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Wyndham Lewis

Biography

(b on his parents' yacht, off Amherst, Nova Scotia, 18 Nov. 1882; d London, 7 Mar. 1957). British painter, novelist, and critic, the son of a British mother and a wealthy American father. He came to England as a child, studied at the Slade School, 1898–1901, then lived on the Continent for seven years, mostly in Paris. In 1909 he returned to England and in the years leading up to the First World War emerged as one of the chief figures in British avant-garde art. From 1911 he developed an angular, machine-like, semi-abstract style that had affinities with both Cubism and Futurism. He worked for ...
(b on his parents' yacht, off Amherst, Nova Scotia, 18 Nov. 1882; d London, 7 Mar. 1957). British painter, novelist, and critic, the son of a British mother and a wealthy American father. He came to England as a child, studied at the Slade School, 1898–1901, then lived on the Continent for seven years, mostly in Paris. In 1909 he returned to England and in the years leading up to the First World War emerged as one of the chief figures in British avant-garde art. From 1911 he developed an angular, machine-like, semi-abstract style that had affinities with both Cubism and Futurism. He worked for a short time with Roger Fry at the Omega Workshops, but after quarrelling with him in 1914 he formed the Rebel Art Centre, from which grew Vorticism, a movement of which he was the chief figure and whose journal Blast he edited.


Artwork from 'Wyndham Lewis' found, 107

A Battery Shelled, 1919 (oil on canvas)
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Mr Wyndham Lewis as a Tyro, c.1920-21 (oil on canvas)
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Portrait of Thomas Stearns Eliot (1888-1965) c.1930 (pen, ink and wash on paper) (see also 69188)
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The Vorticist, 1912 (w/c, ink and chalk)
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The Dancers, 1912 (w/c on paper)
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A Reading of Ovid (Tyros), 1920-21
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Praxitella, c.1921 (oil on canvas)
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Virginia Woolf (pencil & watercolour wash)
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Front Cover of 'Blast', July 1915 (woodcut)
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Kermesse, 1912 (gouache and w/c with pen and ink on paper)
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Red Portrait, 1937
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Portrait of Stephen Spender (oil on canvas)
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Combat No.2 (ink & pastel on paper)
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Inferno, 1937 (oil on canvas)
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Creation Myth, 1933-36 (oil on canvas)
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The Convalescent, 1933
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Study for a portrait of T. S. Eliot, 1949 (drawing)
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Act III, from the 'Timon of Athens' portfolio, 1912
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Abstract Composition, 1921 (w/c & gouache on paper)
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Shell-Humping, 1918 (black chalk, ink, w/c on paper)
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Seated Figure, c.1921
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The Centauress, 1912 (pen, ink and w/c wash on paper)
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Sunset among the Michelangelos, c.1912 (ink & gouache on paper)
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Portrait of T. S. Eliot, 1930s (pen and ink, coloured washes and pencil)
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Combat No.3, 1914 (w/c on paper)
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A page from 'Blast' magazine, 1915 (litho)
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Composition, from the 'Timon of Athens' portfolio, 1913 (litho)
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Pensive Head, 1938 (oil on canvas)
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The Reader, 1936 (oil on canvas)
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Slow Attack from BLAST v 1, plate VI, 1914-1915
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The Sheik's Wife, 1933-36 (oil on canvas)
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Vorticist Design (w/c and bodycolour)
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Self Portrait, 1932 (litho)
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Circus Scene, 1914 (pen & ink and w/c on paper)
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Portrait of the Artist, c.1922 (pencil on paper)
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Inca with Birds, 1933 (oil on canvas)
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Mexican Shawl, 1938 (oil on canvas)
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The Celibate, 1909 (w/c on paper)
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The Howitzer, 1919 (w/c and ink on paper)
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Composition in blue (Pen drawing and watercolour, 1915)
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The Convalescent, 1933 (oil on canvas)
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Wing Commander Orlebar, 1932 (pencil on paper)
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Drawing of The Great War No. 1 (The Menin Road) (w/c on paper)
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Timon d'Athenes (Pen and Gouache Drawing, 1913-1914)
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Illustration from 'Beyond this Limit' by Naomi Mitchison (1897-1999), 1935 (litho)
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Blast Magazine, vol., p.36 (litho)
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Cubist Museum, c.1930 (oil on canvas)
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Great War Drawing No.2 (w/c on paper)
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The Sibyl, 1926 (ink, w/c & gouache)
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Rum Ration, 1918 (pencil & watercolour on paper)
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Portrait of a man, c.1906 (oil on canvas) (reverse of 236924)
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Drag Ropes, 1918 (pencil, pen & ink and watercolour on paper)
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Protraction, 1913 (pencil, watercolour and pen & ink on paper)
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Noel Coward, 1932 (litho)
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The Psychologist, 1917 (watercolour and ink on paper)
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Crouching Nude, 1919 (pencil & watercolour)
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Self Portrait, c.1906 (oil on canvas)
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Femme Surrealist, 1929 (oil on panel)
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Female Nude, 1919 (pen & ink, w/c and wash on paper)
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Figures on a beach, 1920 (pen & ink and wash on paper)
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Portrait of Ezra Pound, 1921 (crayon on paper)
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Portrait of Josephine Plummer, 1939 (oil on canvas)
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L'Ingenue, 1919 (crayon & w/c on paper)
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Figures in an Interior, 1934 (ink & w/c on paper)
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L'Homme Surrealist, 1929 (oil on panel)
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Front cover of 'The Tyro', no.1, 1921 (litho)
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Gossips, 1917 (ink and w/c on paper)
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The Artist's Wife, 1940 (pencil & coloured chalk on paper)
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Illustration from 'Beyond this Limit' by Naomi Mitchison (1897-1999), 1935 (litho)
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Sir Stafford Cripps (1889-1952) 1912 (pen, ink and w/c on paper)
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Froanna, 1935 (charcoal)
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Femme Surrealist, 1929 (oil on panel)
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Miss Marie Ney, 1932 (pencil & graphite on paper)
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Miss Edith Evans (1888-1976), 1932 (pencil and watercolour)
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Portrait of Froanna, 1933 (pencil and watercolour)
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At the Seaside, 1913
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