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Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)
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White Point, 1923 (oil on canvas)
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Study of Precarious Paradise 5, 1986 (mixed media on paper)
Study for Homage to the Square, 1966 (oil on masonite)
Composition Study (chalk, pen & wash on paper)
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Picture no. 11, blue, 1919 (w/c on paper)
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Study for Homage to the Square, 1973 (oil on masonite)
Alban Berg in his study, Hietzing, Vienna (b/w photo)
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Column Study, 1985 (charcoal on paper)
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Constructive picture with red and blue squares, 1923 (gouache on paper)
Construction, polychrome study, 1917 (plaster relief)
Composition with figures and spheres (pencil on paper)
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No.206; Study for Studio Interior, 1960 (oil & pencil on paper laid on card)
Study for Homage to the Square, 1962 (oil on masonite)
Disks of Newton (Study for "Fugue in Two Colors") 1912 (oil on canvas)
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Study for large composition, 1978 (marker on paper)
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Study for a Composition, 1929 (w/c on paper)
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Study for Homage to the Square, 1963 (oil on masonite)
Study for Homage to the Square, 1973 (oil on masonite)
Geometric Study, c.1949 (oil on canvas)
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Etude, 1940 (oil on canvas)
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Geometric Study, c.1949 (oil on canvas)
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Etude carrières, 1927 (oil on canvas)
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Study for Homage to the Square 'Rain Forest', 1965 (oil on masonite)
Study for a Figure Composition (verso), 1815-45 (oil on millboard)
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Variation (Study For Pochoir), 1934 (litho with hand-colouring)
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Study for Composition of Continuity, possibly 1976 (pencil on paper)
STUDY FOR A COMPOSITION, c.1938-40 (pencil on paper)
Composition with Figures, 1975 (oil on canvas)
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Untitled (Study for Longwy Night) 1952 (oil on canvas)
Study in Brown (oil on canvas)
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Composition Concrete (Study for Mural), 1957-1960 (oil on canvas)
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Cubist Nude Study, c.1949 (oil on canvas)
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Study for the interior composition of the St Peter's Basilica in Rome, 1516
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Abstract composition, landscape study, 2019, ( oil on linen canvas)
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Study for the interior composition of the St Peter's Basilica in Rome, 1516
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Study for large composition, 1990 (watercolor and pen on photocopy on paper)
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Composition Study of Three Shepherds, 1832-34 (pen & ink with chalk over pencil on paper
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Observing structure of rock
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Study for the interior composition of the St Peter's Basilica in Rome, 1516
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Study for a Figure Composition - Two Female Nudes (verso), 1815-45 (oil on millboard)
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Composition - Study for 'Bild mit zwei roten Flecken', by Wassily Kandinsky, 1916, 20th Century, watercolor and pencil on paper, 24 ? 36 cm
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Edward Elgar working on a composition in his Plas Gwyn study 1905
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Composition: The Peasants, 1906 (oil on canvas)
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Study/Sketch for Composition n. 140, 1939-40 (mixed media on paper)
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Large Composition A with Black, Red, Gray, Yellow and Blue, 1919-1920 (oil on canvas)
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