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' Domenico Mastroianni (1876-1962)' Bilder und Clips Suchergebnisse

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Kunstwerk von ' Domenico Mastroianni (1876-1962)' gefunden, 75

Simon of Cyrene helps Jesus Christ bear the cross (colour litho)
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A Holy woman wipes the face of Jesus Christ (colour litho)
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Siege of Adrianople (Edirne), First Balkan War, 1912-1913 (litho)
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A heavenly messenger, dressed as an angel, opens the gate of Dis to the poets. Sculpture by Mastroianni depicting an episode from Canto IX in the Inferno of The Divine Comedy.
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The image shows Towards the Future: a few female figures embrace a young man; behind them, an airplane and pilot; work of the sculptor Mastoianni.
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Dante and Virgil are noticed by Cerberus; Virgil hurls earth at the monster to stun it.Sculpture by Mastroianni depicting an episode from Canto VI in the Inferno of The Divine Comedy.
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Dante and Virgil, in Hell, see Charon advancing towards them in a boat. Charon shouts menacing words to the souls gathered on the shore. Sculpture by Mastroianni depicting an episode from Canto III in the Inferno of The Divine Comedy.
Paolo and Francesco, grasping each other, speak with Dante and Virgil of their ill-fated love. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy.
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Illustration for Quo Vadis by Henryk Sienkiewicz (colour litho)
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Illustration for Quo Vadis by Henryk Sienkiewicz (colour litho)
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Illustration for Quo Vadis by Henryk Sienkiewicz (colour litho)
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Illustration for Quo Vadis: Lygia leaves Aulus' house (colour litho)
Eunice's Kiss, from Quo Vadis (b/w photo)
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Jesus Christ meets his mother (colour litho)
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Dante and Virgil meet the Harpies near the tree where they have made their nest. Sculpture by Mastroianni depicting an episode from Canto XIII in the Inferno of The Divine Comedy.
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Dante and Virgil ride the back of Geryon. Sculpture by Mastroianni depicting an episode from Canto XVII in the Inferno of The Divine Comedy.
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Dante draws near to a spirit, that approaches from behind a rock, and is followed by Virgil. Sculpture by Mastroianni depicting an episode the Purgatorio of The Divine Comedy.
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Dante and Virgil meet the Florentine Ciacco, who recounts the schism between the White and the Black divisions. Sculpture by Mastroianni depicting an episode from Canto VI in the Inferno of The Divine Comedy.
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The three Centaurs, Nessus, Chiron and Pholus join Dante and Virgilio. Sculpture by Mastroianni depicting an episode from Canto XII in the Inferno of The Divine Comedy.
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Dante and Virgil see a boat guided by an angel accompanied by the souls that have arrived in Purgatory from Hell. Sculpture by Mastroianni depicting an episode from Canto II in the Purgatorio of The Divine Comedy.
Dante is carried in sleep by an angel to the gate of Purgatory, of this he has a vision. Sculpture by Mastroianni depicting an episode from Canto IX in the Purgatorio of The Divine Comedy.
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Dante and Virgil find themselves among the spirits of the Envious. Seated around the slope of the mountain, the Envious have their eyelids sewn up with iron wires. Sculpture by Mastroianni depicting an episode from Canto XIII in the Purgatorio of The Divine Comedy.
Dante drinks from the river Lethe; behing him, Beatrice and other feminine figures. Sculpture by Mastroianni depicting an episode from the Canto XXXI in the Purgatorio of The Divine Comedy.
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Dante kneels at the presence of Beatrice; hymns of angelic ranks are heard. Sculpture by Mastroianni depicting an episode from Paradiso of The Divine Comedy.
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Dante and Beatrice witness the apparition of a few spirits desiring to speak. These are the souls of those who did not carry out their religious vows. Sculpture by Mastroianni depicting an episode from the Canto III in the Paradiso of The Divine Comedy.
Dante kneels at the vision of Christ surrounded by the Apostles. Sculpture by Mastroianni depicting an episode from Paradiso of The Divine Comedy.
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The cross is laid upon Jesus Christ (colour litho)
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Illustration for Quo Vadis: First meeting of Vinicius and Lygia (colour litho)
Illustration for Quo Vadis: Ursus smothers Croton (colour litho)
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Illustration for Quo Vadis: The meeting of two Powers (colour litho)
Illustration for Quo Vadis by Henryk Sienkiewicz (colour litho)
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Jesus Christ falls for the second time (colour litho)
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Jesus Christ falls under the weight of the cross (colour litho)
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Jesus Christ consoles the women of Jersualem (colour litho)
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Illustration for Quo Vadis: The rape of Lygia (colour litho)
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Jesus Christ nailed on the cross (colour litho)
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The image shows the Love Nest; a female figure reclining in a field with cupids flying around her; work of the sculptor Mastroianni.
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Dante and Virgil meet the irascible, swimming in a tempestuous sea. Sculpture by Mastroianni depicting an episode from Canto VII in the Inferno of The Divine Comedy.
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Dante and Virgil speak with Alessio Interminei of Lucca, cavalier, plunged in a sea of excrement because of flatteries. Sculpture by Mastroianni depicting an episode from Canto XVIII in the Inferno of The Divine Comedy.
