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' Edward Ardizzone (1900-79)' images and/or videos results

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Edward Ardizzone (1900-79)


Artwork from ' Edward Ardizzone (1900-79)' found, 91

Court room scene (pen & ink and w/c on paper)
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Shelter Scene, 1941 (colour litho)
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Hampstead Fun Fair (oil on board)
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In a Maida Vale pub, 1937 (oil on canvas)
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The Life Class, c.1930 (w/c on paper)
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Shelter Scene, 1941 (colour lithograph on paper)
The Bookstore (pen, ink & w/c on paper)
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The Village Pub, Rodmersham, c.1929 (pen & ink with w/c on paper)
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The Camera Man, Hampstead (pen & wash on paper)
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The Ladies Bar, Maida Vale, c.1950 (pen & wash on paper)
The Wreck, 1951 (colour lithograph)
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Limber Gunners (ink & wash on paper)
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Half Century Quiz, for Radio Times, 1950 (pen & ink on paper)
Cribbage at the Cider Bar (pen & ink with w/c on paper)
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The Rev Dr Folliot - 'Punch Sir, Punch: There's No Antidote Like Punch'  illustration from 'Crochet Castle' by Thomas Love Peacock, c.1962-63 (pen & ink on paper)
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'I Gave Her Cakes; I Gave Her Ale', illustration from the 'Catch Club Collection' by Henry Purcell, c.1962-63 (pen & ink on paper)
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'I Cherish the Fact that Ports Speaks the Sentences of Wisdom, Burgundy Sings with Inspired Ode', illustration from 'The Egotist' by George Meredith, c.1962-63 (pen & ink on paper)
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'It's Very Strong', illustration from 'Cranford' by Elizabeth Gaskell, c.1962-63 (pen & ink on paper)
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Rub of the Green (pen & ink on paper)
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Bofors at Tournai, May 1940 (w/c on paper )
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Officers and ATS on the Boat Deck, 1942 (w/c on paper )
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In a Transit Camp near Taranto: drawings on the wall, 1944 (w/c on paper )
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The War In Maida Vale : 'There Is Life In The Old Dogs Yet', 1941 (watercolour on paper)
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Pleasure Cruise on the Thames (pen, brush & ink on paper)
Young Lovers, 1955 (litho on cream Japanese paper)
Women in an Underground Shelter, London, 1941 (pencil, pen, ink & w/c on paper)
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And Went to the Window to Listen Again (pen & ink on paper)
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Mr Burchett, the Tattooist, illustration for 'Merry England' by Cecil Ray, 1960 (pen & ink on paper)
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The Musical Box (pen & ink on paper)
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The Life Class (w/c on paper)
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Framley Parsonage, 1957 (pen & ink on paper)
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Family Party on the Beach (pen & ink with pencil & w/c on paper)
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Jellied Eels, front cover of 'The Strand', November 1946 (pen & ink with w/c on paper)
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Ridley Shows us his Picture of Clive, illustration from 'The Newcomes' by William Makepeace Thackeray, 1954 (pen & ink on paper)
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Mr Crotcher - 'Hermitage, Doctor?', illustration from 'Crochet Castle' by Thomas Love Peacock, c.1962-63 (pen & ink on paper)
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'Port?' - illustration from 'Handley Cross' by R.S. Surtees, c.1962-63 (pen & ink on paper)
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Summer Party (pen & ink on paper)
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Normandy June 1944: Naval Control Post on the Beaches, 1944 (w/c on paper)
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On a Fortified Island in the Firth of Forth: six inch gun emplacement, 1941 (w/c on paper )
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Swells in a Public Bar (w/c on paper)
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Shelter Scenes, Tilbury, 1941 (watercolour, paper, board, wood, glass)
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The Festival of Britain, 1951 (pen & ink on paper)
Cyclists (pen & ink and w/c on paper)
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The Boat to Greenwich (in Rain), 1952 (etching & aquatint)
The Jolly Sailor (w/c)
