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Charles March Gere (1869-1957)

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Painter, illustrator, designer of wall decorations and stained glass and teacher, Charler March Gere was born in Gloucester in 1869. Gere won scholarships to Birmingham School of Art, where he studied under Edward Taylor and later taught. Gere’s early work was much influenced by the Pre-Raphaelite-favoured Italian painters and for a time he studied tempera painting in Italy. He worked with William Morris at the Kelmscott Press and later at the Ashendene Press and did much to make the Birmingham School a centre of excellence for book design, contending that illustrations and type should be comp Painter, illustrator, designer of wall decorations and stained glass and teacher, Charler March Gere was born in Gloucester in 1869. Gere won scholarships to Birmingham School of Art, where he studied under Edward Taylor and later taught. Gere’s early work was much influenced by the Pre-Raphaelite-favoured Italian painters and for a time he studied tempera painting in Italy. He worked with William Morris at the Kelmscott Press and later at the Ashendene Press and did much to make the Birmingham School a centre of excellence for book design, contending that illustrations and type should be complementary. Gere was interested in the revival of wood engraving and was a member of the Birmingham Group of Painters and Craftsmen, which was strongly Arts and Crafts-oriented. He was the brother of the artist Margaret Gere, also represented by Bridgeman Images.

He exhibited prolifically, especially at RWS and NEAC, also Fine Art Society, Carfax Gallery, RA and Goupil Gallery. He was elected RA in 1939. Gere’s landscapes are notable for their careful design and serene atmosphere. He lived at Painswick, Gloucestershire, and died in Gloucester in 1957.
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Oeuvre de ' Charles March Gere (1869-1957)' trouvé, 23

The Tennis Party (oil on canvas)
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An illustration of a house and garden, 1892 (print)
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Cheese Rolling on Cooper's Hill, Gloucestershire, 1948 (oil on canvas)
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Gloucester Cathedral, 1947 (oil on canvas)
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Sunrise on the British Camp, Malvern, 1938 (oil on canvas)
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The Lady of Grey Days
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I Happy Am- Joy is my Name (tempera on panel)
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The Vale of Gloucester, 1934 (oil on canvas)
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Dawn, 1945 (oil on canvas)
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The Bend of the Severn at Newnham (oil on canvas)
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Oxen Ploughing, 1932 (tempera on board)
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Finding of the Infant St George, 1892-93 (oil on canvas)
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A Cotswold Village (w/c on paper)
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Brixham Harbour (w/c on paper)
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Lake Orta, Italy (oil on canvas)
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In the Alps, c.1920 (w/c on paper)
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The Severn Bore (oil on canvas)
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Tennyson at Clevedon, Somerset, 1945 (oil on canvas)
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Village in Spring, 1893 (oil on canvas)
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Miss G. S. Bryans, 1918 (w/c with body colour on vellum)
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