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Study to 'Affectionate' (Homage to the Square), 1954 (oil on masonite)
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Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)
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Study for Homage to the Square 'Looking Deep', 1963 (oil on masonite)
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Study of three dimensional green transparent forms on a black background, 1949 (gouache on paper)
Composition study (pen, brush & ink on paper)
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Study of Precarious Paradise 5, 1986 (mixed media on paper)
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Study for Homage to the Square, 1966 (oil on masonite)
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Composition Study (chalk, pen & wash on paper)
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Picture no. 11, blue, 1919 (w/c on paper)
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Study for Homage to the Square, 1973 (oil on masonite)
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Alban Berg in his study, Hietzing, Vienna (b/w photo)
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Column Study, 1985 (charcoal on paper)
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Constructive picture with red and blue squares, 1923 (gouache on paper)
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Construction, polychrome study, 1917 (plaster relief)
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No.206; Study for Studio Interior, 1960 (oil & pencil on paper laid on card)
Composition with figures and spheres (pencil on paper)
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Study for Homage to the Square, 1962 (oil on masonite)
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Disks of Newton (Study for "Fugue in Two Colors") 1912 (oil on canvas)
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Study for large composition, 1978 (marker on paper)
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Study for a Composition, 1929 (w/c on paper)
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Study for Homage to the Square, 1963 (oil on masonite)
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Study for Homage to the Square, 1973 (oil on masonite)
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Geometric Study, c.1949 (oil on canvas)
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Etude, 1940 (oil on canvas)
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Geometric Study, c.1949 (oil on canvas)
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Etude carrières, 1927 (oil on canvas)
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Study for Homage to the Square 'Rain Forest', 1965 (oil on masonite)
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Study for a Figure Composition (verso), 1815-45 (oil on millboard)
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Study for The Random Illusion no 1, 1968 (pencil, crayon and acrylic on paper)
Study for Homage to the Square 'Renewed Growth', 1965 (oil on masonite)
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Variation (Study For Pochoir), 1934 (litho with hand-colouring)
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Study for Homage to the Square 'Golden Membrane', 1971 (oil on masonite)
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Study for Composition of Continuity, possibly 1976 (pencil on paper)
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Study for Homage to the Square 'Light Resonance', 1962 (oil on masonite)
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Composition with Figures, 1975 (oil on canvas)
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Study for Composition 'Supper at Emmaus', July 1983 (pastel on card)
Untitled (Study for Longwy Night) 1952 (oil on canvas)
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Study in Brown (oil on canvas)
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Composition Concrete (Study for Mural), 1957-1960 (oil on canvas)
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Cubist Nude Study, c.1949 (oil on canvas)
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Study for the interior composition of the St Peter's Basilica in Rome, 1516
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Abstract composition, landscape study, 2019, ( oil on linen canvas)
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Study for Homage to the Square 'Hard Edge Near Soft Edge', 1964 (oil on masonite)
Composition: Study for 'Reading from the Torah', c.1914 (watercolour, bodycolour & pencil)
Study for the interior composition of the St Peter's Basilica in Rome, 1516
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Study for large composition, 1990 (watercolor and pen on photocopy on paper)
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Composition Study of Three Shepherds, 1832-34 (pen & ink with chalk over pencil on paper
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Observing structure of rock
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Study for the interior composition of the St Peter's Basilica in Rome, 1516
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Study for a Figure Composition - Two Female Nudes (verso), 1815-45 (oil on millboard)
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Composition - Study for 'Bild mit zwei roten Flecken', by Wassily Kandinsky, 1916, 20th Century, watercolor and pencil on paper, 24 ? 36 cm
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Study for a Farmyard composition, c.1925 (pencil & coloured chalk on paper)
Edward Elgar working on a composition in his Plas Gwyn study 1905
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Composition: The Peasants, 1906 (oil on canvas)
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Study/Sketch for Composition n. 140, 1939-40 (mixed media on paper)
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Study for war composition, 1940s (pencil, pen & ink with white highlights on paper)
Large Composition A with Black, Red, Gray, Yellow and Blue, 1919-1920 (oil on canvas)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
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