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Aldo Rossi

传记

Aldo Rossi (Milan, 1931–1997) was an architect, designer, theorician and scholar, and the first Italian to be awarded The Pritzker Architecture Prize (1990) and the Thomas Jefferson Medal (1992).

He studied architecture at the Politecnico di Milano, graduating in the 1950s. In 1970, he became a professor at the Politecnico di Milano and then in ETH Zurich, while also collaborating with universities worldwide, as, among others, Harvard, Yale, and Cooper Union.

Rossi’s architectural works span public and private projects, including the De Amicis School expansion in Bronx (1970), Gallarate
...
Aldo Rossi (Milan, 1931–1997) was an architect, designer, theorician and scholar, and the first Italian to be awarded The Pritzker Architecture Prize (1990) and the Thomas Jefferson Medal (1992).

He studied architecture at the Politecnico di Milano, graduating in the 1950s. In 1970, he became a professor at the Politecnico di Milano and then in ETH Zurich, while also collaborating with universities worldwide, as, among others, Harvard, Yale, and Cooper Union.

Rossi’s architectural works span public and private projects, including the De Amicis School expansion in Bronx (1970), Gallaratese residential unit in Milan (1968–1973), San Cataldo Cemetery in Modena (1971–1978), and the Fagnano Olona primary school (1972–1976). Notable later works include the Teatro Carlo Felice renovation in Genoa (1983–1989), Milan-Linate Airport expansion (1991–1993), and Venice’s La Fenice theatre reconstruction(1996). Internationally, he designed Berlin’s Kochstrasse block (1981–1988), Fukuoka’s Hotel Il Palazzo (1987–1989), and the Bonnefantenmuseum in Maastricht (1990–1994) and many other important buildings built or projected, in Europe, North and South America and Far East.

A renowned historian and theorist, Rossi published "The Architecture of the City" (1966) and "A Scientific Autobiography" (1984), co-directed the film "Ornamento e delitto", and curated architectural sections for the Triennale di Milano and Venice Biennale. He also excelled as a designer for brands like Alessi, Molteni&C, UniFor and Bruno Longoni and as an artist, with his drawings and paintings, as well as with liminal works like the Teatro del Mondo (1979) and the Monument to Sandro Pertini (1988–1990).


