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Ana Maria Pacheco

Biography

Ana Maria Pacheco (born 1943) is a Brazilian artist who works in the United Kingdom. Following degrees in both Sculpture and Music in Goiás and Rio de Janeiro, she taught and lectured for several years at Universities in Goiás before she moved to London in 1973 to study at the Slade School of Art; from 1985 to 1989, she was Head of Fine Art at the Norwich School of Art. Despite also being a painter and printmaker, Pacheco is best known for her multi-figure groups of polychrome sculptures carved from wood. These are typically exhibited as installation pieces and include Man and his Sheep (Birmi Ana Maria Pacheco (born 1943) is a Brazilian artist who works in the United Kingdom. Following degrees in both Sculpture and Music in Goiás and Rio de Janeiro, she taught and lectured for several years at Universities in Goiás before she moved to London in 1973 to study at the Slade School of Art; from 1985 to 1989, she was Head of Fine Art at the Norwich School of Art. Despite also being a painter and printmaker, Pacheco is best known for her multi-figure groups of polychrome sculptures carved from wood. These are typically exhibited as installation pieces and include Man and his Sheep (Birmingham Museum and Art Gallery) and Dark Night of the Soul (1999), created during her residency at the National Gallery, London as a response to The Martyrdom of Saint Sebastian by the Pollaiuolo brothers. ...


Artwork from 'Ana Maria Pacheco' found, 134

Shadows of the Wanderer, 2008 (polychrome wood)
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Dark Event VII, 2007 (drypoint)
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Shadows of the Wanderer (detail), 2008 (polychrome wood)
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An Ancient Dark Night Descended Upon My Soul I, 2010 (drypoint)
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Study for Sculpture (Remember) 4, 2018 (silverpoint)
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The Longest Journey, 1994 (polychrome wood)
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King Solomon and Queen of Sheba in the Hall of Riddles, 2004 (oil on gesso)
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Homage to Neruda XI, 2013 (monotype)
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The Banquet, 1985 (polychrome wood)
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Enchanted Garden, 2011-15 (polychrome alabaster)
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The Rise and Fall of a Tyrant II, 1982 (graphite & charcoal on paper)
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'The Turning World' (I), 2012 (polychrome wood & mixed media)
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In Illo Tempore IV, 1994 (oil on gesso)
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King Solomon and Queen of Sheba in the Hall of Riddles, 2004 (oil on gesso)
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Enchanted Garden, 2011-15 (polychrome alabaster)
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Hades IV, 2004 (oil pastel on paper)
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Luz Eterna, 1999 (oil on gesso)
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Dark Event II, 2007 (drypoint)
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Domestic Scenes 2, 2000 (etching, hand coloured by the artist in tempera)
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Domestic Scenes 5, 2000 (etching, hand coloured by the artist in tempera)
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Domestic Scenes 9, 2000 (etching, hand coloured by the artist in tempera)
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Domestic Scenes 10, 2000 (etching, hand coloured by the artist in tempera)
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A Modern Bestiary – Armadillo, 2004 (screenprint)
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A Modern Bestiary – Elephant, 2004 (screenprint)
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A Modern Bestiary – Cat, 2004 (screenprint)
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The Longest Journey (detail), 1994 (polychrome wood)
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Dark Event I, 2007 (drypoint)
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Shadows of the Wanderer (detail), 2008 (polychrome wood)
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