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Ana Maria Pacheco' 图片和/或视频结果

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Ana Maria Pacheco

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Ana Maria Pacheco (born 1943) is a Brazilian artist who works in the United Kingdom. Following degrees in both Sculpture and Music in Goiás and Rio de Janeiro, she taught and lectured for several years at Universities in Goiás before she moved to London in 1973 to study at the Slade School of Art; from 1985 to 1989, she was Head of Fine Art at the Norwich School of Art. Despite also being a painter and printmaker, Pacheco is best known for her multi-figure groups of polychrome sculptures carved from wood. These are typically exhibited as installation pieces and include Man and his Sheep (Birmi Ana Maria Pacheco (born 1943) is a Brazilian artist who works in the United Kingdom. Following degrees in both Sculpture and Music in Goiás and Rio de Janeiro, she taught and lectured for several years at Universities in Goiás before she moved to London in 1973 to study at the Slade School of Art; from 1985 to 1989, she was Head of Fine Art at the Norwich School of Art. Despite also being a painter and printmaker, Pacheco is best known for her multi-figure groups of polychrome sculptures carved from wood. These are typically exhibited as installation pieces and include Man and his Sheep (Birmingham Museum and Art Gallery) and Dark Night of the Soul (1999), created during her residency at the National Gallery, London as a response to The Martyrdom of Saint Sebastian by the Pollaiuolo brothers. ...


[2, 无限] 来自'Ana Maria Pacheco'的艺术作品找到,134

Shadows of the Wanderer, 2008 (polychrome wood)
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Dark Event VII, 2007 (drypoint)
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Shadows of the Wanderer (detail), 2008 (polychrome wood)
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An Ancient Dark Night Descended Upon My Soul I, 2010 (drypoint)
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Study for Sculpture (Remember) 4, 2018 (silverpoint)
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King Solomon and Queen of Sheba in the Hall of Riddles, 2004 (oil on gesso)
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The Longest Journey, 1994 (polychrome wood)
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Enchanted Garden, 2011-15 (polychrome alabaster)
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Homage to Neruda XI, 2013 (monotype)
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The Banquet, 1985 (polychrome wood)
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The Rise and Fall of a Tyrant II, 1982 (graphite & charcoal on paper)
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'The Turning World' (I), 2012 (polychrome wood & mixed media)
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Only a Brief While Here 19, 2007 (tempera & mixed media on paper )
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The Banquet (detail), 1985 (polychrome wood )
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A Modern Bestiary – Rat, 2004 (screenprint)
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A Modern Bestiary – Weasel, 2004 (screenprint)
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Homage to Neruda V, 2013 (monotype)
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A Modern Bestiary – Mouse, 2004 (screenprint)
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Tales of Trust & Betrayal V, 2008 (oil, pastel & gold leaf on paper)
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Untitled, 2011 (polychrome wood)
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Dark Event I, 2007 (drypoint)
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Shadows of the Wanderer (detail), 2008 (polychrome wood)
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Shadows of the Wanderer (detail), 2008 (polychrome wood)
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Drawing Study for Sculpture – The Banquet, 1983 (charcoal, graphite & pastel on paper)
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Some Exercise of Power, 1980 (polychrome wood, York stone base)
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Acrobats, 1983 (polychrome wood )
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The Banquet, 1985 (polychrome wood)
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A Modern Bestiary – Mandrill, 2004 (screenprint)
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Dark Event II, 2007 (drypoint)
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Domestic Scenes 2, 2000 (etching, hand coloured by the artist in tempera)
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Domestic Scenes 5, 2000 (etching, hand coloured by the artist in tempera)
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Domestic Scenes 9, 2000 (etching, hand coloured by the artist in tempera)
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Domestic Scenes 10, 2000 (etching, hand coloured by the artist in tempera)
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A Modern Bestiary – Armadillo, 2004 (screenprint)
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A Modern Bestiary – Elephant, 2004 (screenprint)
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A Modern Bestiary – Cat, 2004 (screenprint)
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The Longest Journey (detail), 1994 (polychrome wood)
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Hades IV, 2004 (oil pastel on paper)
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Luz Eterna, 1999 (oil on gesso)
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In Illo Tempore IV, 1994 (oil on gesso)
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King Solomon and Queen of Sheba in the Hall of Riddles, 2004 (oil on gesso)
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Enchanted Garden, 2011-15 (polychrome alabaster)
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'The Turning World' (III), 2012 (polychrome wood & mixed media)
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A Modern Bestiary – Shark, 2004 (screenprint)
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Homage to Neruda II, 2013 (monotype)
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Only a Brief While Here 7, 2007 (tempera & mixed media on paper )
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Dark Event V, 2007 (drypoint)
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Homage to Neruda IX, 2013 (monotype)
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Drawing Study for Sculpture – Acrobats, 1983 (charcoal, graphite & pastel on paper)
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Domestic Scenes 8, 2000 (etching, hand coloured by the artist in tempera)
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There Was This Jaguar – In the Forest, 2014 (drypoint)
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There Was This Jaguar – In Peril, 2014 (drypoint)
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Tales of Trust & Betrayal II, 2008 (oil, pastel & gold leaf on paper)
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A Modern Bestiary – Rottweiler, 2004 (screenprint)
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Only a Brief While Here 9, 2007 (tempera & mixed media on paper )
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Study of Head (John the Baptist II), 1990 (polychrome wood)
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A Modern Bestiary – Giraffe, 2004 (screenprint)
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Dark Event VI, 2007 (drypoint)
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Tales of Trust & Betrayal IV, 2008 (oil, pastel & gold leaf on paper)
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Domestic Scenes 7, 2000 (etching, hand coloured by the artist in tempera)
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Only a Brief While Here 10, 2007 (tempera & mixed media on paper )
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Some Exercise of Power (detail), 1980 (polychrome wood, York stone base)
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In Illo Tempore I [In Those Days I], 1994 (oil on gesso on board)
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Study for Sculpture (Remember) 6, 2018 (silverpoint)
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Study for Sculpture (Remember) 3, 2018 (silverpoint)
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Study for Sculpture (Remember) 2, 2018 (silverpoint)
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Domestic Scenes 1, 2000 (etching, hand coloured by the artist in tempera)
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Land of No Return (detail), 2002 (polychrome wood, slate base)
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Enchanted Garden, 2011-15 (polychrome alabaster)
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Untitled I, 1996 (Portland stone)
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Hades II, 2004 (oil pastel on paper)
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King Solomon and Queen of Sheba in the Hall of Riddles, 2004 (oil on gesso)
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Hades III, 2004 (oil pastel on paper)
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Study of Head (John the Baptist III), 1992 (polychrome wood)
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Drawing Study for Sculpture – The Banquet, 1982 (charcoal, graphite & pastel on paper)
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A Modern Bestiary – Dachshund, 2004 (screenprint)
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Tales of Trust & Betrayal I, 2008 (oil, pastel & gold leaf on paper)
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Domestic Scenes 4, 2000 (etching, hand coloured by the artist in tempera)
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The Longest Journey (detail), 1994 (polychrome wood)
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A Modern Bestiary – Goat, 2004 (screenprint)
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The Longest Journey (detail), 1994 (polychrome wood)
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Domestic Scenes 6, 2000 (etching, hand coloured by the artist in tempera)
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Homage to Neruda III, 2013 (monotype)
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Burial, 2014 (drypoint)
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The Longest Journey (detail), 1994 (polychrome wood)
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Only a Brief While Here 12, 2007 (tempera & mixed media on paper )
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