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Aldo Rossi

Biographie

Aldo Rossi (Milan, 1931–1997) was an architect, designer, theorician and scholar, and the first Italian to be awarded The Pritzker Architecture Prize (1990) and the Thomas Jefferson Medal (1992).

He studied architecture at the Politecnico di Milano, graduating in the 1950s. In 1970, he became a professor at the Politecnico di Milano and then in ETH Zurich, while also collaborating with universities worldwide, as, among others, Harvard, Yale, and Cooper Union.

Rossi’s architectural works span public and private projects, including the De Amicis School expansion in Bronx (1970), Gallarate
...
Aldo Rossi (Milan, 1931–1997) was an architect, designer, theorician and scholar, and the first Italian to be awarded The Pritzker Architecture Prize (1990) and the Thomas Jefferson Medal (1992).

He studied architecture at the Politecnico di Milano, graduating in the 1950s. In 1970, he became a professor at the Politecnico di Milano and then in ETH Zurich, while also collaborating with universities worldwide, as, among others, Harvard, Yale, and Cooper Union.

Rossi’s architectural works span public and private projects, including the De Amicis School expansion in Bronx (1970), Gallaratese residential unit in Milan (1968–1973), San Cataldo Cemetery in Modena (1971–1978), and the Fagnano Olona primary school (1972–1976). Notable later works include the Teatro Carlo Felice renovation in Genoa (1983–1989), Milan-Linate Airport expansion (1991–1993), and Venice’s La Fenice theatre reconstruction(1996). Internationally, he designed Berlin’s Kochstrasse block (1981–1988), Fukuoka’s Hotel Il Palazzo (1987–1989), and the Bonnefantenmuseum in Maastricht (1990–1994) and many other important buildings built or projected, in Europe, North and South America and Far East.

A renowned historian and theorist, Rossi published "The Architecture of the City" (1966) and "A Scientific Autobiography" (1984), co-directed the film "Ornamento e delitto", and curated architectural sections for the Triennale di Milano and Venice Biennale. He also excelled as a designer for brands like Alessi, Molteni&C, UniFor and Bruno Longoni and as an artist, with his drawings and paintings, as well as with liminal works like the Teatro del Mondo (1979) and the Monument to Sandro Pertini (1988–1990).


