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Sir Robert Smirke
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The British Museum, designed by Sir Robert Smirke (1781-1845) (photo)
Duke of Wellington monument, 1817, designed by Robert Smirke, height 60 meters, Phoenix Park, Dublin, Ireland, 19th century
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Duke of Wellington monument, 1817, designed by Robert Smirke, height 60 meters, Phoenix Park, Dublin, Ireland, 19th century
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Duke of Wellington monument, 1817, designed by Robert Smirke, height 60 metres, Phoenix Park, Dublin, Ireland
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The British Museum, designed by Sir Robert Smirke (1781-1845) (photo) (see also 72651)
Act IV, Scene I of Love for Love by William Congreve (1670-1729), painting by Robert Smirke (1752-1845). United Kingdom, 19th century
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Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe, 1825 (engraving)
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Wellington Monument, Phoenix Park, Dublin, Co Dublin, Ireland (photo)
'Measure for Measure', Act II, Scene 1, the Examination of Froth and Clown by Escalus and Justice (oil on canvas)
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'The Merry Wives of Windsor', Act V, Scene 5, Falstaff Disguised as Herne with Mrs Ford and Mrs Page (oil on canvas)
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The British Museum, London, UK (photo)
'Much Ado About Nothing', Act IV, Scene 2, the Examination of Conrade and Borachio
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General Post Office, St. Martin's le Grand, 1852 (colour litho)
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Anne Boleyn Condemned
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Chapter VII psalm CX., 19th century (mezzotint)
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'Henry IV', Part I, Act II, Scene 1, the Inn Yard with Gadshill and the Carriers
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General Post Office, St-Martin-le-Grand, London (engraving)
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Dublin City, Wellington Memorial (photo)
St Martin's le Grand, London, showing the General Post Office and the Bull and Mouth Inn, c.1840 (oil on canvas)
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The New Post Office, St. Martin's le Grand, engraved by William Tombleson (born c.1795), published by Jones & Co., 30th August, 1828 (coloured engraving)
The Wreck of the 'Grosvenor', 1783 (oil on canvas)
A Scene from 'Taste' (oil on canvas)
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Proposed design for the principal facade of Grosvenor House, 1827 (pen & ink and w/c on paper) (see also 234343)
'Henry IV', Part I, Act V, Scene 4, Falstaff and the Dead Body of Hotspur (oil on canvas)
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The Cession of the District of Matavai in the island of Otaheite (Tahiti) to Captain James Wilson, 1798-99 (oil on canvas)
'The Merry Wives of Windsor', Act I, Scene 1, Anne Page (oil on canvas)
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'The Merchant of Venice', Act IV, Scene 1, the Trial Scene (oil on canvas)
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Poems on the Abolition of the Slave Trade, 1809 (print)
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General Post Office, St Martins le Grand, 1852 (litho)
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South front of the British Museum (photo)