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Simon Palmer

Biography

b.1956<br> English watercolorist, Simon Palmer was born in 1956. He studied art in England and his work is held in numerous collections in Europe, USA and Japan. He has undertaken private works and commissions including paintings for the National Trust at Sissinghurst and at Salt’s Mill, Saltaire in England.<br> <br> Simon Palmer was born and has lived most of his life in Yorkshire. His enigmatic, captivating paintings seem to pay homage to this area of Northern England. His paintings effectively marry the present day world with the equally interesting realm of his imagination which transp b.1956<br> English watercolorist, Simon Palmer was born in 1956. He studied art in England and his work is held in numerous collections in Europe, USA and Japan. He has undertaken private works and commissions including paintings for the National Trust at Sissinghurst and at Salt’s Mill, Saltaire in England.<br> <br> Simon Palmer was born and has lived most of his life in Yorkshire. His enigmatic, captivating paintings seem to pay homage to this area of Northern England. His paintings effectively marry the present day world with the equally interesting realm of his imagination which transports us into his world filled with intriguing characters and situations unfolding before us. It is this narrative quality in his work and his wit that has successfully proved a following from art collectors both at home and abroad.<br> ...


Artwork from 'Simon Palmer' found, 76

Cycling Home, 1996 (ink, w/c and gouache on paper)
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View from a Canal Bridge, 1998 (ink, w/c and gouache)
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The Pilgrim's Way, 1997 (ink, w/c and gouache)
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Dandelions (w/c)
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Ruth Returning with Naomi, 1997 (w/c on paper)
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Planting Snowdrops, 1997 (ink, w/c and gouache)
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Two Images of Himself in the Future (w/c)
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East of Eden, 1998 (w/c on paper)
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The Wesleyan Chapel, 1997 (ink, w/c and gouache)
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Drawing across the Ocre (ink, w/c & gouache on paper)
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Pagan Rites of Spring (w/c)
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The Church Fete (w/c)
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Marty South (pencil, ink, watercolour & gouache on paper)
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Falshaw's Yard, 1999 (w/c on paper)
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The Bridleway (w/c)
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Procession on the Summer Solstice (w/c)
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The Woodlanders (w/c)
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After the Storm, 2016 (w/c with ink & gouache on paper)
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Fool's Lane (ink, w/c, gouache)
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The Orchard, 1995 (w/c on paper)
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The Songs of Solomon (w/c)
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Point of Eruption (w/c and gouache)
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A Pastoral Scene, 2016 (w/c with ink & gouache on paper)
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Behind Firs Farm, 2016 (w/c with ink & gouache on paper)
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The Stone Masons, 2016 (w/c with ink & gouache on paper)
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Cross-Country Road (w/c on paper)
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Clym Yeobright, 1999 (ink, w/c and gouache)
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Just Left, in the Composition, 1996 (w/c on paper)
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The Young Astronomer and the Orrery (ink, w/c gouache)
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Gun Metal Grey (w/c)
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Sleningford Estate, 2016 (w/c with ink & gouache on paper)
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The Ash Tree, 2016 (w/c with ink & gouache on paper)
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Towards Howe Farm, 2016 (w/c with ink & gouache on paper)
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Baxton's Road, 2016 (w/c with ink & gouache on paper)
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Swinney Beck Ford, 2016 (w/c with ink & gouache on paper)
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The Tithe Barn, 2016 (w/c with ink & gouache on paper)
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The White Wall, 2016 (w/c with ink & gouache on paper)
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The Summer Studio, 1998 (w/c on paper)
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Queueing For the Crumbs From the Baskets (w/c)
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High Summer - The Serenade (w/c)
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The Angered Storm, 2016 (w/c with ink & gouache on paper)
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Turn Right at the Top, 2016 (w/c with ink & gouache on paper)
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Cowling Lane, 2016 (w/c with ink & gouache on paper)
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Gale Bank Plantation, 2016 (w/c with ink & gouache on paper)
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National Park Boundary, 2016 (w/c with ink & gouache on paper)
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Into the Earth (Revisited), 2016 (w/c with ink & gouache on paper)
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The Exodus (w/c)
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The Black Widows from Relleu (w/c)
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Leviticus 26 (w/c)
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Winter Solstice, 1996 (w/c on paper)
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Waiting at the Gates (w/c)
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Sandhill Plantation, 2016 (w/c with ink & gouache on paper)
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Above Ellingstring, 2016 (w/c with ink & gouache on paper)
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Exposed Façade, 2016 (w/c with ink & gouache on paper)
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High Sutton, 2016 (w/c with ink & gouache on paper)
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Ryedale, 2016 (w/c with ink & gouache on paper)
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Manifold, 1997 (w/c on paper)
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Striking Out Independently, 1998 (w/c on paper)
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Gleaning Solace from a Muddy Field, 1999 (w/c on paper)
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What Gentle Belle Could Reject a Lord (w/c)
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The Almond Harvest (w/c)
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Home Territory (w/c)
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The Novices Searching for Their Souls (w/c)
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Early Spring (w/c)
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The Wave (w/c and gouache)
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The Race of Time (w/c on paper)
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Away from Newby, 2016 (w/c with ink & gouache on paper)
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Crossing to Thirn, 2016 (w/c with ink & gouache on paper)
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From Settle to Carlisle, 2016 (w/c with ink & gouache on paper)
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Haregill Lane, 2016 (w/c with ink & gouache on paper)
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Late Light, 2016 (w/c with ink & gouache on paper)
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Baxton's Grange, 2016 (w/c with ink & gouache on paper)
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Bridging the Ure, 2016 (w/c with ink & gouache on paper)
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Five Lane Ends, 2016 (w/c with ink & gouache on paper)
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Grindleford, 2016 (w/c with ink & gouache on paper)
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Near Farndale, 2016 (w/c with ink & gouache on paper)
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