Your selection
Clear selectionLeave the work to our dedicated Account Managers.
Item added to cart
Find Your Perfect Match The top results are exact matches, while the rest are visually similar images curated from our archive.
Drag file here
Upload
Processing search results
Waiting for update..
Error:
Searching for a particular field
| Field | Search term | Example |
| Asset title | title: | title:pony |
| Asset title and keywords | ~ | ~pony |
| Asset description text | description: | description:london |
| Agency prefix | prfx: or $ | prfx:lal or $LAL |
| Asset id | imageid: or # | imageid:250297 or imageid:[2500 TO 4000] or #1551 |
| Agency name | coll: | coll:history |
| Medium | medium: | medium:oil |
| Century | century: | century:20th |
| Keywords | kw: | kw:dog |
| Artist name | artist: or ? | artist:monet or ?monet |
| Artist nationality | nat: | nat:French |
| Creator ID | creatorid: | creatorid:37 |
| Location | loc: or @ | loc:exeter or @exeter |
| Classification | class: | class:57 or #57. Use # for unclassified assets |
| Year | year: | year:1850 or year:[1700 TO 1800] |
By exploring mathematics, science and biology in an artistic light, Francois Domain revisits the principle concerns of the "Age of Enlightenment"examining free will, predestination, faith and time. Is DNA the ultimate code that decides who we am, what we like and who we love? Are we humans, creators of our future or are we pawns on a gigantic chess board? Will our codes, digits and strings of data ever beat the matrix, and finally reveal the answers to our identity? Will humanity ultimately decipher the code, and accomplish its obsessive quest to become God?
Like a painter using pigments, Fra By exploring mathematics, science and biology in an artistic light, Francois Domain revisits the principle concerns of the "Age of Enlightenment"examining free will, predestination, faith and time. Is DNA the ultimate code that decides who we am, what we like and who we love? Are we humans, creators of our future or are we pawns on a gigantic chess board? Will our codes, digits and strings of data ever beat the matrix, and finally reveal the answers to our identity? Will humanity ultimately decipher the code, and accomplish its obsessive quest to become God?
Like a painter using pigments, Francois rearranges these binaries, computers, software, and mathematical knowledge, pulling them back to the original beauty of the inexplicable.
...
![The Good, the Bad, and the Idea [detail "Idea"], 2014 (digital painting)](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.ACA.94240210.7055475/1201070.jpg?old-wm)
![The Good, the Bad, and the Idea [detail "Bad"], 2014 (digital painting)](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.ACA.25240210.7055475/1201073.jpg?old-wm)
![The Good, the Bad, and the Idea [detail "Good"], 2014 (digital painting)](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.ACA.05240210.7055475/1201071.jpg?old-wm)
We partner with the world's leading museums, galleries and artists, so you have access to the highest-quality imagery.
Our teams can help you find the perfect content and take care of all of the copyright and licensing requirements.
Bridgeman Images
77 Sands Street, 6th Floor
Brooklyn, NY 11201
United States
T: +1 212 828 1238
© Copyright 2026 Bridgeman Art Library Limited. Registered in England and Wales as company number 01056394.
