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Brazilian natives attacking an enemy
Pairs of hardwood claves. Differing sizes and shapes. Rosewood (photo)
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Alagados favela in Salvador, Brazil
Pairs of hardwood claves. Differing sizes and shapes. Rosewood (photo)
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Ukrainian Memorial, Curitiba, Paraná State, Brazil (photo)
Brazil, Bahia, Cachoeira : Cachoeira artis
Shadows of the Wanderer, 2008 (polychrome wood)
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Shadows of the Wanderer (detail), 2008 (polychrome wood)
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Country Club, Ipanema, 1918 (oil on composition wood panel)
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Study of Head (John the Baptist III), 1992 (polychrome wood)
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Brasilian Pavillion at the Biennale Gardens, 1964, 20th Century
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Squirrel monkey (Saimiri sciureus), lying on wooden fence, close-up
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The Banquet, 1985 (polychrome wood)
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The Longest Journey, 1994 (polychrome wood)
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'The Turning World' (I), 2012 (polychrome wood & mixed media)
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Portrait of José de Anchieta, Ceiling of the Catedral Basilica de Salvador, Bahia (photo)
Caesalpinia ferrea/Iron Tree/Iron Wood/Brazilian Ironwood/Leopard Tree
The Banquet (detail), 1985 (polychrome wood)
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Untitled, 2011 (polychrome wood)
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Barge carrying tropical wood on Amazon River, Brazil (photo)
Shadows of the Wanderer (detail), 2008 (polychrome wood)
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Shadows of the Wanderer (detail), 2008 (polychrome wood)
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Shadows of the Wanderer (detail), 2008 (polychrome wood)
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Transwood chair, 2011 (wood and rattan)
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BRAZILIAN PORCUPINE
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Acrobats, 1983 (polychrome wood )
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The Banquet (detail), 1985 (polychrome wood )
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The Longest Journey (detail), 1994 (polychrome wood)
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Shadows of the Wanderer (detail), 2008 (polychrome wood)
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The Longest Journey (detail), 1994 (polychrome wood)
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'The Turning World' (II), 2012 (polychrome wood & mixed media)
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Brazilian man walks over a wooden bridge in a favela in São Luis,..., 1995 (photo)
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Brasilian Pavillion at the Biennale Gardens in Venice, by Amerigo Marchesin, 1964, 20th Century
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Land of No Return (detail), 2002 (polychrome wood, slate base)
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The Banquet, 1985 (polychrome wood)
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Acrobats, 1983 (polychrome wood )
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Land of No Return (detail), 2002 (polychrome wood, slate base)
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The Longest Journey (detail), 1994 (polychrome wood)
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The Longest Journey (detail), 1994 (polychrome wood)
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Land of No Return, 2002 (polychrome wood, slate base)
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Study of Head (John the Baptist II), 1990 (polychrome wood)
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'The Turning World' (III), 2012 (polychrome wood & mixed media)
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A tall Brazilian climber, 1872 (oil on board)
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The Longest Journey (detail), 1994 (polychrome wood)
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Bed veneered in ash and elm burl inlays Brazilian rosewood, by Francois Baudry (1791-1859), presented at the Paris Exposition of 1827, France, 19th century
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A Brazilian columnar cactus, 19th century (oil on board)
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Land of No Return (detail), 2002 (polychrome wood, slate base)
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Some Exercise of Power (detail), 1980 (polychrome wood, York stone base)
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Brazil, Interior of Ibere Camargo Museum, Porto Alegre (photo)
A Brazilian climbing shrub and humming birds, 1872-73 (oil on board)
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Some Exercise of Power, 1980 (polychrome wood, York stone base)
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Foliage and flowers of a Brazilian climbing shrub and humming birds, 1873 (oil on board)
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Ladies work table for the drawing room or boudoir, 1811
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Brazil, Interior of Ibere Camargo Museum, Porto Alegre (photo)
TROPICOS MALDITOS, GOZOSOS, Y DEVOTOS n.5, 2019 (acrylic on wood panel)
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Trees laden with parasites and epiphytes in a Brazilian garden, 1872-73 (oil on board)
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Domestic Scenes 4, 2000 (etching, hand coloured by the artist in tempera)
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Grey Composition, 1966 (oil on canvas)
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Brazil 1970s: A crucifix and pews silhouetted by floor to ceiling blue stained glass windows.
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Estudo para Bicho Pássaro do Espaço (Study for Critter Bird in Space) [maquette], 1960 (balsa wood, adhesive tape, graphite)
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