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The emblem of the grotesque in the Renaissance (17th century) Italy: The old man between Death and Volupte. Engraving by Cesare Reverdino. 1895
The crippled, 1568 (painting)
The madman or the story who amused the lords or the people. A similar engraving of the 15th century. Engraving 1878
Two incredible (fops) with cudgels hinder the promenade of two wonders by pinning the tails of their dresses. One looks back coquettishly at the ridiculous dandy. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Woman wearing headdress and dress featuring extravagent pleating and flouncing. Pleated collars, flounces (falbalas) and ruffs (chicories), have never been more in fashion than today. The art of pressing has been raised to the point of perfection. The elegantes no longer send their linen to Neuilly: the coarse hands of the peasants tear the fabric they launder. The delicate hand of a Parisienne is required for fine linen. It costs 6 sous to launder a dress, and 50 to press it.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Mrs. Godichon. Engraving in "ABC Les Images en Alphabet". Epinal imaging. Pellerin and Cie, printer-publisher, Epinal, late 19th century, circa 1890. 10 pages. Dim: 19.5 x 13.5 cm
Man in long carrick coat with five pelerines or capes. “Our young men shorten their jackets but lengthen their coats. The coat is long, heavy and awkward, it drags along the ground like a dressing gown. It sweeps the streets, and has to be lifted up like a lady's dress when crossing the gutter. The solution is quite simple - give the excess in the coat to the jacket.””
Old woman trying on a pink bonnet in front of three young shopgirls, “” Women appear to have sworn to lie about youth up to their last breath.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Flower-mania. Woman with as many flowers on her dress and hair as there are in the basket and vase near her. “The ridiculous abundance of every kind of flowers on the dress and hair of our women inspired this costume.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Bambocciata.. Witchcraft or allegory of Hercules, 16th century (Painting)
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The old young man. Old dandy in jacket with high collar, bicorn, tight breeches and hose, has a tie ties by a young shopgirl. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The problem with Capote bonnets: two women's deep-brimmed bonnets collide as they greet each other, while fashionable men watch. The bonnets with long sides were obviously invented by pretty coquettes who wanted to prick the curiosity of men and keep them mystified until the last moment. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
The skeleton of Death as a priest celebrating the wedding between a young woman and an ugly old man. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
Mr. Fanferluche. Engraving in "ABC Les Images en Alphabet". Epinal imaging. Pellerin and Cie, printer-publisher, Epinal, late 19th century, circa 1890. 10 pages. Dim: 19.5 x 13.5 cm
Letter U and V: Ursula and Ice. Characters sliding on the ice of a village, beg 20th century (chromolithograph)
Celebrate hoax, at the Salon des Independants, 1910 (b/w photo)
Large man with a big nose, a cane and a hat.
Justice crashed anarchy but saved monopolies. Caricature by W.A.Rogers, 1888.
Concert of blind people at the fair Sainte-Ovide on Place Louis XV in the 18th century, 1907 (print)
A band of jokers keeps Marie-Therese Le Vasseur from advancing in her wheelchair, 1871 (engraving)
Portrait of a couple in a cafe, 1921 (Drawing)
Copyright
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Marie Antoinette and her hairdresser, 1842 (engraving)