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Margaret Florence Harker (1920-2013)


Artwork from ' Margaret Florence Harker (1920-2013)' found, 51

View of the council building and its adjoining pool from the south, 1945-1960 (b/w photo)
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View of the centre of the village from the north-east, looking towards the Square and West Street, 1945-1960 (b/w photo)
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Interior view of the hall's restaurant, looking down through the well of the spiral staircase linking the upper and lower levels, 1951 (b/w photo)
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View of the ice-cream company's depot from the south-west, showing a Scammell delivery lorry reversed into the loading bay, 1950-1960 (b/w photo)
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Portrait of the architect Leslie Martin at home, in the library of his converted mill, 1957-1960 (b/w photo)
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Looking up towards the church's restored spire, floodlit at night, from the south-east, 1950 (b/w photo)
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View looking through the covered bridge, 1945-1960 (b/w photo)
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View of the BBC radio studios from the south, 1945-1960 (b/w photo)
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View of the BBC radio studios from the south-west, 1945-1960 (b/w photo)
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Interior view of the Festival's 'The Country' pavilion, from adjacent to a stall called 'The Modern Hen', showing the exhibition hall's girder pillars hung with sculpted busts, and a painted backdrop on the wall behind, 1951 (b/w photo)
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Interior view of the chapel of Abbot Ramryge, adjoining the cathedral church's presbytery, showings its fan-vaulted ceiling and the screen at the east end, 1958 (b/w photo)
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View of the bridge from the south-west, with a woman sitting in a rowing boat in the foreground, 1945-1960 (b/w photo)
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Looking up at a corner of the house, from the north-east., 1947 (b/w photo)
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Looking south-west along the river Thames from south of Vauxhall Bridge, with coal barges moored in the foreground and Battersea Power Station in the distance, 1945-1960 (b/w photo)
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Interior view of the hall's foyer, looking up towards the ceiling and showing some of its main supporting pillars, 1951 (b/w photo)
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Detail of a pitcher on a stone cill in the cathedral church's cloister, 1954-1957 (b/w photo)
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Looking east along Merton Street from the junction with Oriel Square, 1945-1960 (b/w photo)
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Looking up through the central well of the hotel's Georgian staircase, 1945-1960 (b/w photo)
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Detail of a carved wooden figure on a pew end in the church, 1950-1960 (b/w photo)
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Detail looking up at the decorated ceiling of the central tower over the cathedral church's crossing, 1958 (b/w photo)
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Interior view of a committee room in the hall, showing a supporting pillar and a window with views towards the Shot Tower and St Paul's Cathedral, 1951 (b/w photo)
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Looking north from Verulamium Park towards the cathedral church, 1958 (b/w photo)
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View of the village sign from the south, with the Railway Hotel in the background, 1945-1960 (b/w photo)
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Interior view of the Festival's 'The Natural Scene' pavilion, designed by Frederick Henri Kay Henrion, showing a stream running past a decorated stylised tree, 1951 (b/w photo)
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View of the cathedral church during construction, from the south-east, 1952-1960 (b/w photo)
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View of the bridge over the river Wear from the south-west, with Durham Cathedral on the hilltop in the background, 1948 (b/w photo)
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Interior view of the hall's foyer at 28 foot level, looking towards the bar, 1951 (b/w photo)
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Detail of a wooden figure on the wall above a poor box in the cathedral church's south ambulatory, 1958 (b/w photo)
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Interior view of the inn, showing an ogee-curved archway into the entrance hall, 1948 (b/w photo)
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Looking north-west along St Mary's Street towards the cathedral church, 1945-1960 (b/w photo)
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Detail looking up at medieval decoration on the ceiling above the cathedral church's organ loft, 1958 (b/w photo)
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Interior view of the church, decorated with produce during Harvest Festival, 1945-1960 (b/w photo)
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Interior view of the music room in the converted mill, home to the architect Leslie Martin, looking towards a boxed gramophone with a large horn, 1957-1960 (b/w photo)
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View of the church from the south-east, with a small car parked outside, 1948 (b/w photo)
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Interior view of the cathedral church, looking through a hatch to the steps leading down to the tomb of Humphrey, Duke of Gloucester, with a barred gate at the foot, 1958 (b/w photo)
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Looking up at the cathedral church's cross, 1952-1960 (b/w photo)
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Interior view of the Festival's 'The Country' pavilion, looking across the main exhibition area where a row of tractors are displayed, raised on columns, 1951 (b/w photo)
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Detail looking up at some of the cathedral church's decorative fan-vaulting, 1950-1960 (b/w photo)
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View of the bridge from the west, 1945-1960 (b/w photo)
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View of the cathedral church on the hilltop from the south-west, with the river Wear in the foreground, 1948 (b/w photo)
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View of the cathedral from the north-east, at the junction of Newgate Street, New Change and Cheapside, 1951-1960 (b/w photo)
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Detail of a wood carving on the Archdeacon's choir stall in the cathedral church, depicting an angel with a stringed instrument, 1958 (b/w photo)
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Detail of Medieval wall paintings on the column of an arch in the cathedral church's nave,  (b/w photo)
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Looking along the remains of the ruined abbey church's north aisle, 1945-1960 (b/w photo)
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Interior view of the library in the converted mill, home to the architect Leslie Martin, 1957-1960 (b/w photo)
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View of the east end of the cathedral church, with cars parked outside, 1958 (b/w photo)
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Detail showing shadows cast over the floor tiles at the entrance to the cathedral church, 1948 (b/w photo)
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View of the church from the south-east, with a bus passing in the foreground, 1945-1960 (b/w photo)
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View of the textile factory from the west, 1950-1959 (b/w photo)
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View of the minster church's west front, from the north-west, 1945-1960 (b/w photo)
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Detail of a carved rustic figure on a bench end in the cathedral church's Lady chapel, 1947 (b/w photo)
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