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Otto Dix (1891-1969)


Oeuvre de ' Otto Dix (1891-1969)' trouvé, 178

Metropolis, 1927-28 (triptych) (mixed media on wood)
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  • Le droit d'auteur s'applique
War, 1932 (mixed media on panel)
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The Skat Players, 1920 (oil on canvas)
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Portrait of Sylvia Von Harden, 1926 (mixed media on panel)
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Self Portrait, 1912 (oil on tempera on panel)
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  • Le droit d'auteur s'applique
The Match Seller, 1920 (oil & collage on canvas)
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Pragerstrasse, 1920 (oil on canvas)
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Stormtruppe geht unter Gas vor (Storm Troops Advance under a Gas Attack), plate 12 from Der Krieg (The War), 1924
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The painting 'war cripple' by Otto Dix in the exhibition 'Degenerate Art', Berlin, 1938 (b/w photo)
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The Seven Deadly Sins, 1933 (oil on canvas)
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The Artist's Parents II, 1924 (oil on canvas)
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Verwundeter (Herbst 1916, Baupaume) (Wounded Man [Spring 1916, Baupaume]), plate 6 from Der Krieg (The War), 1924
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  • Le droit d'auteur s'applique
Ecce Homo, 1949 (oil on panel)
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Portrait of Dr Heinrich Stadelmann, 1922 (oil on canvas)
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  • Manipulation of the image, cropping and overlay of text forbidden
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Schädel (Skull), plate 31 from Der Krieg (The War), 1924 (etching)
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Stormtroops advancing under gas, 1924 (etching & aquatint)
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Lens wird mit Bomben belegt (Lens is Destroyed by Bombing), plate 33 from Der Krieg (The War), 1924
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  • Le droit d'auteur s'applique
'The War Cripples' by Otto Dix, Exposition Degenerate Art, 1938 (b/w photo)
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  • Not available to clients invoiced in Austria, Bosnia and Herzegovina, China, Croatia, Denmark, Former Yugoslav Republic of Macedonia, Germany, Hong Kong, Kosovo, Montenegro, Poland, Serbia, Slovenia, Switzerland and Taiwan;Not available to clients invoiced in Germany
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  • Le droit d'auteur s'applique
Gesehen am Steilhang von Cléry-sur-Somme (The View from the Precipice of Cléry-sur-Somme), plate 28 from Der Krieg (The War), 1924
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  • Le droit d'auteur s'applique
Toter Sappenposten  (A Dead Trench Sentry), plate 18 from Der Krieg (The War), 1924
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  • Le droit d'auteur s'applique
Fliehender Verwundeter (Sommeschlacht 1916) (Wounded Man Fleeing [Battle of the Somme 1916]), plate 10 from Der Krieg (The War), 1924
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  • Le droit d'auteur s'applique
The Poet Iwar von Lucken, 1926 (oil & tempera on canvas)
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Three Prostitutes on the Street, 1925 (oil on canvas)
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Appell der Zurückgekehrten (Roll Call of the Survivors), plate 49 from Der Krieg (The War), 1924
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Bei Langemarck (Februar 1918) (Near Langemarck [February 1918]), plate 7 from Der Krieg (The War), 1924
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  • Le droit d'auteur s'applique
Otto Dix in his studio in Berlin while composing one of his oil paintings, 1930s (b/w photo)
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Le Salon, 1927 (oil on canvas)
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Portrait of the dancer Anita Berber, 1925 (oil on canvas)
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Totentanz anno 17 (Höne Toter Mann) (Dance of Death, the year 17 [Dead Man's Hill]), plate 19 from Der Krieg (The War), 1924
Trichterfeld bei Dontrien, von Leuchtkugeln erhellt (Field of Craters near Dontrien, Illuminated by Rocket Flares), plate 4 from Der Krieg (The War), 1924
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Tote vor der Stellung bei Tahure (Corpses Before the Position near Tahure), plate 50 from Der Krieg (The War), 1924
The Crucifixion, 1948 (painting)
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War invalids, 1920, (engraving)
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The Tram, 1919 (collage)
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Portrait of Dr. Hans Koch, 1921 (oil on canvas)
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Soldier, c.1916 (gouache on paper)
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Schädel (Skull), plate 31 from Der Krieg (The War), 1924 (etching)
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Transplantation (Transplant), plate 40 from Der Krieg (The War), 1924
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Verlassene Stellung bei Neuville (Abandoned Position near Neuville), plate 11 from Der Krieg (The War), 1924
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Toter im Schlamm (Dead Man in Mud), plate 23 from Der Krieg (The War), 1924
