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The Red Gaze, 1910 (oil on board)
Self Portrait (manipulated photo)
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Man on a Plain, 1917 (woodcut)
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Angoisse (Experiment Perilous), 1944 (poster)
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Here and Now, 1999 (mixed media) (detail of 265177)
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Sea of Faces 2, 1984 (charcoal on paper)
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EXPERIMENT PERILOUS 1944 (film still)
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EXPERIMENT PERILOUS 1944 (film still)
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EXPERIMENT PERILOUS 1944 (film still)
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EXPERIMENT PERILOUS 1944 (film still)
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EXPERIMENT PERILOUS 1944 (film still)
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EXPERIMENT PERILOUS 1944 (film still)
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EXPERIMENT PERILOUS 1944 (film still)
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To have and have not (aka Le Port de l'Angoisse), 1944 (films still)
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Anguish, c.1878 (oil on canvas)
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Sarajevo-Siena-Paris-Sarajevo, Hell by Taddeo di Bartolo and the  Arc de Triomphe, from the series 'Le Triomphe de Sarajevo', 1994 (photo collage)
Poire d'angoisse or choke pear, 1550-1650
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Laocoon, prior to 20th century restoration, with extended arm (marble) (b/w photo)
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Mirth and anguish
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The Laocoon Group, c.25 BC (marble)
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THE PEAR OF ANGUISH
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Hagar and Ishmael
Job with his wife and friends (oil on canvas)
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The Burghers of Calais, completed 1889 (bronze)
Anguish (oil on canvas)
John Latham, 1964 (b/w photo)
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To have and have not directed by Howard Hawks, 1944
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To have and have not directed by Howard Hawks, 1944
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A Reading of Ovid (Tyros), 1920-21
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To Make a Box, 1985 (oil on canvas)
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White Noise, 2007 (w/c on handmade indian rag paper)
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Head of Mary Magdalene Crying, from the Crucifixion (fresco)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Crouching Man, 1956 (painted clay) (see also 876080-1)
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Self Portrait, 1991 (pastel on paper)
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The anxiety, 1894 (oil on canvas)
The Charity Sermon, c.1843-47 (colour woodblock print)
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Nude in a Fantastic Landscape (pencil on paper)
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The King, self portrait as King Lear, 1991 (oil on canvas)
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The Flute Player (monotype)
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A detail of a figure from the sofas in the Drawing Room, made by John Linnell (gilt wood)
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Man with Soul Indigestion, 1937-1938 (watercolor and crayon)
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Figure Undressing (oil on canvas)
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Last Judgement, from the Sistine Chapel, 1538-41 (fresco)
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  • Not available to clients invoiced in Italy
The Affair, 2010 (acrylic on canvas)
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Barber Saddened by the Persistence of Good Weather (The Anguished Barber) 1934 (oil on canvas)
All the People - Loneliness, 1982 (oil on canvas)
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Black Sorrow, 1946 (litho)
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Crouching Man, 1956 (painted clay) (see also 876079-81)
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Couple Reaching Up, 1981 (painted relief)
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Head of Anchises, c.1587 (black & coloured chalks on paper)
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  • Not to be used in immersive exhibitions
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Maquette for the Prisoner of War Memorial in Gladstone Park, London, 1969 (plaster)