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James Lynch

Biographie

From his first sell-out exhibition in the 1980's James Lynch went on to win awards from the Royal Academy, <br> the Elizabeth Greenshields Foundation and The Spectator. His patrons include the National Trust, Folio Society, <br> Lord Bath and many other eminent private collectors. <br> <br> He is known for his monumental animals set in luminous farmland and visionary English landscapes in <br> dramatic weather or lit by early morning, evening and seasonal light. There is often an aeriel viewpoint inspired by<br> his love of paragliding off hills in Somerset, Dorset and Wilshire.<br> His From his first sell-out exhibition in the 1980's James Lynch went on to win awards from the Royal Academy, <br> the Elizabeth Greenshields Foundation and The Spectator. His patrons include the National Trust, Folio Society, <br> Lord Bath and many other eminent private collectors. <br> <br> He is known for his monumental animals set in luminous farmland and visionary English landscapes in <br> dramatic weather or lit by early morning, evening and seasonal light. There is often an aeriel viewpoint inspired by<br> his love of paragliding off hills in Somerset, Dorset and Wilshire.<br> His work is firmly in the tradition of English Romantic painters.<br> He paints on gesso-coated panels using the Renaissaince medium of egg tempera which he mixes himself.<br> ...


Dormouse, 1996 (tempera on panel)
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"Dulce Domum", illustration to 'The Wind in the Willows' by Kenneth Grahame (1859-1932) 1994 (tempera on paper)
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Joseph the Bagot Goat, 1993 (tempera on panel)
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Ewe and Lamb, 1991 (tempera on panel)
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Like Summer Tempests Came His Tears, illustration to 'The Wind in the Willows' by Kenneth Grahame (1859-1932) 1994 (tempera on paper)
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The Storm, 1994 (tempera on panel)
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Wayfarers All, 1994 (tempera on paper)
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Rainbow, Cooke's Lane, 2001 (tempera on canvas)
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Boxing Hares, 1999 (tempera on panel)
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Brahmas Cockerel, 1995 (tempera on panel)
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Evening, Powerstock, 2005 (tempera on canvas)
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The White Hind, 2003 (tempera on canvas)
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Gloucester Old Spot, 1989 (w/c on paper)
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Glastonbury Tor, 1995 (tempera on panel)
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Reynard the Fox, 1996 (tempera on panel)
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Charolais Bull with Corinthian Column, 1993 (tempera on panel)
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Flight of the Crow, 2003-4 (tempera on canvas)
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The Greenhouse (tempera on panel)
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Butterfly at Chartwell, 1999 (tempera on panel)
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Red Devon Bull at Kingston Lacy, 1993 (w/c on paper)
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Reynard the Fox, 1997 (tempera on panel)
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Doves at Tytherington, 1995 (tempera on panel)
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Three Houses at Kingston Deverill, 2003 (tempera on canvas)
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Hazlegrove House, 2007 (tempera on canvas)
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The Vegetable Plot, 2003 (tempera on canvas)
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Mars over the Milking Parlour, 2003 (egg tempera)
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Leaping Hare on Brimsdown Hill, 2007 (tempera on paper)
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Storm over Mere, 2005 (tempera on canvas)
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Buzzard in Flight, 2008 (tempera on canvas)
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Low Ham Steam Fair, 2005 (tempera on canvas)
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Little England, 2006 (tempera on canvas)
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The Deverill Valley, 2006 (tempera on canvas)
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Three Houses at Kingston Deverill, 2006 (tempera on canvas)
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Half Moon, Powerstock, 2005 (tempera on canvas)
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Barn Owl at Sutton Montis, 1997 (oil on canvas)
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Dark Brahma, Sutton Montis, 1999 (tempera on panel)
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Brahma Cock in Field of Lettuces, 1997 (tempera on panel)
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Barn Owl, High Ham, 1999 (tempera on panel)
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The Open Road, illustration to 'Wind in the Willows' by Kenneth Grahame (1859-1932) 1994 (tempera on paper)
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Charolais Bull on a Hot Summer's Day, 1990 (tempera on panel)
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Goose by a Wall, 1994 (w/c on paper)
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Tree under Cumulus Cloud, 1996 (tempera on panel)
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Sleeping Pig, 1996 (tempera on panel)
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Charolais Bull with Hills Beyond, 1994 (tempera on panel)
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Creech Hill, 1993 (tempera on paper)
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Outside Looking In, 1993 (tempera on panel)
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Harvest Moon over Sutton Montis (tempera on paper)
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Rabbits, 1990 (w/c on paper)
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Goose in a Cornfield, 1995 (tempera on panel)
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Middle White Boar, 1990 (w/c on paper)
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Roundabout (tempera on panel)
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Goose in a Hay Field, 1994 (tempera on panel)
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White Faced Woodland Sheep, 1993 (tempera on gesso panel)
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Winter Ploughing, 2005 (tempera on canvas)
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Sunset over Beer, 2006 (tempera on canvas)
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Danes' Bottom, Kingston Deverill, 2005 (tempera on canvas)
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Adcombe Wood, 2005 (tempera on canvas)
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Olive's House, Spring, 2004 (tempera on canvas)
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Leaping Trout (tempera on canvas)
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Fireworks, 1998 (egg tempera on gesso panel)
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Mary's Field (tempera on panel)
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Distant Cumulus, 1999 (tempera on panel)
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Jacob's Sheep, 1991 (tempera on panel)
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Longhorn Cow and Calf, 1992 (tempera on panel)
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Hereford Bull before a Hedge, 1991 (tempera on panel)
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Middle White Pig, 1993 (tempera on panel)
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Moonscape, 1992 (tempera on paper)
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Chalk Track, 1993 (tempera on paper)
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Sheep and Lamb, 1994 (w/c on paper)
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Creech Hill Fairy, 1996 (tempera on panel)
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Polden Hills from High Ham, 1999 (tempera on panel)
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Rape Field, Compton Pauncefoot, 1997 (tempera on panel)
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Sunset (tempera on paper)
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Sutton Montis Church, 1992 (tempera on paper)
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Dusk, 1993 (tempera on paper)
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Cows at Powerstock, 2005 (tempera on canvas)
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Apple Tree, Dawn, 2001 (tempera on canvas)
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Cumulo-nimbus over Mere, 2006 (tempera on canvas)
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Ted's Caravan, 2004 (tempera on canvas)
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Storm over Low Ham, 2006 (tempera on canvas)
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Sun Breaking Through, 2005 (tempera on canvas)
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Rainbow, King's Sedgemoor, 2001 (tempera on canvas)
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Dove in Flight, 1994 (tempera on panel)
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Fairy in the Orchard, 1996 (tempera on panel)
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Sunset over North Cadbury, 1999 (tempera on panel)
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Nadder Valley, 1999 (tempera on panel)
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Oare Church, 1993 (w/c on paper)
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Tamworth Gilt, 1992 (tempera on panel)
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Soay Sheep at Wimpole, 1995 (tempera on panel)
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A Gaggle of Geese, 1993 (tempera on panel)
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