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Vittorio Emanuele II Gallery, Milan 1950s
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A house façade. Eclecticism. Begin 20th century (?).
Town hall La Paeria. Interior. Council hall. Eclecticism.
The city theatre.
Private house. Cottage. Begin 20th century.
Two-level console table with sculpted top, ca 1880, by Ferdinando Pogliani (1832 -1899), neo-Renaissance, Italy, 19th century
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Vittoriale: Courtyard of the Slavs, 1921 - 1923
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Red velvet and geometric-patterned carpet fabric sofa, Italy, 19th century
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Ribelles. The family chapel. Interior. The nave. Modernism/eclecticism.
Russia, Moscow, the House of Friendship, a wonderful example of eclecticism.
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Private house. Cottage. Begin 20th century.
Private house. Cottage. Begin 20th century.
Town hall. Architect Karel Nissens. 1903-1905. Eclecticism.
A window of the monument to Victor Emmanuel II (or Altar of the Fatherland). Work by Giuseppe Sacconi, in Piazza Venezia, in Rome, in Lazio
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The inside of the colonnade, detail of the Monument to Vittorio Emanuele II or Altar of the Fatherland; work by Giuseppe Sacconi in Rome
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The Miramare Castle, terrace toward the sea, from the Album "Miramar"
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Red velvet and geometric-patterned carpet fabric armchairs, Italy, 19th century
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1900 Paris World's Fair: elevated view of the Grand Palais
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Carved book-shaped desk and stool, structure that imitates bamboo, 1890, Italy, 19th century
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Display case decorated with inlays and bronzes, ca 1865, Italy, 19th century
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1900 Paris World's Fair: the Grand Palais
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Ribelles. The family chapel. Interior. The nave. Modernism/eclecticism.
Theatre (Vlaamsche Schouwburg). Exterior. Façade. Eclecticism. 19th century (?).
Entrance door to the colonnnade, detail of the Monument to Vittorio Emanuele II or Altar of the Fatherland; work by Giuseppe Sacconi in Rome
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Ladies posing under the monument to Indian in the Parco delle Cascine of Florence
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`Portico del Parente',
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Five-panel screen with walnut frames and polychrome blown glass, ca 1860, Italy, 19th century
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1900 Paris World's Fair: the main façade of the Grand Palais
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Victory statues on columns, detail of the Monument to Victor Emanuel II, also known as Altare della Patria, by Cesare Zocchi and Mario Rutelli, in Rome
Detail of the Mole Antonelliana in Turin
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Ribelles. The family chapel. Interior. Family tombs. Modernism/eclecticism.
Ribelles. The family chapel. Interior. Family tombs. Modernism/eclecticism.
Ribelles. The family chapel. Interior. Family tombs. Modernism/eclecticism.
View of Mole Antonelliana in Turin
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View of the Antonelliana Mass of Turin. Work by Alessandro Antonelli
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Vittoriale: Pile of the Piave, 1921 - 1923
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View of Miramare Castle in Trieste
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Portico,
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Vittoriale: View of the Portico, 1921 - 1923
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Terrace to the sea of Miramare Castle in Triest.
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Theatre (Vlaamsche Schouwburg). Exterior. Façade. Eclecticism. 19th century (?).
View of The Castle of Miramare from the sea, from the Album "Miramar"
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Vittoriale: View of the 'Portico del Parente' in its present state, 1921 - 1923
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Steps of the Central Railway Station of Milan
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General view from the Altar of the Fatherland or Monument to Victor Emmanuel II, by Giuseppe Sacconi in Rome
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Castello di Miramare: view of the castle from the beach
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Equestrian statue of Victor Emanuel II, detail of the Monument to Victor Emanuel II, also known as Altare della Patria, by Enrico Chiaradia and Emilio Gallori, in Rome
Night view of the Altare della Patria in Rome
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Altar of the Fatherland (Victorian), Rome (photo)
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Vittoriale: Music Room, 1921 - 1923
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The Cathedral of Saint Isaac in Saint Petersburg
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Vittoriale: Villa Mirabella,
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Mahogany chair with mother of pearl inlays and ebony and bronze threads, one of a set of four, ca 1860, drawing by Luigi Scrosati (1814-1869), for Gian Giacomo Poldi Pezzoli, Italy, 19th century
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Album "Zeppelin-Weltfahrten. II. Buch": Journey to the North Pole of the Zeppelin: Leningrad (St. Petersburg), St. Isaac's Cathedral
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Vittoriale: the loggias, 1921 - 1923
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The interior of the Post Office Building in Mexico City, designed by the Italian architect Adamo Boari
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The Alexander Nevsky Cathedral and the Bulgarian Academy of Sciences in Sofia
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Vestibule of the Palace of Justice in Rome
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Cheval-glass, 1856 (mahogany wood)
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The Town Hall (Rathaus) in Vienna
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Detail of the Monument to Vittorio Emanuele II in Rome
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View of Miramare Castle in Trieste
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Copyright/Diritti d'Autore
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Park Liedts. Park Liedts.
Vittoriale: facade of 'La Priora' (D'Annunzio's House), 1921 - 1923
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Vittoriale: Pile of the Piave, 1921 - 1923
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The bell tower of the Cathedral of Messina
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Prefecture Palace in Bergamo (Palazzo della Prefettura di Bergamo), 1864 - 1871, 19th Century
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Vittoriale: the loggias, 1921 - 1923
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Palazzo Chigi Saracini (Palazzo Chigi Saracini), by Agostino Fantastici (project), 1830 - 1835, 19th Century
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The Great Synagogue of Florence or Tempio Maggiore
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Ribelles. The family chapel. Interior. The ambulatory. The fence. Ironwork. Modernism/eclecticism.
Ribelles. The family chapel. Interior. The ambulatory. The fence. Ironwork. Modernism/eclecticism.
Vittoriale: Room of the Autographs, 1921 - 1923
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The Alexander Nevsky Cathedral in Sofia
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Vittoriale: outside portico, 1921
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Panorama of Turin from Monte dei Cappuccini
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Monument to Victor Emanuel II in Rome
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Monument to Victor Emanuel II in Rome
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View of the façade of the Caffè Pedrocchi, work by Giuseppe Jappelli, Padua
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Nymphaeum in the park of the Villa Pallavicino Durazzo in Pegli, Genoa
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Black, red and gold lacquered wood sofa with the two sphinx-shaped armrests and Osiris playing the harp on the back, Italy, 20th century
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Black lacquered wood console table with mirror, lateral bas-reliefs and sphinxes, 1885, Italy, 19th century
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`Portico del Parente',
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Crowd in via Silvio Pellico in Milan
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The Victoria Memorial, Kolkata, India, 1962 (b/w photo)
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Façade of St. Isaacs Cathedral, St. Petersburg, Russia
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Ribelles. The family chapel. Interior. A window in embrasure. Stained glass. Modernism/eclecticism.
Ribelles. The family chapel. Interior. West wall. The stained glass windows. Modernism/eclecticism.