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Murder; Mord, 1922 (watercolour and brush and black ink over pencil on paper)
Leiche im Drahtverhau (Flandern) (Corpse in a Wire Entanglement [Flanders]), plate 16 from Der Krieg (The War), 1924
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Cockerel (in front of the barn), 1968 (colour litho)
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The Bearing of the Cross, 1943 (oil on canvas)
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Nächtliche Begegnung mit einen Irrsinnigen (A Nocturnal Encounter with an Insane Man), plate 22 from Der Krieg (The War), 1924
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Nude Girl on a Fur, 1932 (tempera and oil)
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Leda, 1919 (oil on canvas)
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The Pregnant Woman, 1931 (tempera and oil on linen)
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Portrait of Paul F. Schmidt, 1921 (oil on canvas)
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Karl Krall, 1923 (oil on canvas)
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Verwundetentransport im Houthulster Wald (Transport of the Wounded in the Houthulster Wood), plate 47 from Der Krieg (The War), 1924
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Toter (St. Clément) (Dead Man [St. Clément]), plate 42 from Der Krieg (The War), 1924
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Soldat und Nonne (Soldier and Nun), 1924
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Granattrichter mit Blumen (Frühling 1916) (Grenade Trench with Flowers [Spring 1916]), plate 24 from Der Krieg (The War), 1924
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Urweltwesen, 1922 (w/c & pen and India ink on paper)
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Dr. Mayer Hermann, 1926 (oil on canvas)
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Study for the left panel of the 'War' Triptych, 1930 (pencil, charcoal and crayon on paper) (see also 144778, 144780 and 144781)
Die Irrsinnige von St. Marie-à-Py (The Insane Woman of St. Marie-à-Py), plate 35 from Der Krieg (The War), 1924
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The crazy girl, 1925 (painting)
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Drahtverhau vor dem Kampfgraben (Wire Entanglement before the Trench), plate 30 from Der Krieg (The War), 1924
Zerfallender Kampfgraben (Destroyed Combat Trench), plate 9 from Der Krieg (The War), 1924
Lot and his Daughters, 1939 (oil on wood)
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Detail of War, 1932 (mixed media on panel)
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Saul and David, Exhibition panel, 1959 (stained glass)
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St. Christopher and the Christ Child (oil on canvas)
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Dedicated Sadists; Sadisten Gewidmet, 1922 (watercolour, pencil, pen and black ink on paper)
Durch Fliegerbomben zerstörtes Haus (House Destroyed by Aerial Bombs), plate 39 from Der Krieg (The War), 1924
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Beobachtungsposten (Studie zum Radierwerk 'Der Krieg') (brush, pen and India ink, wash and pencil on paper)
Portrait of a couple in a cafe, 1921 (Drawing)
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Melancholy, 1930 (oil on wood)
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Circus with Performing Elephant; Zirkus mit Elefantennummer, 1922 (w/c & pen and India ink on paper)
New York, 1922 (w/c & pen and India ink on paper)
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Attacking Indians; Angreifende Indianer, 1922 (w/c & pen and India ink on paper)
Relaisposten (Herbstschlacht in der Champagne) (Relay Station [Autumn Battle in Champagne], plate 8 from Der Krieg (The War), 1924
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Die Schlafenden von Fort Vaux (Gas-Tote) (The Sleepers of Fort Vaux [Death by Gas]), plate 46 from Der Krieg (The War), 1924
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Überfall einer Schleichpatrouille (Suprise Attack of a Reconnoitering Patrol), plate 44 from Der Krieg (The War), 1924
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Verschüttete (Januar 1916, Champagne) (Buried Alive [January 1916, Champagne]), plate 2 from Der Krieg (The War), 1924
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Unterstand (Fox Hole), plate 45 from Der Krieg (The War), 1924
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Verlassene Stellung bei Vis-en-Artois (Abandoned Position near Vis-en-Artois), plate 15 from Der Krieg (The War), 1924
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Village Pond (On Tumpel): Souches Valley; Dorfteich (Am Tumpel): Souches-Tal, 1917 (watercolour and oil on paper)
Madame Leonie, 1923 (watercolor)
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Josef May, 1926 (oil, egg tempera & other media on board)
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Girl with Red Hair, 1963 (colour litho)
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Nude; Akt, 1931 (silver point on paper)
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Elegant Pair; Elegantes Paar, 1923 (watercolour over pencil on paper)
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Evening Fog, 1922 (gouache, w/c & ink on paper)
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Chalk Cliffs in the Sun, 1916 (black chalk on beige paper)
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Young Girl with a Cat, 1956 (colour litho)
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To beauty (painting on canvas)
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