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Study for Homage to the Square 'Looking Deep', 1963 (oil on masonite)
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  • Le droit d'auteur s'applique
Study for Homage to the Square, 1963 (oil on masonite)
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  • Le droit d'auteur s'applique
Study for Homage to the Square 'Golden Membrane', 1971 (oil on masonite)
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Faded Flowers, 1955 (oil on panel)
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Detail of a fresco (photo)
Study for Homage to the Square, 1973 (oil on masonite)
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UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3899938)
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Homage to the Square (Small Interval), 1968 (oil on masonite)
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Plaque on Jane Austen's House (photo)
UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3740756)
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Study for Homage to the Square 'Light Resonance', 1962 (oil on masonite)
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Verso: Studies of the nervous system, c.1485-90 (metalpoint (faded) and pen and ink on blue-grey prepared paper)
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Fragment of a Woman's Head, Coptic (textile)
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Damascene Moment: Moving Towards, 2010 (oil on canvas)
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Cup and stand (porcelain & qingbai glaze)
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Studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3899937)
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Virgin and Child (painted wood)
'Photographic Failures,' from Punch, or the London Charivari, Vol. 12, p. 142, 1847 (engraving)
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Ouroboros Three: Red, 2010 (oil on canvas)
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Paint on wood (photo)
Virgin and Child (painted wood)
Virgin and Child (painted wood)
Detail of a fresco (photo)
A study for a Nativity, and architectural studies, c.1485 (metalpoint, much faded, and pen and ink on pale blue prepared paper)
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Studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3899946)
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Detail from the Virgin and Child (painted wood)
Act of oblation of 1140, signed by Judge Falcone, chronicler from Benevento, parchment
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Interior of an ancient Roman room beneath the nave (photo)
Illustration to the poem Faded Tapestry from the book Childhood by Millicent and Githa Sowerby, published 1907
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Detail of a fresco (photo)
Three Heads, Kneeling Man, Old Man's Head, 1495-1530
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Saint John the Baptist in the wilderness, 1520-1550 (ink (black and green, now faded) on paper)
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Structural Still Life, 1956 (pen & ink with airbrush on paper)
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Wall in the House of Argus (photo)
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Faded reliefs, Firuzabad, Iran, Sassanid civilization
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Fresco in the vestibule (photo)
Ulrich, also known as Volrico, patriarch of Aquileia, bestows right to hold trials on Cividale, 1176
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Portrait of Alessandro Manzoni (1785-1873) (photo)
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Crowned male figure (painted plaster)
Fresco in the vestibule (photo)
Wall painting (photo)
Raphus solitarius
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Diploma of Astolfo, King of Lombards and King of Italy from 749 to 756
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Detail from fresco by Romanino Girolamo (ca 1484-1566), Sant'Antonio (St Anthony) Church, Breno, Italy, 16th century
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Sacred shrine in Franciscan monastery of San Miguel, Muna, Yucatan, Mexico
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William IV-style mahogany writing desk with faded-black leather top, 1840, United Kingdom, 19th century
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Remains of a fresco (photo)
The Last Supper, c.1514 (pen & ink with stylus lines and pointing; the outlines indented; badly faded, the paper discoloured and abraded)
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"Why do my flowers look so faded today" ? Colour illustration showing a young girl, Ida, sitting on a sofa with a young man, a student, who is holding a pair of shears.
Interior of the Columbarium (photo)
Port Said street scene, c.1910 (b/w photo) [2005/078/1/220]
Figure of dog, detail from fresco by Girolamo Romanino (ca1484-1566), Sant'Antonio (St Anthony) Church, Breno, Italy, 16th century
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Tetramorph, symbol of four evangelists, miniature from Trier Gospel, ca 740, manuscript, 8th century
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Interior of the Columbarium (photo)
Adoration of the Magi (fresco)
Indian fabric showing small flowers and vases embedded in and alternating with large droplet shapes.
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The Virgin and Child with the Infant St John, c.1505 (metalpoint (much faded) and white heightening on pink-buff prepared paper)
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