Self-portrait, 1983 (ink and pastel on paper)
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Murdered Architecture, 1974 (ink, pastel and marker on paper)
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The triangle in architecture. Study for the Segrate Monument, 1967 (ink and oil on tracing paper).
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The forkas Man, 1980 (marker on paper)
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Composition No. 2, 1968 (collage and marker on paper)
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ANOTHER SUMMER, 1979 (ink and marker on paper)
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The Analogous City, 1976
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Forma deposta, 1975 (ink and tempera on fabric pasted on cardboard)
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Interior-exterior, 1994 (watercolor and ink on paper)
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Urban composition. colored proof, 1973 (ink and marker on paper)
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Study for the expansion of Fondo Toce, 1994 (watercolor and ink on paper)
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The theater of the world in Venice, 1981 (woodcut on paper)
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The Lost Hour. Baltimore ou le temps d'un retour, 1982 (marker on paper)
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Untitled, 1970 (watercolor, collage, pen and marker on paper)
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Untitled, 1988 (watercolor and ink on paper)
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Untitled, assumed date 1967 (watercolor, pen, marker and tempera on paper)
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The Game of Death, 1973 (pen, marker and pastel on paper)
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Composition with Modena Cemetery and Saint, 1979 (oil on panel)
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Copernican City, 1973 (marker and tempera on paper)
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THREE FRIENDS WITH DOGS CONVERSING, 1989 (watercolor and ink on paper)
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Untitled, 1973 (watercolor on paper)
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Untitled, 1972 (pen and marker on paper)
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Submerged Architecture, 1983-84 (pen, watercolor and chalk, photocopy on paper)
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Sketch for Mastricht, 1994 (watercolor and ink on paper)
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Study for large composition, 1990 (watercolor and pen on photocopy on paper)
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Interior / courtyard facade in Milan, 1992 (ink and marker on paper)
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Berlin Schutzenstrasse, 1992 (watercolor and marker on paper)
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Houses in Milan Vigentina, 1973 (pen and marker on paper)
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Untitled, 1991 (ink and colored pencils on paper)
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Study for Broni Middle School, 1978 (ink on paper)
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Untitled, 1986 (ink and marker on paper)
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Untitled, 1986 (ink and marker on paper)
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The tomb of Cecilia Metella in the Roman suburbs. Hommage a Claude Lorrain, 1983 (marker on coated paper).
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Untitled, assumed date 1980 (black pencil on tracing paper)
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One evening conversing in the studio - images mark opposite directions even on earthly subsidence -, 1977 (marker on paper)
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Untitled, assumed date 1987 (black pencil, colored pencils and marker on paper)
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Study for an insula, 1977 (marker on coated paper)
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Witz Witzig - Kennst Dn das Land wo die Zitoanen Linnen, undated (black pencil on paper)
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Untitled, 1983 (marker on paper)
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Untitled, assumed date 1987 (marker on tracing paper)
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Untitled, assumed date 1995 (watercolor and ink on paper)
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Untitled, assumed date 1981 (pen on tissue paper)
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Untitled, assumed date 1987 (black pencil and pen on tissue paper)
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Untitled, undated (marker on tracing paper)
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Untitled, 1982 (marker on paper)
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HAMBURGER HAUS / HAMBURGER'S HOUSE PENSILVANYA DOMESTIC ARCHITECTURE, 1988 (colored pencils and marker on paper)
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Untitled, undated (black pencil on tissue paper)
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Untitled, undated (black pencil, colored pencils and pen on tissue paper)
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Untitled, assumed date 1987 (black pencil and colored pencils on tracing paper)
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Untitled, undated (black pencil and marker on tissue paper)
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Untitled, undated (marker on paper)
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Untitled, assumed date 1989 (pen on paper)
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Untitled, assumed date 1984 (marker on paper)
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Untitled, 1992 (ink and marker on paper)
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Untitled, 1984 (watercolor and pen on paper)
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Untitled, 1971 (pen on paper)
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Untitled, 1986 (collage, pastel and marker on cardboard)
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Untitled, 1972 (pen on paper)
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Untitled, undated (pen on paper)
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Untitled, 1983 (ink and marker on paper)
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Untitled, 1982 (marker on paper)
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Untitled, 1983 (pen on paper)
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Wall Street area / student project, 1980 (ink and marker on paper)
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Untitled, 1980 (pen on paper)
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Untitled, 1994 (ink, pastel and marker on paper)
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Untitled, 1989 (watercolor, pen and marker on paper)
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4 friends with dogs conversing, 1990 (watercolor, black pencil and colored pencils on paper)
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Study for Lake Ontario, 1988 (pen and marker on paper)
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Untitled, 1982 (marker on paper)
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Study for ELECTRA - TAORMINA, 1992 (watercolor and ink on paper)
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Lobby B5, 1990 (black pencil and colored pencils on paper)
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Untitled, 1976 (pen and marker on paper)
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Geometry of Venetian Memory, 1979 (pen and marker on paper)
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Untitled, undated (pen on paper)
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The theater, 1983 (marker on glossy paper)
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Untitled, 1987 (black pencil on paper)
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Reflections of electric light on steel oiacca'llus acirttele ecul alled issalfir, 1985 (ink and pastel on paper)
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Interior on lake with locomotive, 1992 (watercolor and ink on paper)
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Untitled, 1983 (pen and marker on paper)
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Untitled, 1983 (colored pencils, pen and marker on paper)
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Untitled, 1983 (pen and marker on paper)
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Study for a tower, 1994 (colored pencils, pen and marker on paper)
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Untitled, 1969 (pen and marker on paper)
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Urban Landscape, 1994 (black pencil, colored pencils and marker on paper)
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Untitled, 1976 (black pencil, marker and pen on paper)
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Untitled, assumed date 1987 (ink and marker on paper)
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Untitled, undated (watercolor, ink and black pencil on paper)
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Venice San Marco, 1988 (pen and marker on paper)
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Untitled, assumed date 1972 (pen on paper)
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House in Borgo Ticino, 1973 (pen and marker on paper)
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