detail), 1513-1514. Sculpture of the Renaissance by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564). Musee du Louvre, Paris.
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Chain gang of convicts in Monrovia Liberia. c. 1895
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The capture of a dhow (Arab boat) negrier along the Malagasy coast.
The Slave Market in Zanzibar, 1871.
Watermill to extract sugar from cane on a slave plantation in the West Indies. A waterwheel drives a large wooden cog turning metal-clad cylinders. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
The Dutch base of Elmina along the coast of Guinee, centre of traffic negrier.
A slave market in Egypt Engraving from Labourieu 1878
Slaves in Dahomey (Benin), late 19th century
African slaves skinning a huge snake under a tree, and Graman Quacy or Quassi, the Surinam slave who discovered quassia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
African slaves working on a sugarcane plantation in the West Indies. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
African slaves being tortured and beaten on a Surinam plantation, while a colonial plantation owner smokes a tobacco pipe. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Brenn and His Share of the Spoils, Painting by Paul Jamin (1853-1903), 1893 (oil on canvas)
The Slave Market, 1904 (colour litho)
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A slave march in Brazil - 19th century
A slave imprisoned in a cell, the chain at the foot -
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Captive, slave with beard (detail), 1530-1534. Sculpture of the Renaissance by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564). Unfinished work. Galleria dell'Accademia, Florence.
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Fictional hero, the well-born Jack Ballister, was sold into bondage by his maternal uncle after his kind father's death. Image shows him, as an indentured servant in Virginia, being auctioned to the highest bidder in 1719. 1895 engraving by Howard Pyle in THE STORY OF JACK BALLISTER'S FORTUNES
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Captive, called The Dying Slave (marble)
Marche aux slaves in Zanzibar (Tanzania), circa 1870.
Africa in 1872 slavery in Zanzibar. Punishment of three slaves for stealing supplies.
French convicts at hard labor, c. 1840s
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African slaves extracting sugar from sugarcane in a watermill on a plantation in the West Indies. The watermill drives a large wooden wheel turning three metal-clad cylinders. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Roman married couple seated on a sofa in front of a three-legged table, while two slaves assist the patriarch to put on his slippers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).
Captive, slave rising (detail), 1530-1534. Sculpture of the Renaissance by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564). Unfinished work. Galleria dell'Accademia, Florence.
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Roman women with a slave. 19th century coloring engraving.
Portrait of the pirate Henry Every (engraving)
Captive, slave with beard, 1530-1534. Sculpture of the Renaissance by Michelangelo Buonarroti called Michelangelo (Michelangelo or Michelangelo, 1475 - 1564). Unfinished work. Galleria dell'Accademia, Florence.
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.