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Vittorio Emanuele II Gallery, Milan 1950s
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A house façade. Eclecticism. Begin 20th century (?).
Town hall La Paeria. Interior. Council hall. Eclecticism.
The city theatre.
Private house. Cottage. Begin 20th century.
Ribelles. The family chapel. Interior. The nave. Modernism/eclecticism.
Ribelles. The family chapel. Interior. The nave. Modernism/eclecticism.
Russia, Moscow, the House of Friendship, a wonderful example of eclecticism.
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1900 Paris World's Fair: elevated view of the Grand Palais
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Two-level console table with sculpted top, ca 1880, by Ferdinando Pogliani (1832 -1899), neo-Renaissance, Italy, 19th century
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Town hall. Architect Karel Nissens. 1903-1905. Eclecticism.
Private house. Cottage. Begin 20th century.
Private house. Cottage. Begin 20th century.
A window of the monument to Victor Emmanuel II (or Altar of the Fatherland). Work by Giuseppe Sacconi, in Piazza Venezia, in Rome, in Lazio
The inside of the colonnade, detail of the Monument to Vittorio Emanuele II or Altar of the Fatherland; work by Giuseppe Sacconi in Rome
Red velvet and geometric-patterned carpet fabric sofa, Italy, 19th century
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Vittoriale: Courtyard of the Slavs, 1921 - 1923
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Carved book-shaped desk and stool, structure that imitates bamboo, 1890, Italy, 19th century
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1900 Paris World's Fair: the Grand Palais
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Display case decorated with inlays and bronzes, ca 1865, Italy, 19th century
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Red velvet and geometric-patterned carpet fabric armchairs, Italy, 19th century
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The Miramare Castle, terrace toward the sea, from the Album "Miramar"
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1900 Paris World's Fair: the main façade of the Grand Palais
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Five-panel screen with walnut frames and polychrome blown glass, ca 1860, Italy, 19th century
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Vittoriale: Pile of the Piave, 1921 - 1923
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View of the Antonelliana Mass of Turin. Work by Alessandro Antonelli
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Ribelles. The family chapel. Interior. Family tombs. Modernism/eclecticism.
Ribelles. The family chapel. Interior. Family tombs. Modernism/eclecticism.
Ribelles. The family chapel. Interior. Family tombs. Modernism/eclecticism.
`Portico del Parente',
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Entrance door to the colonnnade, detail of the Monument to Vittorio Emanuele II or Altar of the Fatherland; work by Giuseppe Sacconi in Rome
Ladies posing under the monument to Indian in the Parco delle Cascine of Florence
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General view from the Altar of the Fatherland or Monument to Victor Emmanuel II, by Giuseppe Sacconi in Rome
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Steps of the Central Railway Station of Milan
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Detail of the Mole Antonelliana in Turin
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Theatre (Vlaamsche Schouwburg). Exterior. Façade. Eclecticism. 19th century (?).
Victory statues on columns, detail of the Monument to Victor Emanuel II, also known as Altare della Patria, by Cesare Zocchi and Mario Rutelli, in Rome
Terrace to the sea of Miramare Castle in Triest.
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Vittoriale: Villa Mirabella,
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The Cathedral of Saint Isaac in Saint Petersburg
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Portico,
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Vittoriale: View of the Portico, 1921 - 1923
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View of Miramare Castle in Trieste
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Theatre (Vlaamsche Schouwburg). Exterior. Façade. Eclecticism. 19th century (?).
View of Mole Antonelliana in Turin
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Equestrian statue of Victor Emanuel II, detail of the Monument to Victor Emanuel II, also known as Altare della Patria, by Enrico Chiaradia and Emilio Gallori, in Rome
Night view of the Altare della Patria in Rome
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Castello di Miramare: view of the castle from the beach
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Vittoriale: View of the 'Portico del Parente' in its present state, 1921 - 1923
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View of The Castle of Miramare from the sea, from the Album "Miramar"
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Mahogany chair with mother of pearl inlays and ebony and bronze threads, one of a set of four, ca 1860, drawing by Luigi Scrosati (1814-1869), for Gian Giacomo Poldi Pezzoli, Italy, 19th century
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Album "Zeppelin-Weltfahrten. II. Buch": Journey to the North Pole of the Zeppelin: Leningrad (St. Petersburg), St. Isaac's Cathedral
Vittoriale: Music Room, 1921 - 1923
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Altar of the Fatherland (Victorian), Rome (photo)
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Cheval-glass, 1856 (mahogany wood)
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Vestibule of the Palace of Justice in Rome
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Palazzo Chigi Saracini (Palazzo Chigi Saracini), by Agostino Fantastici (project), 1830 - 1835, 19th Century
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The Town Hall (Rathaus) in Vienna
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The Alexander Nevsky Cathedral and the Bulgarian Academy of Sciences in Sofia
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The interior of the Post Office Building in Mexico City, designed by the Italian architect Adamo Boari
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Vittoriale: the loggias, 1921 - 1923
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Vittoriale: outside portico, 1921
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The Alexander Nevsky Cathedral in Sofia
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Vittoriale: facade of 'La Priora' (D'Annunzio's House), 1921 - 1923
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Vittoriale: Pile of the Piave, 1921 - 1923
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The bell tower of the Cathedral of Messina
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Prefecture Palace in Bergamo (Palazzo della Prefettura di Bergamo), 1864 - 1871, 19th Century
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Park Liedts. Park Liedts.
Detail of the Monument to Vittorio Emanuele II in Rome
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View of Miramare Castle in Trieste
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The Great Synagogue of Florence or Tempio Maggiore
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Vittoriale: the loggias, 1921 - 1923
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Panorama of Turin from Monte dei Cappuccini
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Monument to Victor Emanuel II in Rome
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Monument to Victor Emanuel II in Rome
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Vittoriale: Room of the Autographs, 1921 - 1923
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City site mount Tibidabo. The basilic church Holy hearth (Església de Sagrat Cor). Exterior. The façade. Neo-Gothic.
Crowd in via Silvio Pellico in Milan
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Black, red and gold lacquered wood sofa with the two sphinx-shaped armrests and Osiris playing the harp on the back, Italy, 20th century
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Black lacquered wood console table with mirror, lateral bas-reliefs and sphinxes, 1885, Italy, 19th century
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Nymphaeum in the park of the Villa Pallavicino Durazzo in Pegli, Genoa
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View of the façade of the Caffè Pedrocchi, work by Giuseppe Jappelli, Padua
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`Portico del Parente',
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Ribelles. The family chapel. Interior. A window in embrasure. Stained glass. Modernism/eclecticism.
Ribelles. The family chapel. Interior. West wall. The stained glass windows. Modernism/eclecticism.
Ribelles. The family chapel. Interior. The ambulatory. The fence. Ironwork. Modernism/eclecticism.
Ribelles. The family chapel. Interior. The ambulatory. The fence. Ironwork. Modernism/eclecticism.
Ribelles. The family chapel. Interior. A window in embrasure. Stained glass. Modernism/eclecticism.