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Les Momies elles-mêmes se Dressent et marchent quand elles ont bu du VON MARIANI. (litho)
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Des Commissaires qui s'etaient choisis eux-memes, comme etant les plus huppes.
Anthropomorphic image of a bird wearing a suit.
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Fantasy wall hanging, circa 1900
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Russian-style wall hanging, circa 1900
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Renaissance-style wall hanging, circa 1900
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King Louis XIII-style wall hanging, circa 1900
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Savant bear dancing a turtle: Grandville engraving from the book “” Private and public life of animals (Les animaux ints par eux memes)””, Hetzel edition 1867
Neo-Greco-style wall hanging, circa 1900
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Cartoon: Chrysalid of a scholar buried in the books of a bibliotheque - Grandville engraving, extracted from the book “” Private and public life of animals (Les animaux painted by them memes)”, Hetzel edition 1867 p. 563 - Chapter entitled Tablets of the Giraffe, written by Charles Nodier. Extract from the text: “The Savant metamorphoses himself like the Butterfly. Every man who intrepiously baragoupe an unknown language is the Caterpillar of a scholar; he only has to bury himself in a book that serves him as a Chrysalid. Most of them die all good.”
The teacher (engraving, 1853)
A FRENCH PAINTED BY HIS: cartoon by Daumier in Le Charivari no. 88 of 29 March 1849. In the Scenes d'ateliers (four boards published in January 1848 and April 1850), then in Les Artistes, as in other posterieure series, Daumier mocked the flaws of his confreres. The legende alludes to the “” Francais painted par eux-memes”, a collective publication illustree, published by Curmer, between 1839 and 1842, in which Daumier a participates - autoportrait d'un peintre - A painter working on his self-portrait, seen from behind while posing in front of a mirror to right, pulling a grimace; paintings on the walls in the background; published in 'Le Charivari'. 29 March 1849 -
Le Postillon
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Le Défenseur officieux
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L'Amateur de Livres
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Le Bourgeois Campagnard
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The rose grower
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easant from Champagne, 1839-1842 (engraving)
Sick-bed
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The phrenologist
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BABY ABANDONED / 1841
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Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”
Public council for the defence
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The French painted by themselves, 1840-1842 (print)
Cartoon: La Chambre des Deputes vue comme un Palais des Monpes - Engraving by Grandville, extracted from the book “” Private and public life of animals (Les animaux painted pa them memes)”, Hetzel edition 1867 p. 566 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “”... a multitude of business characters, tumultuous, noisy, who differed, at first glance, from the rest of Men only by a more characteristic ugliness... which I easily attributed to the habit of serious meditations and serious affairs. [...] They would jump, call their opponents with shouts and threatening gestures, or show them their teeth with scary faces... It was impossible for me to grasp a word in this immense hustle and I withdrew from tired war, horribly deafened by vociferations, squeaks, whistles, hoees, without being able to establish the appearance of a conjecture about the object and the results of the deliberations.”
At Ambassadeurs in Paris, Comedy By Peter Ustinov "Photo Finish" Where 4 Actors Play The Same Character Sam at 4 Ages of his Life : here Bernard Blier (C, 80 Years Old) With Peter Ustinov and Behind L-R : Guy Trejan (40), Robert Benoit (20), Pierre Flaurent (60) January 12, 1964Adeurs A Paris La Comedie De Peterustinov "Photo Finish" Ou Les 4 Acteurs Incarnent Les Memes Personnages Sam A 4 Ages Differents De La Vie Ici Bernard Blier Assis (80 Ans) A Ses Cotes Et Debout D-G Guy Trejan (40 Ans) Robert Benoit (20 Ans) Et Pierre Flaurent (60 Ans) Le 12 Janvier 1964 Neg:B75598 at Ambassadeurs in Paris, Comedy By Peterustinov "Photo Finish" Where 4 Actors Play The Same Character Sam at 4 Ages of his Life : here Bernard Blier (C, 80 Years Old) and L-R : Guy Trejan (40), Robert Benoit (20), Pierre Flaurent (60) January 12, 1964 (b/w photo)
Caricature of Richard Wagner
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Helping Themselves
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The Same Leaves
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Portrait of Primo Levi
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An autonomous running away from the tear gas
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Portrait of Homi Bhabha
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Portait of George Barger
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Portrait of Henri Becquerel
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A portrait of Hannah Arendt
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Portrait of Jean Gaston Darboux
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Portrait of Émile Henry, Paris, France
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Portrait of Gustave Flaubert
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Luciano Pavarotti in his kitchen
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Portrait of Georg Cantor
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Prague spring, Praga, Czech Republic, 1968
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Two autonomous making the P38 gesture
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Sarcophagus depicting Christ and the Apostles, Roman (marble)
Students march with banners
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Refugees in Belgrade
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Some youths demonstrating at the Teatro Lirico
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A flight of seaplanes
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Stalin at his desk
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Student demonstration in Piazza Santo Stefano
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Pro-Communism float in Sicily
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Sergio Toppi, Italy
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Water seller
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