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Immagini di 'Setdesign' trovate, 1,724

Michel Senechal backstage in Paris, 1991 (b/w photo)
 
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Michel Senechal backstage in Paris, 1991 (b/w photo)

Kalter, Marion

KLT3900446

Michel Senechal backstage in Paris, 1991 (b/w photo)

Kalter, Marion

KLT3900446

Project for Glyndebourne 2 (gouache on paper)
 
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Project for Glyndebourne 2 (gouache on paper)

Procktor, Patrick (1936-2003)

NCO292125

Project for Glyndebourne 2 (gouache on paper)

Procktor, Patrick (1936-2003)

NCO292125

Michel Senechal in Paris, 1991 (b/w photo)
 
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Michel Senechal in Paris, 1991 (b/w photo)

Kalter, Marion

KLT3900448

Michel Senechal in Paris, 1991 (b/w photo)

Kalter, Marion

KLT3900448

Petrushka by igor Stravinsky, original set design, 1911
 
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Petrushka by igor Stravinsky, original set design, 1911

Benois, Alexander Nikolaivich (1870-1960)

XLE3765865

Petrushka by igor Stravinsky, original set design, 1911

Benois, Alexander Nikolaivich (1870-1960)

XLE3765865

Sketch for the set design of Herodias, by Jules Massenet (1842-1912).
 
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Sketch for the set design of Herodias, by Jules Massenet (1842-1912).

DGA770202

Sketch for the set design of Herodias, by Jules Massenet (1842-1912).

DGA770202

Sketch for the set design of Herodias, by Jules Massenet (1842-1912).
 
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Sketch for the set design of Herodias, by Jules Massenet (1842-1912).

DGA770201

Sketch for the set design of Herodias, by Jules Massenet (1842-1912).

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Prison, set design for act 1 of 'Ricciardo and Zoraide' by Gioachino Rossini (litho)
 
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Prison, set design for act 1 of 'Ricciardo and Zoraide' by Gioachino Rossini (litho)

Italian School, (19th century)

DGA419272

Prison, set design for act 1 of 'Ricciardo and Zoraide' by Gioachino Rossini (litho)

Italian School, (19th century)

DGA419272

Design for The Barber of Seville
 
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Design for The Barber of Seville

XLE3753612

Design for The Barber of Seville

XLE3753612

Set design for Last Day of Pompeii, opera in three acts by Giovanni Pacini (1796-1867), 1825
 
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Set design for Last Day of Pompeii, opera in three acts by Giovanni Pacini (1796-1867), 1825

DGA768248

Set design for Last Day of Pompeii, opera in three acts by Giovanni Pacini (1796-1867), 1825

DGA768248

Set design for Rimsky-Korsakov's opera Sadko
 
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Set design for Rimsky-Korsakov's opera Sadko

EPL6839389

Set design for Rimsky-Korsakov's opera Sadko

EPL6839389

Jocelyn Herbert, Lindsay Anderson and David Storey (b/w photo)
 
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Jocelyn Herbert, Lindsay Anderson and David Storey (b/w photo)

Haynes, John (b.1937)

HAE4072687

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Jocelyn Herbert, Lindsay Anderson and David Storey (b/w photo)

Haynes, John (b.1937)

HAE4072687

Design for The Barber of Seville by Rossini
 
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Design for The Barber of Seville by Rossini

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Design for The Barber of Seville by Rossini

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David Farr and Gísli (photo)
 
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David Farr and Gísli (photo)

Kenton, Tristam

KNT3820212

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David Farr and Gísli (photo)

Kenton, Tristam

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Terry Johnson 's play (photo)
 
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Terry Johnson 's play (photo)

Kenton, Tristam

KNT3820220

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Terry Johnson 's play (photo)

Kenton, Tristam

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Darius Milhaud 's 'Le Boeuf Sur le Toit', 1921
 
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Darius Milhaud 's 'Le Boeuf Sur le Toit', 1921

Fauconnet, Guy-Pierre (1882-1920) & Dufy, Raoul (1877-1953)

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Darius Milhaud 's 'Le Boeuf Sur le Toit', 1921

Fauconnet, Guy-Pierre (1882-1920) & Dufy, Raoul (1877-1953)

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Set design for Excelsior ball, by Luigi Manzotti (1835-1905)
 
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Theatre / opera audience
 
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Wicked - Idina Menzel (photo)
 
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Stage Design for 'Reichstag', 1979 (tempera on plywood)
 
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David Hockney at rehearsal of the opera Les Mamelles de Tiresias by Poulenc for which he designed the sets, Theatre du Chatelet, Paris, November 1991 (b/w photo)
 
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David Hockney at rehearsal of the opera Les Mamelles de Tiresias by Poulenc for which he designed the sets, Theatre du Chatelet, Paris, November 1991 (b/w photo)

