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Spartacus and the other slaves crucified along the Via Appia (engraving)
Caravan of slaves. 19th century lithography.
Race equality card.
The Black Trade. 19th century engraving.
Roman Art: “” Sleeping Slave”” Sculpture. 1st century BC. Rome, Museo Nazionale Romano - Roman Art. Young sleeping slave. Marble, 1st century BC. Museo Nazionale Romano, Rome, Italy
Restrictions relatives aux images
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Catching turtle eggs. 19th century engraving.
Maroons or rebel African slaves in Suriname, armed with muskets and axes. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Leak of Spartacus. 19th century engraving.
Captive, says the dying slave (detail), 1513-1514. Sculpture of the Renaissance by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564). Musee du Louvre, Paris.
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Convoy of African Slaves. Engraving 1885
A slave in a sugar cane plantation in Haiti. 19th century engraving
A caravan of slaves crossing desertes.
Prigioni: bearded slave (made for the tomb of Pope Julius II (Giuliano della Rovere or Julien della Rovere, 1443-1513)) Marble sculpture made by Michelangelo Buonarroti dit Michelangelo (Michelangelo or Michelangelo, 1475 - 1564), approximately 1530. Accademia, Florence
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African slaves on a Suriname plantation, branded man with basket of fish, woman with fruit basket, pipe and yarn. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Roman art: slaves - detail of the fresco of the frieze of room C, Villa Farnesina (Roman art: slaves, from the frieze of room C, Villa farnesina) Rome museo nazionale romano
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The Abduction of a Herzegovenian Woman, 1861 (oil on canvas)
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Ethiopian and Arab Chaikieh, slaves in Khartoum, 1885 (engraving)
The slave march in Zanzibar, Africa in 1871.
Cup of a slave trader showing the arrangement of slaves for transport.
The capture of a dhow (Arab boat) negrier along the Malagasy coast.
A slave market in Egypt Engraving from Labourieu 1878
Captive, says the dying slave (detail), 1513-1514. Sculpture of the Renaissance by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564). Musee du Louvre, Paris.
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Chain gang of convicts in Monrovia Liberia. c. 1895
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Watermill to extract sugar from cane on a slave plantation in the West Indies. A waterwheel drives a large wooden cog turning metal-clad cylinders. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Portrait of Toussaint Louverture, Haitian general and liberator, 1743-1803 (engraving)
The Dutch base of Elmina along the coast of Guinee, centre of traffic negrier.
African slaves being tortured and beaten on a Surinam plantation, while a colonial plantation owner smokes a tobacco pipe. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Slaves in Dahomey (Benin), late 19th century
The Slave Market in Zanzibar, 1871.
Brazil, gold ore is lava in the Itacolumi Mountains (Minas Gerais). 1820
The Slave Market, 1904 (colour litho)
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A slave march in Brazil - 19th century
African slaves working on a sugarcane plantation in the West Indies. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
African slaves skinning a huge snake under a tree, and Graman Quacy or Quassi, the Surinam slave who discovered quassia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Acquisition of a slave of harem. chromolithograph of L. Crosio, circa 1890.
Brenn and His Share of the Spoils, Painting by Paul Jamin (1853-1903), 1893 (oil on canvas)
Cover of the magazine "The kitchen of families" n° 78 of December 16, 1906 (print)
Roman Art: Detail of the mosaic “” The Great Hunt”” A Roman aristocrat punishes one of his slaves with a stick. 315-350 AD. Piazza Armerina, Villa Romana del Casale
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A slave imprisoned in a cell, the chain at the foot -
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Captive, called The Dying Slave (marble)
Captive, slave with beard (detail), 1530-1534. Sculpture of the Renaissance by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564). Unfinished work. Galleria dell'Accademia, Florence.
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Africa in 1872 slavery in Zanzibar. Punishment of three slaves for stealing supplies.
French convicts at hard labor, c. 1840s
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The indigo factory in South America - in “” The old and modern costume”””, by Dr. Jules Ferrario, ed. Milan, 1819 - 1920.
Captive, slave with beard (detail of face), 1530-1534. Sculpture of the Renaissance by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564). Unfinished work. Galleria dell'Accademia, Florence.
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Captive, slave with beard (detail of face), 1530-1534. Sculpture of the Renaissance by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564). Unfinished work. Galleria dell'Accademia, Florence.
Restrictions relatives aux images
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Captive, slave rising, 1530-1534. Sculpture of the Renaissance by Michelangelo Buonarroti called Michel Ange (Michelangelo or Michelangelo, 1475-1564). Unfinished work. Galleria dell'Accademia, Florence.
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Marche aux slaves in Zanzibar (Tanzania), circa 1870.
Roman women with a slave. 19th century coloring engraving.