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Wyndham Lewis

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(b on his parents' yacht, off Amherst, Nova Scotia, 18 Nov. 1882; d London, 7 Mar. 1957). British painter, novelist, and critic, the son of a British mother and a wealthy American father. He came to England as a child, studied at the Slade School, 1898–1901, then lived on the Continent for seven years, mostly in Paris. In 1909 he returned to England and in the years leading up to the First World War emerged as one of the chief figures in British avant-garde art. From 1911 he developed an angular, machine-like, semi-abstract style that had affinities with both Cubism and Futurism. He worked for ...
(b on his parents' yacht, off Amherst, Nova Scotia, 18 Nov. 1882; d London, 7 Mar. 1957). British painter, novelist, and critic, the son of a British mother and a wealthy American father. He came to England as a child, studied at the Slade School, 1898–1901, then lived on the Continent for seven years, mostly in Paris. In 1909 he returned to England and in the years leading up to the First World War emerged as one of the chief figures in British avant-garde art. From 1911 he developed an angular, machine-like, semi-abstract style that had affinities with both Cubism and Futurism. He worked for a short time with Roger Fry at the Omega Workshops, but after quarrelling with him in 1914 he formed the Rebel Art Centre, from which grew Vorticism, a movement of which he was the chief figure and whose journal Blast he edited.


Oeuvre de 'Wyndham Lewis' trouvé, 107

A Battery Shelled, 1919 (oil on canvas)
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Mr Wyndham Lewis as a Tyro, c.1920-21 (oil on canvas)
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Portrait of Thomas Stearns Eliot (1888-1965) c.1930 (pen, ink and wash on paper) (see also 69188)
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The Thebaid, from the 'Timon of Athens' portfolio, 1913 (colour litho)
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The Vorticist, 1912 (w/c, ink and chalk)
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The Dancers, 1912 (w/c on paper)
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A Reading of Ovid (Tyros), 1920-21
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Praxitella, c.1921 (oil on canvas)
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Virginia Woolf (pencil & watercolour wash)
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Front Cover of 'Blast', July 1915 (woodcut)
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Kermesse, 1912 (gouache and w/c with pen and ink on paper)
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Red Portrait, 1937
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Portrait of Stephen Spender (oil on canvas)
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Combat No.2 (ink & pastel on paper)
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Inferno, 1937 (oil on canvas)
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Creation Myth, 1933-36 (oil on canvas)
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Portrait of the Artist as the Painter Raphael, 1921 (oil on canvas)
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The Convalescent, 1933
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Study for a portrait of T. S. Eliot, 1949 (drawing)
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The King Plays, 1942 (crayon, pen and Indian ink, charcoal, and bodycolour on wove paper)
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Act III, from the 'Timon of Athens' portfolio, 1912
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Abstract Composition, 1921 (w/c & gouache on paper)
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Shell-Humping, 1918 (black chalk, ink, w/c on paper)
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Seated Figure, c.1921
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The Centauress, 1912 (pen, ink and w/c wash on paper)
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Sunset among the Michelangelos, c.1912 (ink & gouache on paper)
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Portrait of T. S. Eliot, 1930s (pen and ink, coloured washes and pencil)
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A page from 'Blast' magazine, 1915 (litho)
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Combat No.3, 1914 (w/c on paper)
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Timon of Athens - The Thebaid, 1912 (pen, brush, ink, w/c, bodycolour & collage on paper)
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The Reader, 1936 (oil on canvas)
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Two Women, also called The Starry Sky, 1912 (pencil, watercolour, gouache, pen & ink on paper)
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Composition, from the 'Timon of Athens' portfolio, 1913 (litho)
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Pensive Head, 1938 (oil on canvas)
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The Sheik's Wife, 1933-36 (oil on canvas)
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Vorticist Design (w/c and bodycolour)
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Slow Attack from BLAST v 1, plate VI, 1914-1915
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Self Portrait, 1932 (litho)
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Mexican Shawl, 1938 (oil on canvas)
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Inca with Birds, 1933 (oil on canvas)
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Portrait of the Artist, c.1922 (pencil on paper)
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Circus Scene, 1914 (pen & ink and w/c on paper)
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A Woman seated in a Windsor Chair, c.1919-1922, (black crayon on paper)
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The Howitzer, 1919 (w/c and ink on paper)
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The Celibate, 1909 (w/c on paper)
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Composition in blue (Pen drawing and watercolour, 1915)
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The Duc de Joyeux sings, 1932-33 (graphite on paper)
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  • Manipulation of the image, cropping and overlay of text forbidden
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The Convalescent, 1933 (oil on canvas)
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Wing Commander Orlebar, 1932 (pencil on paper)
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Drawing of The Great War No. 1 (The Menin Road) (w/c on paper)
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Timon d'Athenes (Pen and Gouache Drawing, 1913-1914)
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Illustration from 'Beyond this Limit' by Naomi Mitchison (1897-1999), 1935 (litho)
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Blast Magazine, vol., p.36 (litho)
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Noel Coward, 1932 (litho)
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Great War Drawing No.2 (w/c on paper)
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Rum Ration, 1918 (pencil & watercolour on paper)
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Protraction, 1913 (pencil, watercolour and pen & ink on paper)
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Red and Black Olympus, 1922 (w/c, bodycolour, pen & black ink)
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Three Martyrs, c.1941-42 (watercolour, bodycolour, pen & ink, black crayon and pencil)
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Cubist Museum, c.1930 (oil on canvas)
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Drag Ropes, 1918 (pencil, pen & ink and watercolour on paper)
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The Sibyl, 1926 (ink, w/c & gouache)
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Portrait of a man, c.1906 (oil on canvas) (reverse of 236924)
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Bedspread, c. 1913-14 (Hand-block print on linen with hand-stitched woolwork and silk details)
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Portrait of Josephine Plummer, 1939 (oil on canvas)
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Self Portrait, c.1906 (oil on canvas)
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Crouching Nude, 1919 (pencil & watercolour)
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Female Nude, 1919 (pen & ink, w/c and wash on paper)
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Dame Edith Sitwell (1887-1964), c.1922-28 (watercolour and pencil)
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Spanish Dance, 1914 (pen, black ink, watercolour, bodycolour and gouache)
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The Psychologist, 1917 (watercolour and ink on paper)
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Femme Surrealist, 1929 (oil on panel)
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Portrait of Ezra Pound, 1921 (crayon on paper)
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Seated Female Nude, 1919 (pencil, pen & black ink with watercolour on paper)
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Figures on a beach, 1920 (pen & ink and wash on paper)
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L'Ingenue, 1919 (crayon & w/c on paper)
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Figures in an Interior, 1934 (ink & w/c on paper)
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Design for a screen for the Omega Workshop, 1913 (pencil and watercolour on paper)
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L'Homme Surrealist, 1929 (oil on panel)
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The Artist's Wife, 1940 (pencil & coloured chalk on paper)
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Front cover of 'The Tyro', no.1, 1921 (litho)
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Gossips, 1917 (ink and w/c on paper)
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Illustration from 'Beyond this Limit' by Naomi Mitchison (1897-1999), 1935 (litho)
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Portrait of Froanna, 1933 (pencil and watercolour)
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Miss Edith Evans (1888-1976), 1932 (pencil and watercolour)
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At the Seaside, 1913
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Sir Stafford Cripps (1889-1952) 1912 (pen, ink and w/c on paper)
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Femme Surrealist, 1929 (oil on panel)
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Froanna, 1935 (charcoal)
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