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' Marjory L. Wight (1889-1973)' Bilder und Clips Suchergebnisse

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Marjory L. Wight (1889-1973)


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The exterior of Mill Hall seen from the south-east, 1935 (b/w photo)
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A view of Rievaulx Abbey with a cottage in the foreground and wooded hillside beyond, 1924-1929 (b/w photo)
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The interior of the Morley Library at Winchester CathedralThe Morley Library, named after Bishop Morley, is a 17th-century library accessed via a staircase in the south transept of Winchester Cathedral., 1920-1960 (b/w photo)
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A view looking towards Whitby Abbey from West Cliff, with a couple sitting on a bench in the foreground, 1925-1935 (b/w photo)
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A detail of the Easter Sepulchre in All Saints Church, showing the carved figures of Roman soldiers who guarded Jesus' tomb, 1920-1960 (b/w photo)
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A view of abbey ruins seen through the west door of the church at Byland Abbey, 1920-1945 (b/w photo)
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A view looking north past the inn sign for The Longs Arms, showing houses on the High Street with the tower of St Mary's Church beyond, 1932 (b/w photo)
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An unidentified timber framed barn with attached cart shedThis photograph may have been taken near Marden in Herefordshire. It was submitted with a group of other photos taken at Amberley Court but its location has not been confirmed., 1944 (b/w photo)
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A view of Worcester Cathedral from south-west across the River Severn, 1935 (b/w photo)
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A view looking north along houses on the High Street in Steeple Ashton with the tower of St Mary's Church beyond, 1932 (b/w photo)
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A photographic copy of a Dufaycolor photograph showing the south side of Rievaulx AbbeyThis copy has been reproduced in black and white., 1924-1929 (b/w photo)
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A detail of the structure of  'Artist's Cottage' later named Mabs Cottage, showing the brick plinth, timbers, plaster and exposed laths, 1939 (b/w photo)
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13th century terracotta painting on the east wall of the chancel in St Michael's Church, 1936 (b/w photo)
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A view from West Cliff in Whitby looking towards houses on Henrietta Street with Whitby Abbey and St Mary's Church on the cliff above, 1925-1935 (b/w photo)
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Looking north along Friar Street and showing The Greyfriars on the other side of the street, 1946 (b/w photo)
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A conservator carrying out restoration work on a medieval wall painting in the monastic painted chamber at The CommanderyThe wall paintings in The Commandery were discovered in 1935 when the building was a printing works., 1935-1940 (b/w photo)
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A view of St Margaret's Church from the south, 1932 (b/w photo)
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The exterior of Rudhall House seen from the west, with a group of Chelsea Pensioners standing in front of the house., 1941 (b/w photo)
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An unidentified timber framed house probably in Worcestershire, 1935 (b/w photo)
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A view of an unidentified timber framed house in Childswickham, showing a thatched roof, eyebrow dormers and a half hipped roof above a weatherboarded end, 1933 (b/w photo)
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The choir at Rievaulx Abbey under restoration, with two men working in the background, 1924-1929 (b/w photo)
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The 12th century font in St George's Church, decoratively carved with a nine bay arcade containing a figure in each bay, 1938 (b/w photo)
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A view from the west towards the front of the 16th century timber framed farmhouse at Middle Beanhall Farm, with a pond in the foreground, 1920 (b/w photo)
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A view of Tate Hill Pier in Whitby with houses beyond lining the harbourside on Tate Hill and Church Street, 1925-1935 (b/w photo)
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A view along Tate Hill Pier towards houses on Tate Hill in Whitby, 1925-1935 (b/w photo)
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Looking north on Stanway Road towards The Manor with Old Barn and Old Dairy in the foreground, and showing children running along the road, 1934 (b/w photo)
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A view from the west across a pond towards 'Artist's Cottage' later named Mabs Cottage, showing the cottage before restoration, 1939 (b/w photo)
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The decoratively carved south door at St Nicholas' Church, 1920-1940 (b/w photo)
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A view of Rievaulx Abbey from the south-west, with Abbey Farm in the foreground, 1924-1929 (b/w photo)
