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John Haynes

Biografia

John Haynes started taking photographs in 1963 after seeing Henri Cartier-Bresson’s book The Europeans (Les Européens), teaching himself photography with the aid of the American photographer Andreas Feininger’s book Manual of Advanced Photography whose focus was on the thought behind the taking of a picture, rather than on any technical aspect.

After working for two years with The Sunday Times he decided to specialise in Theatre Photography.

He was the in-house photographer for The Royal Court Theatre, Hampstead Theatre, and Michael Codron Ltd, from 1970 – 1994. During that time he also ...
John Haynes started taking photographs in 1963 after seeing Henri Cartier-Bresson’s book The Europeans (Les Européens), teaching himself photography with the aid of the American photographer Andreas Feininger’s book Manual of Advanced Photography whose focus was on the thought behind the taking of a picture, rather than on any technical aspect.

After working for two years with The Sunday Times he decided to specialise in Theatre Photography.

He was the in-house photographer for The Royal Court Theatre, Hampstead Theatre, and Michael Codron Ltd, from 1970 – 1994. During that time he also worked regularly for: Cheek by Jowl, Joint Stock /Out of Joint. LAMDA, Robert Fox Ltd, RSC, The Tricycle Theatre and for many other London managements, including Shakespeare’s Globe.

He has photographed over 200 productions for The National Theatre under the artistic direction of Laurence Olivier, Peter Hall, Richard Eyre and Trevor Nunn.

Three of John's portrait photographs have recently entered the permanent collection of the National Portrait Gallery in London. Images of Samuel Beckett, Joe Orton, and Mike Leigh. The National Gallery of Ireland in Dublin also holds John's portraits in its collection.

Opera di 'John Haynes' trovata, 201

Stokely Carmichael reading from 'Black Skin White Masks' by Frantz Fanon, Roundhouse, London, 1967 (b/w photo)
 
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Stokely Carmichael reading from 'Black Skin White Masks' by Frantz Fanon, Roundhouse, London, 1967 (b/w photo)

Haynes, John (b.1937)

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Stokely Carmichael reading from 'Black Skin White Masks' by Frantz Fanon, Roundhouse, London, 1967 (b/w photo)

Haynes, John (b.1937)

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Samuel Beckett at the Royal Court Theatre, London, 1973 (b/w photo)
 
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Samuel Beckett at the Royal Court Theatre, London, 1973 (b/w photo)

Haynes, John (b.1937)

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Samuel Beckett at the Royal Court Theatre, London, 1973 (b/w photo)

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Ronald D Laing
 
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Ronald D Laing

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Ronald D Laing

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Footfalls - scene from the play by Samuel Beckett (b/w photo)
 
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Footfalls - scene from the play by Samuel Beckett (b/w photo)

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Endgame - scene from the play by Samuel Beckett, 1976 (b/w photo)
 
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Endgame - scene from the play by Samuel Beckett, 1976 (b/w photo)

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Paula Rego, 1997 (b/w photo)
 
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Paula Rego, 1997 (b/w photo)

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Paula Rego, 1997 (b/w photo)

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Alan Howard & Ben Kingsley, 1997 (photo)
 
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Endgame - scene from the play by Samuel Beckett (b/w photo)
 
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R.D. Laing, Paul Zeal and Leon Redler
 
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Billie Whitelaw in "Footfalls" by Samuel Beckett, 1976
 
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Paula Rego in her studio in 1997 (b/w photo)
 
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Samuel Beckett
 
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Lunch in Hunslet, 1972 (b/w photo)
 
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Samuel Beckett 's play 'Not I' (b/w photo)
 
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Happy Days - scene from the play by Samuel Beckett (b/w photo)
 
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Coalman and boy, Lupset Estate, Wakefield, 1972 (b/w photo)
 
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Harold Pinter in Samuel Beckett 's play 'Krapp's Last Tape'
 
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Samuel Beckett 's play 'Not I'. The mouth
 
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Endgame - scene from the play by Samuel Beckett (b/w photo)
 
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Play - scene from the play by Samuel Beckett (b/w photo)
 
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Samuel Beckett at the Royal Court Theatre, London in January 1973 (b/w photo)
 
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That Time
 
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Billie Whitelaw
 
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Samuel Beckett at the Royal Court Theatre with Billie Whitelaw, London in May 1979 (b/w photo)
 
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Oh les beaux jours....
 
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Paula Rego in her studio in 1997 (b/w photo)
 
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Paula Rego in her studio in 2002 (b/w photo)
 
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Paula Rego in her studio in 1997 (b/w photo)
 
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Paula Rego in her studio in 1997 (b/w photo)
 
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Paula Rego in her studio with a model, in 1997 (b/w photo)
 
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Rego, Paula (1935-2022)

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HAE3833929

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Sunday Pub League, Wakefield, 1972 (b/w photo)
 
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RD Laing at Dialectics Congress, 1967 (photo)
 
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Ronald David Laing
 
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Matthew McFrederick, Lisa Dwan and Walter Asmus during rehearsals for Not I, Footfalls, Rockababy, Royal Court Theatre, 2014 (photo)
 
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Paula Rego in her studio in 2002 (photo)
 
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Catching a ... River Wharf, Yorkshire 1972 (b/w photo)
 
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Burnsall wedding 1972 (b/w photo)
 
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Samuel Beckett at the Royal Court Theatre, London in January 1973 (b/w photo)
 
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Harry Andrews in 'Lear' by Edward Bond, Royal Court Theatre, 1971 (b/w photo)
 
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John Gielgud and Ralph Richardson in 'Home' by David Storey, Royal Court Theatre, 1970 (b/w photo)
 
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Shopping in Wakefield, 1972 (b/w photo)
 
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Woman working, Sutcliffs, Wakefield, 1972 (b/w photo)
 
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Endgame - play by Samuel Beckett
 
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Samuel Beckett 's play 'Not I'.
 
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Krapp's Last Tape
 
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Billie Whitelaw
 
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Samuel Beckett 's play 'Not I'. The mouth
 
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Endgame - play by Samuel Beckett
 
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Samuel Beckett at the Royal Court Theatre, London in January 1973 (b/w photo)
 
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Insignificance, a play Terry Johnson (b/w photo)
 
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"The Changing Room" rehearsals, Richmond Rugby ground, 1971 (b/w photo)
 
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Samuel Beckett 's play 'Not I' (b/w photo)
 
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Stokely Carmichael, Roundhouse, London, 1967 (b/w photo)
 
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Crossing the wharf at Bolton Abbey, Wharfdale, 1972 (b/w photo)
 
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R D Laing, 65a Belsize Gardens, London NW3, 1971 (b/w photo)
 
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RMS Queen Elizabeth, 1961 (b/w photo)
 
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Gordale Scar, 1972 (b/w photo)
 
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Haynes, John (b.1937)

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Paula Rego in her studio in 2002 (b/w photo)
 
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Samuel Beckett at the Royal Court Theatre, London in January 1973 (b/w photo)
 
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That Time - scene from the play by Samuel Beckett, with Patrick Magee at the Royal Court Theatre, London, May 1976 (b/w photo)
 
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Waiting for Godot - scene from the play by Samuel Beckett, in the Gate Theatre Dublin production at the Barbican, London, 1999 (b/w photo)
 
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Happy Days - scene from the play by Samuel Beckett (b/w photo)
 
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Krapp's Last Tape - scene from the play by Samuel Beckett (b/w photo)
 
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Ronald David Laing
 
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