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Alessandro Sanquirico (1777-1849)


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Set design by Alessandro Sanquirico (1777-1849) for La Straniera (The Stranger Woman), opera by Vincenzo Bellini (1801-1835)
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Il crociato in Egitto (The Crusader in Egypt) by Giacomo Meyerbeer (1791-1864): scenography by Alessandro Sanquirico, 1826. Sketch for the port of Damietta, Museo del Teatro alla Scala, Milan.
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Scenography by Alessandro Sanquirico (1777-1849) for “The Clemence of Tito” by Wolfgang Amadeus Mozart (1756-1791) climbs to La Scala in Milan in 1819 and represents the atrium of the Temple of Jupiter Stator Statore: Sextus is stopped; to preserve Viterlia, he alone endorses the conspiracy in front of the and before Titus who condemn him to death. Taking remorse, Vitellia abandons her dreams of power and confesses her betrayal. Magnanimous, refusing to regain by terror, Titus forgives everything and has all under the ovations of his subjects.
Scenography of Sanquirico for the opera “Semiramis”” (Semiramide) by Gioacchino Rossini represents at the Teatro alla Scala, 1824: the interior of the sanctuary. Museo del Teatro alla Scala, Milan
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Scenography of Sanquirico for the opera “La gazza ladra” by Gioacchino Rossini represented at the Teatro alla Scala in Milan in 1817: the Tribunal du Podestat near Paris.
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Scenography of Sanquirico for the opera “Anna Bolena” by Gaetano Donizetti (1797-1848) represented at the Teatro Carcano in Milan, 1831. Museo del Teatro alla Scala, Milan
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