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Hotel Staff, illustration from 'Radio Times', 1960 (pen & ink on paper)
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'Oh the Naughty Dear Abandoned Wretch! Smoking a Cigar with a Bottle of Curcacao Before Him', illustration from 'Vanity Fair' by William Makepeace Thackeray, c.1962-63 (pen & ink on paper)
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In The Shelter, 1940 (watercolour, paper, board)
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Quite Alone and Talking Very Earnestly Together, illustration from 'Radio Times', 1962 (pen & ink on paper)
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'And Now, That There be No Mistake as to Our Country, We Will Have Some Cheese...And a Beaker of Burgundy After', illustration from 'Jorrocks' Jaunts and Jollities' by R.S. Surtees, c.1962-63 (pen & ink on paper)
'But Leave the Bottle on the Chimney Piece and Let Me Put My Lips to it When So Disposed', illustration from 'Martin Chuzzlewit' by Charles Dickens, c.1962-63 (pen & ink on paper)
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Ruined Villas by the Sea near Lion-sur-Mer, Normandy 1944 (w/c on paper )
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Peasant Children Frightened by Aeroplanes, 1944 (w/c on paper)
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The Invasion of Sicily: Troops and Vehicles Embarking on Invasion Craft at 'Charlie' Beach near Santa Teresa di Riva, Sicily, 3 September 1943 (w/c on pape)
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Picnic Outside Brussels, May 1940 (w/c on paper )
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The Pier (w/c on paper)
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'Very Good My Dear', illustration from 'Pickwick Papers' by Charles Dickens, c.1962-63 (pen & ink on paper)
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Saturday Night at the Palais, illustration for 'Merry England' by Cecil Ray, 1960 (pen & ink on paper)
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The Fairground (ink, w/c & pencil on paper)
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Lord Kew and the Little Gascon, illustration from 'The Newcomes' by William Makepeace Thackeray, 1954 (pen & ink on paper)
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Mr Jorrocks in Paris - 'Champagne, Certainly Gives One Very Gentlemanly Ideas', illustration from 'Jorrocks' Jaunts and Jollities' by R.S. Surtees, c.1962-63 (pen & ink on paper)
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Soho, illustration for 'Merry England' by Cecil Ray, 1960 (pen & ink on paper)
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Bus (pen & ink on paper)
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Treasure Island (pen & ink with w/c on paper)
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We Surprise Mr Peggoty and Family at Home, illustration from 'The Newcomes' by William Makepeace Thackeray, 1954 (pen & ink on paper)
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Ladies of the Town Waiting to go into Court, 1959 (w/c on paper)
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The Milliner's Shop (pen & ink on paper)
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'A Cigarette is the Perfect Type of a Perfect Pleasure', illustration from 'The Picture of Dorian Gray' by Oscar Wilde, c.1962-63 (pen & ink on paper)
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The Bedroom (w/c)
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On a Fortified Island in the Firth of Forth: Barracks, 1941 (w/c on paper )
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Between Decks on an LCI, 1944 (w/c & ink on paper)
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Troops Newly Embarked on an LCI in the Evening, 1944 (w/c & ink on paper )
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Sleeping In A Shelter, 1940 (watercolour on paper)
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The Temptress (pen & ink and w/c on paper)
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Dr Swizzle - 'A Pint of Old Port and a Devilled Biscuit Can Hurt No Man', illustration from 'Handley Cross' by R.S. Surtees, c.1962-63 (pen & ink on paper)
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Old Jolyon, illustration from 'Indian Summer of a Forsyte' by John Galsworthy (pen & ink on paper)
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The Colonel Gives Barnes a Bit of his Mind, illustration from 'The Newcomes' by William Makepeace Thackeray, 1954 (pen & ink on paper)
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We Entertain Florac at Greenwich, illustration from 'The Newcomes' by William Makepeace Thackeray, 1954 (pen & ink on paper)
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Private View, illustration for 'Merry England' by Cecil Ray, 1960 (pen & ink on paper)
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At Sea on an LCI, 1944 (w/c on paper)
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The Alarm, 1940 (w/c & ink on paper )
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Dawn After A Raid, 1941 (watercolour on paper)
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