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Aldo Rossi

Biography

Aldo Rossi (Milan, 1931–1997) was an architect, designer, theorician and scholar, and the first Italian to be awarded The Pritzker Architecture Prize (1990) and the Thomas Jefferson Medal (1992). He studied architecture at the Politecnico di Milano, graduating in the 1950s. In 1970, he became a professor at the Politecnico di Milano and then in ETH Zurich, while also collaborating with universities worldwide, as, among others, Harvard, Yale, and Cooper Union. Rossi’s architectural works span public and private projects, including the De Amicis School expansion in Bronx (1970), Gallarate Aldo Rossi (Milan, 1931–1997) was an architect, designer, theorician and scholar, and the first Italian to be awarded The Pritzker Architecture Prize (1990) and the Thomas Jefferson Medal (1992).

He studied architecture at the Politecnico di Milano, graduating in the 1950s. In 1970, he became a professor at the Politecnico di Milano and then in ETH Zurich, while also collaborating with universities worldwide, as, among others, Harvard, Yale, and Cooper Union.

Rossi’s architectural works span public and private projects, including the De Amicis School expansion in Bronx (1970), Gallaratese residential unit in Milan (1968–1973), San Cataldo Cemetery in Modena (1971–1978), and the Fagnano Olona primary school (1972–1976). Notable later works include the Teatro Carlo Felice renovation in Genoa (1983–1989), Milan-Linate Airport expansion (1991–1993), and Venice’s La Fenice theatre reconstruction(1996). Internationally, he designed Berlin’s Kochstrasse block (1981–1988), Fukuoka’s Hotel Il Palazzo (1987–1989), and the Bonnefantenmuseum in Maastricht (1990–1994) and many other important buildings built or projected, in Europe, North and South America and Far East.