Self-portrait, 1983 (ink and pastel on paper)
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Murdered Architecture, 1974 (ink, pastel and marker on paper)
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The Dome, 1987 (w/c on offset print)
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The triangle in architecture. Study for the Segrate Monument, 1967 (ink and oil on tracing paper).
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ANOTHER SUMMER, 1979 (ink and marker on paper)
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The forkas Man, 1980 (marker on paper)
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Composition No. 2, 1968 (collage and marker on paper)
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Forma deposta, 1975 (ink and tempera on fabric pasted on cardboard)
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The Analogous City, 1976
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Urban composition. colored proof, 1973 (ink and marker on paper)
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Interior-exterior, 1994 (watercolor and ink on paper)
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Study for the expansion of Fondo Toce, 1994 (watercolor and ink on paper)
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The theater of the world in Venice, 1981 (woodcut on paper)
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The Lost Hour. Baltimore ou le temps d'un retour, 1982 (marker on paper)
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Untitled, 1970 (watercolor, collage, pen and marker on paper)
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Untitled, assumed date 1967 (watercolor, pen, marker and tempera on paper)
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Untitled, 1988 (watercolor and ink on paper)
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Copernican City, 1973 (marker and tempera on paper)
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Composition with Modena Cemetery and Saint, 1979 (oil on panel)
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The Game of Death, 1973 (pen, marker and pastel on paper)
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THREE FRIENDS WITH DOGS CONVERSING, 1989 (watercolor and ink on paper)
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Untitled, 1973 (watercolor on paper)
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Untitled, 1972 (pen and marker on paper)
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"Cabina dell'Elba" cabinet, manufactured by Bruno Longoni Atelier Furniture
Manufacturer, designed 1982 (wood, lacquer, and metal)
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Staircase of the Bonnefanten Museum in Maastricht, Netherlands (Netherlands) Architecture by Aldo Rossi, 1995
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Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97
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Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
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Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
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Centre national d'art et de paysage in Vassiviere in Limousin, France. Architecture by Aldo Rossi and Xavier Fabre, 1990. Photography 1990
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Submerged Architecture, 1983-84 (pen, watercolor and chalk, photocopy on paper)
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Sketch for Mastricht, 1994 (watercolor and ink on paper)
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Study for large composition, 1990 (watercolor and pen on photocopy on paper)
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Untitled, assumed date 1993 (ink on paper)
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Do you like me?, 1977 (chalk on paper)
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Untitled, 1972 (pen and marker on paper)
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Untitled, 1972 (pen and marker on paper)
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Untitled, 1982 (marker on paper)
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Untitled, 1992 (pen on paper)
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Untitled, 1987 (colored pencils and pen on paper)
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Brussels, 1994 (watercolor and ink on paper)
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Lake Landscape with Dog, 1990 (watercolor and ink on paper)
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City, 1977 (pastel, pen and marker on paper)
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Untitled, 1991 (pen on paper)
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Untitled, 1972 (collage and marker on paper)
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Evening thinking about tomorrow's departure, 1985 (pen on paper)
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Untitled, undated (pen on paper)
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Untitled, 1972 (marker on paper)
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Untitled, assumed date 1987 (watercolor and pen on paper)
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Untitled, assumed date 1983 (pen on tissue paper)
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Untitled, assumed date 1990 (black pencil on paper)
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Untitled, undated (black pencil and pen on tracing paper)
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Study for Urgnano, 1995 (watercolor and marker on paper)
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Untitled, 1993 (ink on paper)
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Untitled, assumed date 1991 (black pencil, colored pencils and marker on tissue paper)
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Untitled, assumed date 1971 (black pencil on tracing paper)
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Study for Verona, 1996 (watercolor and ink on paper)
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Untitled, 1989 (marker on paper)
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Untitled, 1983 (colored pencils and pen on paper)
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Untitled, undated (black pencil and pen on paper)
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Study, 1947 (tempera on panel)
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Untitled, 1949 (tempera on canvas)
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Untitled, assumed date 1990 (watercolor, pen, marker and tempera on paper)
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Interior, 1989 (watercolor and ink on paper)
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Untitled, assumed date 1995 (watercolor and ink on paper)
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Untitled, undated (watercolor and ink on paper)
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Untitled, undated (marker on paper)
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Study for Gerona, 1994 (collage, pastel, pen and marker on paper)
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Study of building with fish, 1982 (pen and marker on paper)
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Study for a villa in Apulia, 1993 (ink on paper)
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The Saint's Section, 1977 (marker on coated paper)
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Untitled, 1989 (watercolor, pen and marker on paper)
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4 friends with dogs conversing, 1990 (watercolor, black pencil and colored pencils on paper)
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Study for Lake Ontario, 1988 (pen and marker on paper)
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Untitled, 1982 (marker on paper)
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Study for ELECTRA - TAORMINA, 1992 (watercolor and ink on paper)
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Lobby B5, 1990 (black pencil and colored pencils on paper)
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Untitled, 1976 (pen and marker on paper)
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Geometry of Venetian Memory, 1979 (pen and marker on paper)
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Untitled, undated (pen on paper)
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The theater, 1983 (marker on glossy paper)
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Untitled, 1987 (black pencil on paper)
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Reflections of electric light on steel oiacca'llus acirttele ecul alled issalfir, 1985 (ink and pastel on paper)
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Interior on lake with locomotive, 1992 (watercolor and ink on paper)
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Untitled, 1983 (pen and marker on paper)
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Untitled, 1973 (pen and marker on paper)
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Fagnano Olona School. Other reports, 1979 (marker on coated paper)
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Untitled, undated (pen on paper)
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Italian landscape with lady with dog, 1990 (watercolor and ink on paper)
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Me and my dog, 1990 (watercolor, ink, colored pencils and tempera on paper)
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Study with fish, 1982 (ink and marker on paper)
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