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Sir Robert Smirke
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The British Museum, designed by Sir Robert Smirke (1781-1845) (photo)
Duke of Wellington monument, 1817, designed by Robert Smirke, height 60 meters, Phoenix Park, Dublin, Ireland, 19th century
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Duke of Wellington monument, 1817, designed by Robert Smirke, height 60 meters, Phoenix Park, Dublin, Ireland, 19th century
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Duke of Wellington monument, 1817, designed by Robert Smirke, height 60 metres, Phoenix Park, Dublin, Ireland
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The British Museum, designed by Sir Robert Smirke (1781-1845) (photo) (see also 72651)
Act IV, Scene I of Love for Love by William Congreve (1670-1729), painting by Robert Smirke (1752-1845). United Kingdom, 19th century
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Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe, 1825 (engraving)
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Eastnor Castle, from the 'John Piper 80th Anniversary Portfolio', pub. in 1983 (screenprint)
Wellington Monument, Phoenix Park, Dublin, Co Dublin, Ireland (photo)
'Measure for Measure', Act II, Scene 1, the Examination of Froth and Clown by Escalus and Justice (oil on canvas)
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'The Merry Wives of Windsor', Act V, Scene 5, Falstaff Disguised as Herne with Mrs Ford and Mrs Page (oil on canvas)
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The British Museum, London, UK (photo)
'Much Ado About Nothing', Act IV, Scene 2, the Examination of Conrade and Borachio
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General Post Office, St. Martin's le Grand, 1852 (colour litho)
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Anne Boleyn Condemned
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Chapter VII psalm CX., 19th century (mezzotint)
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'Henry IV', Part I, Act II, Scene 1, the Inn Yard with Gadshill and the Carriers
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General Post Office, St-Martin-le-Grand, London (engraving)
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Dublin City, Wellington Memorial (photo)
St Martin's le Grand, London, showing the General Post Office and the Bull and Mouth Inn, c.1840 (oil on canvas)
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The New Post Office, St. Martin's le Grand, engraved by William Tombleson (born c.1795), published by Jones & Co., 30th August, 1828 (coloured engraving)
The Wreck of the 'Grosvenor', 1783 (oil on canvas)
A Scene from 'Taste' (oil on canvas)
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Proposed design for the principal facade of Grosvenor House, 1827 (pen & ink and w/c on paper) (see also 234343)
'Henry IV', Part I, Act V, Scene 4, Falstaff and the Dead Body of Hotspur (oil on canvas)
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The Cession of the District of Matavai in the island of Otaheite (Tahiti) to Captain James Wilson, 1798-99 (oil on canvas)
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'The Merry Wives of Windsor', Act I, Scene 1, Anne Page (oil on canvas)
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'The Merchant of Venice', Act IV, Scene 1, the Trial Scene (oil on canvas)
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Poems on the Abolition of the Slave Trade, 1809 (print)
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General Post Office, St Martins le Grand, 1852 (litho)
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South front of the British Museum (photo)