A renowned historian and theorist, Rossi published "The Architecture of the City" (1966) and "A Scientific Autobiography" (1984), co-directed the film "Ornamento e delitto", and curated architectural sections for the Triennale di Milano and Venice Biennale. He also excelled as a designer for brands like Alessi, Molteni&C, UniFor and Bruno Longoni and as an artist, with his drawings and paintings, as well as with liminal works like the Teatro del Mondo (1979) and the Monument to Sandro Pertini (1988–1990).
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Self-portrait, 1983 (ink and pastel on paper)
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Composition No. 2, 1968 (collage and marker on paper)
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The Analogous City, 1976
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Interior-exterior, 1994 (watercolor and ink on paper)
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Study for the expansion of Fondo Toce, 1994 (watercolor and ink on paper)
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Murdered Architecture, 1974 (ink, pastel and marker on paper)
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Untitled, 1988 (watercolor and ink on paper)
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Composition with Modena Cemetery and Saint, 1979 (oil on panel)
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The triangle in architecture. Study for the Segrate Monument, 1967 (ink and oil on tracing paper).
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THREE FRIENDS WITH DOGS CONVERSING, 1989 (watercolor and ink on paper)
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Untitled, 1973 (watercolor on paper)
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"Cabina dell'Elba" cabinet, manufactured by Bruno Longoni Atelier Furniture
Manufacturer, designed 1982 (wood, lacquer, and metal)
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Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
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Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
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Staircase of the Bonnefanten Museum in Maastricht, Netherlands (Netherlands) Architecture by Aldo Rossi, 1995
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Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97
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Untitled, assumed date 1983 (pen on tissue paper)
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Untitled, assumed date 1990 (black pencil on paper)
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Study, undated (black pencil on tissue paper)
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Untitled, undated (black pencil and pen on tracing paper)
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Untitled, assumed date 1981 (black pencil on tissue paper)
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Design for the golf club and hotel Tirreno near Pisa including the Pineta di tombolo where the sea is located, 1990 (watercolor, pastel, pen and tempera on paper)
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Study for Urgnano, 1995 (watercolor and marker on paper)
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Untitled, 1993 (ink on paper)
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Untitled, assumed date 1991 (black pencil, colored pencils and marker on tissue paper)
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Untitled, assumed date 1971 (black pencil on tracing paper)
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Study for Verona, 1996 (watercolor and ink on paper)
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Untitled, 1989 (marker on paper)
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Untitled, 1983 (colored pencils and pen on paper)
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Untitled, undated (black pencil and pen on paper)
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Study, 1947 (tempera on panel)
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Untitled, 1949 (tempera on canvas)
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Untitled, assumed date 1990 (watercolor, pen, marker and tempera on paper)
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Interior, 1989 (watercolor and ink on paper)
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Untitled, assumed date 1995 (watercolor and ink on paper)
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Untitled, undated (watercolor and ink on paper)
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Untitled, undated (marker on paper)
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Study for Gerona, 1994 (collage, pastel, pen and marker on paper)
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Study of building with fish, 1982 (pen and marker on paper)
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Study for a villa in Apulia, 1993 (ink on paper)
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Interior / courtyard facade in Milan, 1992 (ink and marker on paper)
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Berlin Schutzenstrasse, 1992 (watercolor and marker on paper)
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Houses in Milan Vigentina, 1973 (pen and marker on paper)
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Untitled, 1991 (ink and colored pencils on paper)
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Study for Broni Middle School, 1978 (ink on paper)
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Untitled, 1986 (ink and marker on paper)
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Untitled, 1986 (ink and marker on paper)
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The tomb of Cecilia Metella in the Roman suburbs. Hommage a Claude Lorrain, 1983 (marker on coated paper).
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Untitled, 1986 (ink on paper)
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Miscellaneous studies for chairs M., 1987 (ink and black pencil on paper)
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Untitled, assumed date 1980 (black pencil on tracing paper)
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Pressofilter, 1985 (ink and marker on paper)
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One evening conversing in the studio - images mark opposite directions even on earthly subsidence -, 1977 (marker on paper)
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Untitled, assumed date 1987 (black pencil, colored pencils and marker on paper)
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Study for an insula, 1977 (marker on coated paper)
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Untitled, 1976 (pen and marker on paper)
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Witz Witzig - Kennst Dn das Land wo die Zitoanen Linnen, undated (black pencil on paper)
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Untitled, 1983 (marker on paper)
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Moji facade study, 1994 (watercolor, black pencil and marker on paper)
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Untitled, assumed date 1987 (marker on tracing paper)
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Untitled, assumed date 1995 (watercolor and ink on paper)
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FRAGMENTS, 1987 (ink and marker on paper)
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Untitled, assumed date 1983 (black pencil and marker on tracing paper)
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Untitled, assumed date 1981 (pen on tissue paper)
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Untitled, assumed date 1987 (black pencil and pen on tissue paper)
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Untitled, undated (marker on tracing paper)
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Untitled, 1982 (marker on paper)
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Untitled, undated (black pencil on tissue paper)
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Untitled, assumed date 1987 (black pencil and colored pencils on tracing paper)
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Untitled, 1984 (watercolor and pen on paper)
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Untitled, 1971 (pen on paper)
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Study for Maastricht, 1990 (watercolor and pen on paper)
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The Saint's Section, 1977 (marker on coated paper)
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Untitled, 1973 (pen and marker on paper)
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Fagnano Olona School. Other reports, 1979 (marker on coated paper)
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Untitled, undated (pen on paper)
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ANOTHER SUMMER, 1979 (ink and marker on paper)
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Italian landscape with lady with dog, 1990 (watercolor and ink on paper)
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Me and my dog, 1990 (watercolor, ink, colored pencils and tempera on paper)
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Study with fish, 1982 (ink and marker on paper)
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Amagansett Hamptons, 1991 (ink and marker on paper)
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Untitled, 1980 (pen on paper)
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Architect thinking about a villa, 1994 (ink on paper)
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Untitled, 1989 (pen and marker on paper)
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NY, Wall St, 1980 (marker on paper)
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HAMBURGER HAUS / HAMBURGER'S HOUSE PENSILVANYA DOMESTIC ARCHITECTURE, 1988 (colored pencils and marker on paper)
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Untitled, undated (black pencil, colored pencils and pen on tissue paper)
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Untitled, undated (black pencil and marker on tissue paper)
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Untitled, undated (marker on paper)
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Untitled, assumed date 1989 (pen on paper)
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