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(b on his parents' yacht, off Amherst, Nova Scotia, 18 Nov. 1882; d London, 7 Mar. 1957). British painter, novelist, and critic, the son of a British mother and a wealthy American father. He came to England as a child, studied at the Slade School, 1898–1901, then lived on the Continent for seven years, mostly in Paris. In 1909 he returned to England and in the years leading up to the First World War emerged as one of the chief figures in British avant-garde art. From 1911 he developed an angular, machine-like, semi-abstract style that had affinities with both Cubism and Futurism. He worked for (b on his parents' yacht, off Amherst, Nova Scotia, 18 Nov. 1882; d London, 7 Mar. 1957). British painter, novelist, and critic, the son of a British mother and a wealthy American father. He came to England as a child, studied at the Slade School, 1898–1901, then lived on the Continent for seven years, mostly in Paris. In 1909 he returned to England and in the years leading up to the First World War emerged as one of the chief figures in British avant-garde art. From 1911 he developed an angular, machine-like, semi-abstract style that had affinities with both Cubism and Futurism. He worked for a short time with Roger Fry at the Omega Workshops, but after quarrelling with him in 1914 he formed the Rebel Art Centre, from which grew Vorticism, a movement of which he was the chief figure and whose journal Blast he edited. ...
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