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An exterior view of the east end of Fountains Abbey, 1920-1945 (b/w photo)
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A view of Rievaulx Abbey in the distance from the south-west, 1924-1929 (b/w photo)
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The front of The Greyfriars seen from south-west across Friar Street, 1946 (b/w photo)
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A view from the south across the River Nene towards St Mary and All Saints Church, showing the church reflecting on the water, 1936 (b/w photo)
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An exterior view from the north-west of 'Artist's Cottage' later named Mabs Cottage, showing the cottage after restoration, 1939-1940 (b/w photo)
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A detail of elaborate romanesque carving on the south capital of the chancel arch at St Nicholas' Church, showing interlacing floral designs and a lion looking backwards, 1938 (b/w photo)
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The west end of the Old Boys' School (subsequently Cradley Village Hall) seen from the graveyard of St James's Church to the north-west, 1940 (b/w photo)
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A detail of windows at a church probably in Worcestershire, showing a tracery window partially bricked up and a paired lancet, both with leaded glazing, circa 1938 (b/w photo)
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An exterior view from the north-west of 'Artist's Cottage' later named Mabs Cottage, showing the cottage before restoration, 1939 (b/w photo)
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Looking north along Church Street in Steeple Ashton towards St Mary's Church, with a car in the foreground parked outside number 3 Church Street, 1932 (b/w photo)
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The front of a timber framed thatched cottage in Woolhope with a woman standing in the garden looking back at the house, 1930-1949 (b/w photo)
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The refectory at Rievaulx Abbey under restoration, with scaffolding erected around the site, a temporary railway for transporting building material and rubble, and two men working in the foreground, 1924-1929 (b/w photo)
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The presbytery at Fountains Abbey seen from the north-west, 1920-1945 (b/w photo)
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An exterior view of Huddington Court, 1939 (b/w photo)
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A conservator carrying out restoration work on a medieval wall painting in the monastic painted chamber at The CommanderyThe wall paintings in The Commandery were discovered in 1935 when the building was a printing works., 1935-1940 (b/w photo)
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A view of the detached bell tower of St Mary's Church, 1920-1960 (b/w photo)
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A view of Fountains Abbey framed by foliage, 1920-1945 (b/w photo)
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The decoratively carved Norman tympanum over the south doorway of the nave at St John's Church, 1920-1949 (b/w photo)
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The Norman font in St Cassian's Church, decoratively carved with dragons and interlaced bands, 1930-1940 (b/w photo)
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The 12th century font in St Edmund's Church, 1920 (b/w photo)
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A view over roof tops towards the west towers of York Minster, 1920-1960 (b/w photo)
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A view of Rievaulx Abbey with the River Rye and a cottage in the foreground, 1924-1929 (b/w photo)
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An inscribed Roman altar in St Michael's ChurchThis Roman altar has been dated to the 3rd to the 5th century. It has stood in the nave of the church since 1909., 1936 (b/w photo)
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The exterior of St Michael's Church seen from south-east across a pond, showing a reflection of the building on the water, 1936 (b/w photo)
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An elevated view looking north-east across Friar Street towards The Greyfriars, 1946 (b/w photo)
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A view looking north-west along Town Street in Thaxted towards the Guildhall, with a car driving past a young boy in the foreground, 1920 (b/w photo)
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A view of the tithe barn at Cherhill from the south-west, 1930-1939 (b/w photo)
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A view of houses at the northern end of Stanway Road with children playing in the road, 1934 (b/w photo)
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A detail of a dragon head and chevrons carved on the chancel arch of St John's Church, 1920-1940 (b/w photo)
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An exterior view from the south of 'Artist's Cottage' later named Mabs Cottage, showing the cottage before restoration, 1939 (b/w photo)
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The walls, gateway and north-east garden pavilion in the east forecourt of Montacute House, 1938 (b/w photo)
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Looking south along the Market Place towards the Market Cross in Barnard Castle, showing a group of people standing in the foreground, 1936 (b/w photo)
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