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Parmigianino (Francesco Mazzola) (1503-40)


Oeuvre de 'Parmigianino (Francesco Mazzola) (1503-40)' trouvé, 282

Madonna with the Long Neck, 1534-40 (oil on canvas)
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Portrait of Antea 'La Bella', 1535-37 (oil on canvas)
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The Circumcision, c.1523 (oil on panel)
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Pallas Athena, c.1531-38 (oil on canvas)
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Madonna and Child with Saints, c.1529 (oil on panel)
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Virgin and Child, c.1527-28 (oil on panel)
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Cupid Sleeping, c.1555 (oil on canvas)
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The Turkish slave, by Francesco Parmigianino (1503-1540)
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Two Studies of the Virgin and Child, before 1526 (pen & ink, gouache and bistre on paper)
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Virgin and Child on a cloud (pen, wash & bistre on paper)
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Portrait of a young lady, Antea, 1530-35, Parmigianino (oil on canvas)
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Lucretia (oil on panel)
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Madonna with Saint Zacharias, c.1527-30 (oil on canvas)
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Renaissance - Painting: Portrait of young woman - 'Antea' - Museum of Capodimonte, Naples, Italy
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Visitation
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Study for Three Kids before a Fence, after 1530 (pen and bistre on paper)
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Antea Representation of Sthenebee wife of King Proetos, she falls in love with Bellerophon (Portrait of Stheneboea or Stheneboia, consort of Proteus) - Painting by Girolamo Francesco Maria Mazzola dit Parmigianino or The Parmesan (1503-1540) 1530-1535 Museo di Capodimonte, Naples
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The favorite or Turkish slave, 1530 (oil on canvas)
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Self-portrait by Francesco Parmigianino (1503-1540)
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Couple of cherubs, from Myth of Diana and Actaeon, 1524, by Francesco Mazzola known as Parmigianino (1503-1540), fresco, , Room of Diana and Actaeon, Rocca Sanvitale, Fontanellato, Italy, 16th century
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The Revenge of Vulcan
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Virgin and Child, with Saints Catherine and John
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Portrait of Galeazzo Sanvitale, 1524, by Francesco Parmigianino (1503-1540), oil on wood, 109x81 cm
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Woman seated on the ground (recto), c.1523-24 (black chalk & white bodycolour on light brown tinted paper)
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Portrait of a Man
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Portrait of a young nobleman, c.1530-32 (oil on panel)
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Study of Virgin for church of Detached, by Francesco Parmigianino (1503-1540)
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Study for legs of Saint John the Baptist, 1521 (black chalk, pen and brown ink and brown wash on laid paper)
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Nymphs bathing (pen and diluted ink, white lead)
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Actaeon's transformation into stag, from Myth of Diana and Actaeon, circa 1524, by Francesco Mazzola known as Parmigianino (1503-1540), fresco, Room of Diana and Actaeon, Rocca Sanvitale, Fontanellato, near Parma, Emilia -Romagna, Italy, 16th century
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Virgin with long neck - 1534 Oil on wood
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