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Ambrose the Theatre Cat, 2007 (oil & tempera on panel)
 
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Daddy Cool' at the Shaftesbury Theatre (photo)
 
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Alban Berg - Wozzeck stage set by John Heartfield
 
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Heartfield, John (1891-1968)

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Heartfield, John (1891-1968)

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John Adams' opera 'Nixon (photo)
 
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Set design by Pirrotta for L'Arlesiana, scene III, 1952, opera by Francesco Cilea (1866-1950)
 
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Set design by Pirrotta for L'Arlesiana, scene III, 1952, opera by Francesco Cilea (1866-1950)

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Portrait of Francisco Nieva (b.1927) (oil on canvas)
 
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Portrait of Francisco Nieva (b.1927) (oil on canvas)

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XLE3763800

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Michael Nyman and Michael (photo)
 
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David Hockney at rehearsal of the opera Les Mamelles de Tiresias by Poulenc for which he designed the sets, Theatre du Chatelet, Paris, November 1991 (b/w photo)
 
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David Hockney at rehearsal of the opera Les Mamelles de Tiresias by Poulenc for which he designed the sets, Theatre du Chatelet, Paris, November 1991 (b/w photo)

Kalter, Marion

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David Hockney at rehearsal of the opera Les Mamelles de Tiresias by Poulenc for which he designed the sets, Theatre du Chatelet, Paris, November 1991 (b/w photo)

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Alban Berg - Wozzeck stage set by John Heartfield
 
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Heartfield, John (1891-1968)

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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act IV
 
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act IV

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Life for the Tsar by Mikhail Glinka
 
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Andrew Fell 's 'Marc (photo)
 
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Michael Nyman and Michael (photo)
 
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Set design for 'Nerone' (Nero), 1934 (oil on canvas)
 
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Marchioro, Edoardo (1882-1935)

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Set design for 'Nerone' (Nero), 1934 (oil on canvas)

Marchioro, Edoardo (1882-1935)

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Scenography for The Wooden Prince by Bela Bartok, 20th century
 
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Hungarian School, (20th century)

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Scenography for The Wooden Prince by Bela Bartok, 20th century

Hungarian School, (20th century)

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Leos Janacek set for premiere of The Makropoulos Affair
 
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Leos Janacek set for premiere of The Makropoulos Affair

XLE3750374

Leos Janacek set for premiere of The Makropoulos Affair

XLE3750374

L'Heure Espagnole - opera by Maurice Ravel
 
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Curtains Red velvet with
 
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Michael Nyman and Michael (photo)
 
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Set design for 'L'Homme et son Désir' by Darius Milhaud (colour litho)
 
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Parr, Audrey (1892-1940)

XLE3773737

Set design for 'L'Homme et son Désir' by Darius Milhaud (colour litho)

Parr, Audrey (1892-1940)

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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act II
 
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Playwright Lillian Hellman and Director Gower Champion handle the model of the set for the play 'My Mother, My Father and Me'. January 31, 1963.
 
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Playwright Lillian Hellman and Director Gower Champion handle the model of the set for the play 'My Mother, My Father and Me'. January 31, 1963.

EVB2952239

Playwright Lillian Hellman and Director Gower Champion handle the model of the set for the play 'My Mother, My Father and Me'. January 31, 1963.

EVB2952239

CURTAINS - Red
 
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SKC3862840

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Andrew Fell 's 'Marc (photo)
 
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Gioacchino Rossini 's opera
 
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'Dis-Orientations' - Ma Haili (photo)
 
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William Shakespeare 's play (photo)
 
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Sketch for RUR (Rossum universal robot), drama by Karel Capek (1890-1938), Illustration by Bedrich Feuerstein (1892-1936), 1920
 
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Des Keogh in The (photo)
 
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Bent by Martin Sherman (photo)
 
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Six Pictures Of Lee (photo)
 
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Gioacchino Rossini 's opera
 
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Set design by Pietro Bertoja (1828-1911) for Fausta, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1833-1834
 
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Set design by Pietro Bertoja (1828-1911) for Fausta, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1833-1834

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The Flowerbed at the (photo)
 
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act II
 
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act II

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The Bee at the (photo)
 
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The Bee at the (photo)

Kenton, Tristam

KNT3819763

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The Bee at the (photo)

Kenton, Tristam

KNT3819763

The Bee at the (photo)
 
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Il Content Partner applica le seguenti restrizioni
  • Bridgeman Photographer - A Premium Fee will be applied to the final quote/invoice;Editorial use only
Copyright/Diritti d'Autore
  • In Copyright
The Bee at the (photo)

Kenton, Tristam

KNT3819752

premium

premium
The Bee at the (photo)

Kenton, Tristam

KNT3819752

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act V
 
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act V

DGA769648

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act V

DGA769648

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