Dante and Virgil meet the demon Plutus, crouching on top of a rock. Sculpture by Mastroianni depicting an episode from Canto VII in the Inferno of The Divine Comedy.
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Dante and Beatrice see Cacciaguida, the poet's ancestor. Sculpture by Mastroianni depicting an episode from Canto XV in the Paradiso of The Divine Comedy.
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Dante in the dark forest or "selva oscur" amidst trees and boulders. Sculpture by Mastroianni depicting an episode from Canto I in the Inferno of The Divine Comedy.
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Dante, struck by the story of Paolo and Francesca, falls to the ground as if dead. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy.
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Dante and Virgil draw near to a few spirits lying on the ground; the Florentine poet speaks with them in a brotherly manner. Sculpture by Mastroianni depicting an episode in the Purgatorio of The Divine Comedy.
Dante and Virgil near Polidoro, who has been transformed into a tree. The Florentine poet is depicted breaking off a branch. Sculpture by Mastroianni depicting an episode from Canto XIII in the Inferno of The Divine Comedy.
The image shows and episode of Quo Vadis, in which Petronio, in a sedan chair, makes a visit to the house of Aulo Plauzio; work of the sculptor Mastroianni,  1917 (print on double-weight paper)
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Illustration for Quo Vadis: Ursus throws the aurochs (colour litho)
Illustration for Quo Vadis: Eunice's kiss (colour litho)
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Illustration for Quo Vadis: Petrone's death (colour litho)
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Illustration for Quo Vadis: Neron's death (colour litho)
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Dante and Virgil reach the First Terrace, where the souls of the Prideful walk bearing the weight of heavy stones. Sculpture by Mastroianni depicting an episode from Canto X in the Purgatorio of The Divine Comedy.
The Centaurs strike the Violent, swimming in a sea of blood, with their arrows. Sculpture by Mastroianni depicting an episode from Canto XII in the Inferno of The Divine Comedy.
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Dante and Virgil climb a path carved in the rock, aiding themselves with their hands. Sculpture by Mastroianni depicting an episode from Canto IV in the Purgatorio of The Divine Comedy.
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Dante and Virgil begin to climb urged on by the angel. Sculpture by Mastroianni depicting an episode from Canto XIV in the Purgatorio of The Divine Comedy.
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Dante and Beatrice see Christ crucified in the frimament, surrounded by angels. Sculpture by Mastroianni depicting an episode from the Paradiso of The Divine Comedy.
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Dante meets Beatrice, prompted by Love to speak. Sculpture by Mastroianni depicting an episode from the Inferno of The Divine Comedy
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Dante and Virgil meet a few spirits crowded around a rock. Sculpture by Mastroianni depicting an episode from the Purgatorio of The Divine Comedy.
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Dante kneels in the presence of the heavenly ranks, Beatrice is at his side. Sculpture by Mastroianni depicting an episode from Paradiso of The Divine Comedy.
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Dante and Virgil draw near to a few of the spirits lying on the ground; the Florentine poet places each step carefully, so as not to step on any of the crying spirits. Sculpture by Mastroianni depicting an episode from Purgatorio of The Divine Comedy.
Illustration for Quo Vadis: Peter's Blessing (colour litho)
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Illustration for Quo Vadis: Lygia in gaol (colour litho)
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Illustration for Quo Vadis: The Ostrianum (colour litho)
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Illustration for Quo Vadis: Quo Vadis, Domine (colour litho)
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Illustration for Quo Vadis: In Sicily (colour litho)
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Illustration for Quo Vadis: Vinicius at Petrone's (colour litho)
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Illustration for Quo Vadis: In Linus' garden (colour litho)
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Illustration for Quo Vadis: Rome on fire (colour litho)
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Jesus Christ is condemned to death (colour litho)
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Dante and Virgil see the spirits of Paolo and Francesca grasping each other. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy.
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Dante affirms to have arrived in Purgatory after passing through all the circles of Paradise, guided by a heavenly power. Virgil continues to accompany him on his voyage. Sculpture by Mastroianni depicting an episode from Canto VII in the Purgatorio of The Divine Comedy.
Dante and Virgil meet the Erinyes, ferocious feminine figures with bat wings. Sculpture by Mastroianni depicting an episode from Canto IX in the Inferno of The Divine Comedy.
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Dante and Virgil meet Farinata degli Uberti, who is depicted nude in a sepulchre. Sculpture by Mastroianni depicting an episode from Canto X in the Inferno of The Divine Comedy.
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Dante and Virgil are in front of Arachne, the Lydian weaver transformed into a spider. The figure is lying on the ground on top of other souls. Sculpture by Mastroianni depicting an episode from Canto XII in the Purgatorio of The Divine Comedy.
Dante and Beatrice witness the apparition of the heavenly militia. This is represented by angelic figures in a whirling sky. Sculpture by Mastroianni depicting an episode from the Paradiso of The Divine Comedy.
The image shows The Fertile Egg: a young woman and three children emerge from an egg shell, lying in a pumkin patch; work of the sculptor Mastroianni.
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