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Nicolo Orsi Battaglini

Biographie

I was born in Florence on 28th November 1950. When I was 10 years old, I received as a gift my first camera, a Voigtländer. Already in 1968/70 I carried out my first photographic campaign by taking photos of elderly people in various rest homes. I started university, Faculty of Medicine, but left it after three years to become a professional photographer. After spending some years in advertisement, I chose to devote myself totally to Art photography, also because this sort of photography allows for calmer times and affords a much more in-depth approach to the object of one’s work. As an ar I was born in Florence on 28th November 1950. When I was 10 years old, I received as a gift my first camera, a Voigtländer.
Already in 1968/70 I carried out my first photographic campaign by taking photos of elderly people in various rest homes.
I started university, Faculty of Medicine, but left it after three years to become a professional photographer.
After spending some years in advertisement, I chose to devote myself totally to Art photography, also because this sort of photography allows for calmer times and affords a much more in-depth approach to the object of one’s work.
As an art photographer, specialised in art works, architecture and landscapes, I am happy with my achievements. I have been able to cooperate with publishers and individuals from all over the world. My photographs have appeared in important books and international magazines.
Since some years, I have started a creative experience following my personal way of interpreting the outer world and transmitting this to a public.
My artistic activity has become a steady commitment; I am looking forward to a very promising and fulfilling future.
...


Portrait of Galileo Galilei, 17th century (oil on canvas)
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The 'Carta della Catena' showing a panorama of Florence, 1490 (painting)
The Sermon on the Mount, 1442 (fresco)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Cleopatra (69-30 BC) (charcoal on paper)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
The Holy Trinity, with the Virgin and Saint John and donors, 1427-28 (fresco)
St Thomas Aquinas (fresco)
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Madonna of the Chair, 1513 (oil on wood)
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Detail from 'The Trinity', 1427-28 (fresco)
Fiorenza, Carta della Catena, 1490 (w/c on paper)
Dusk and Dawn from the Tomb of Lorenzo de Medici, designed 1521, carved 1524-34 (marble)
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Portrait of Savonarola (panel)
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The Descent into Limbo, 1442 (fresco)
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The Chocolate Girl, copy after the original by Jean-Étienne Liotard (1702-89), 1920-42 (painted porcelain)
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Resurrection (oil on panel)
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St. Catherine of Siena (1347-80) (tempera on panel)
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Portraits of Duke Federico da Montefeltro (1422-82) and Battista Sforza, c.1465 (tempera on panel) (for details see 798, 799, 69441, 69442) (reverse of 95421)
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Head of Angel (black chalk on paper)
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David by Michelangelo Buonarroti (1475-1564), 1501-04 (marble) (detail of 4344)
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Detail of Heaven from the Last Judgement
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Deposition from the Cross, detail of the Virgin Mary, 1436 (tempera & gold on panel)
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The Last Supper, 1442 (fresco)
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Bust of Quintilian (marble)
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The 'Carta della Catena' showing a panorama of Florence, 1490 (detail)
St. Thomas Aquinas Reading, c.1510-11 (fresco)
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Detail of the Christ Child from the Madonna delle Ombre (Madonna of the Shadows), 1450 (fresco)
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The Verification of the True Cross, The Victory of Heraclius and the Execution of Chosroes in 628 AD, from the Legend of the True Cross cycle, completed 1464 (fresco) (post-restoration)
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Tomb of Lorenzo de Medici, detail of Dawn (marble)
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Fortitude (panel from the Six Virtues commissioned for the chamber for the Merchant's Guild Hall) 1470 (oil on panel)
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Madonna and Child, detail from the Sant'Emidio polyptych, 1473 (tempera on panel) (detail of 76636)
Lamentation over the Dead Christ, 1436-41 (tempera on panel)
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The Crucifixion, c.1288-89 (tempera on panel)
Detail from the Last Supper
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Portrait of Francesco Datini (oil on canvas)
Mary Magdalene, 1453-5 (gilt wood)
Figs (oil on canvas)
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The Triumphs of Duke Federico da Montefeltro (1422-82) and Battista Sforza, c.1465 (tempera on panel) (for details see 69441-2) (reverse of 95420)
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Lamentation over the Dead Christ, 1436-41 (tempera on panel) (detail)
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Portrait of Galileo Galilei dit Galilee, italian astronomer (1564-1642)
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Cameo of Pope Leo X (1475-1521)
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St. Dominic (c.1170-1221) (fresco)
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The Medici Venus, copy of the Hellenistic original by Praxiteles (c.370-330 BC) (marble)
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Portrait of a Dog (oil on canvas)
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Tomb of Lorenzo de Medici, detail of Dusk (marble)
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Portrait of Ferdinand I (1549-1609) de' Medici (oil on canvas)
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The 'Carta della Catena' showing a panorama of Florence, 1490 (detail)
Christ on the Cross Adored by St. Dominic
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The Torture of Savonarola (1452-98) (oil on panel)
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St. Jerome in his Study, 1480 (fresco) (see 44344 for detail)
Tomb of Lorenzo de Medici (marble) (detail)
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Laurent de Medicis dit aussi Laurent le Magnifique, (Lorenzo il Magnifico, 1449-1492) recoit les ambassadeurs.  Fresque de Giorgio Vasari (1511-1574). Palazzo Vecchio, Florence. ©Battaglini/Leemage
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Lorenzo Medici (1449-92) and Giuliano da Sangallo (fl.1443-1516) Inspecting the Model for the Villa at Poggia a Caiano by Benedetto di Michele Squilli (fl.1555-88) and Joannes Stradanus (b. Jan van der Straet and also known as Giovanni Stradano) (1523-1605) c.1560's (tapestry)
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Portrait of Suleiman the Magnificent (oil on panel)
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The Annunciation, detail of the Angel Gabriel and St. Peter the Martyr, 1442 (fresco) (see 72388)
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Cosimo I and His Artists, from the Sala di Cosimo I (fresco) (see also 274607)
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Cosimo I and His Artists, from the Sala di Cosimo I (fresco) (see also 274610)
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Venus and Cupid, 1533 (oil on canvas)
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Entry of Christ into Jerusalem, detail from panel three of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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Model of the cupola atop the Duomo (wood)
Design for a Dragon (pen & ink on paper)
Portrait of a Woman considered to be Alfonsina Orsini (painting)
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David Dragging Goliath's Head (oil on canvas)
Simeon with the Christ Child, detail from The Presentation in the Temple, 1442 (fresco) (see 76098)
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Five Franc coin, with head of Napoleon (1769-1821) 1811 (recto)
The Plague, 1691-94 (wax) (detail of 309482)
Bronze coin depicting Savonarola (1452-98) by Luca (1400-82) and Ambrogio della Robbia
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Christ in Limbo, 1552 (oil on canvas)
St. John the Baptist (fresco)
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Lamentation over the Dead Christ, 1436-41 (tempera on panel) (detail)
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Masked Guests (oil on panel) (see 254068)
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St. Peter, from the Piccolomini altar, 1501-4 (marble)
The Doubting Thomas (bronze)
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Death of Saint Mary of Egypt (oil on canvas)
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Laurent de Medicis (1449 - 1492) also called Laurent the Magnificient (Lorenzo il Magnifico)
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Madonna and Child with saints, polyptych, 1473 (tempera on panel)
St. Thomas in Prayer