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Michel Senechal backstage in Paris, 1991 (b/w photo)
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Project for Glyndebourne 2 (gouache on paper)
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Michel Senechal in Paris, 1991 (b/w photo)
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Petrushka by igor Stravinsky, original set design, 1911
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Sketch for the set design of Herodias, by Jules Massenet (1842-1912).
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Sketch for the set design of Herodias, by Jules Massenet (1842-1912).
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Design for The Barber of Seville
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Prison, set design for act 1 of 'Ricciardo and Zoraide' by Gioachino Rossini (litho)
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Set design for Last Day of Pompeii, opera in three acts by Giovanni Pacini (1796-1867), 1825
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Jocelyn Herbert, Lindsay Anderson and David Storey (b/w photo)
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David Farr and Gísli (photo)
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Set design for Rimsky-Korsakov's opera Sadko
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Terry Johnson 's play (photo)
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Design for The Barber of Seville by Rossini
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Theatre / opera audience
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Set design for Excelsior ball, by Luigi Manzotti (1835-1905)
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Bertolt Brecht 's play (photo)
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Bertolt Brecht 's play (photo)
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Darius Milhaud 's 'Le Boeuf Sur le Toit', 1921
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Wicked - Idina Menzel (photo)
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Ambrose the Theatre Cat, 2007 (oil & tempera on panel)
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David Hockney at rehearsal of the opera Les Mamelles de Tiresias by Poulenc for which he designed the sets, Theatre du Chatelet, Paris, November 1991 (b/w photo)
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Curtains Red velvet with
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'In Praise of Love'
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Alban Berg - Wozzeck stage set by John Heartfield
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Stage Design for 'Reichstag', 1979 (tempera on plywood)
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Brian Friel 's 'Performances' (photo)
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Werther
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Wicked - Helen Dallimore (photo)
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Daddy Cool' at the Shaftesbury Theatre (photo)
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David Hockney at rehearsal of the opera Les Mamelles de Tiresias by Poulenc for which he designed the sets, Theatre du Chatelet, Paris, November 1991 (b/w photo)
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John Adams' opera 'Nixon (photo)
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Michael Nyman and Michael (photo)
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Set design by Pirrotta for L'Arlesiana, scene III, 1952, opera by Francesco Cilea (1866-1950)
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Michael Nyman and Michael (photo)
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Portrait of Francisco Nieva (b.1927) (oil on canvas)
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act IV
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Life for the Tsar by Mikhail Glinka
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Andrew Fell 's 'Marc (photo)
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Andrew Fell 's 'Marc (photo)
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L'Heure Espagnole  - opera by Maurice Ravel
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Curtains Red velvet with
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Scenography for The Wooden Prince by Bela Bartok, 20th century
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Set design for 'Nerone' (Nero), 1934 (oil on canvas)
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Andrew Fell 's 'Marc (photo)
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Gioacchino Rossini 's opera
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Set design for 'L'Homme et son Désir' by Darius Milhaud (colour litho)
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act II
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Alban Berg - Wozzeck stage set by John Heartfield
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Michael Nyman and Michael (photo)
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William Shakespeare 's play (photo)
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Bent by Martin Sherman (photo)
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Des Keogh in The (photo)
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Six Pictures Of Lee (photo)
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Leos Janacek set for premiere of The  Makropoulos Affair
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The Bee at the (photo)
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The Bee at the (photo)
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Michael Nyman and Michael (photo)
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The Flowerbed at the (photo)
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Playwright Lillian Hellman and Director Gower Champion handle the model of the set for the play 'My Mother, My Father and Me'. January 31, 1963.
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CURTAINS  - Red
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Set design by Pietro Bertoja (1828-1911) for Fausta, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1833-1834
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'Dis-Orientations' - Ma Haili (photo)
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Set design by Carlo Ferrario (1833-1907) for Mefistofele (Mephistopheles), opera by Arrigo Boito (1842-1918), performed at Padua in 1881
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'Tonight at 830' by
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Alexander Hanson, Nigel Anthony and Susan Wooldridge [in basket]in a scene from Tonight at 8.30 by Noel Coward at Chichester Festival Theatre July 2006 Directed by Lucy Bailey
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'Tonight at 830' by
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'Daddy Cool' - Davie (photo)
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